Tag Archives: Waltz

Clearly I Don’t See Myself Upon That List

I was supposed to head over to the Fancy Dance Hall on Saturday morning to have two different coaching sessions – first an early session with Lord Dormamu, then afterward my normal session with Sir Steven. When I got to the Fancy Dance Hall, I found Sir Steven and the Princess working with a female student on some technical points. As I walked through the studio to find a place to change my shoes, both Sir Steven and the Princess waved to me and asked me what I was doing there so early. I guess Lord Dormamu had overscheduled himself that morning, and had told everyone he would be shifting around a bunch of his lessons (one of which was mine) so Sir Steven and the Princess didn’t expect to see me for a couple of hours yet. Apparently both Sparkledancer and I were the only ones who hadn’t gotten that message, since she showed up a few minutes later and had the same bewildered look on her face when I asked her if she had heard anything.

Luckily, Sir Steven had an open hour during the time when Sparkledancer and I would have otherwise been working with Lord Dormamu, so we decided to have that lesson first, and spent most of our time working on Waltz. One of the other instructors at the Fancy Dance Hall had just come back from a coffee and confection run as Sir Steven, Sparkledancer and I were getting started. He and the Princess took up residence on one of the couches in the back of the dance floor to enjoy the treats he had procured and have some idle conversation to pass the time while waiting for their next appointments.

Since the Fancy Dance Hall was otherwise quiet that morning, I could tell that they were playing peanut gallery in the back, watching everything we were doing as they conversed. Occasionally the Princess would yell out at me because she thought I did something wrong. I’m sure she thought she was helping, but after the second or third time she randomly interjected I started to get paranoid. I wasn’t entirely certain I was actually doing anything wrong – things felt right to me at the time – but I wasn’t going to question the Princess, so I just hung my head in shame and went back to repeat things even if Sir Steven didn’t tell me to. He would just laugh at me and let me finish before having us move on.

There were a few points I need to remember from that lesson. For one, Sir Steven said that our opening steps in the Waltz were starting to curve more than he would like for some reason. He told us to go back and think about how the starting steps in our Foxtrot routine move, since the opening Feather into a Reverse Turn travel in a pretty straight line. We wanted to make sure in the Waltz to also travel in a straight line until we had to rotate in the Natural Turn, which should fix the issue.

Another thing we were told to start focusing more practice time on was lowering and then starting all of our rotations from our standing leg as we push out. As we have gotten better about lowering at the appropriate time in the figures and driving straight forward out of steps, it has started to look more like our rotation is an afterthought, so Sir Steven wanted us to focus on doing our turning as we push out instead. He had Sparkledancer and I practice this by doing some normal rotating Natural and Reverse Turns in circles, both separate and then together. This was something we were told to spend a few minutes on when we were warming up in each of our practice sessions, so that we wouldn’t forget to do it when we danced normally.

After we finished up with Sir Steven and were writing up the paperwork for our lesson, Lord Dormamu emerged from his meeting and was ready to go. He came over to where we were all standing to ask us what we had just finished working on. Sir Steven was kind enough to fill him in on the specifics, and Lord Dormamu decided that since we had spent most of our time with Sir Steven covering the Waltz that he would continue to focus with us on Foxtrot for the time being. Because, you know, we had so much fun the last time we worked on Foxtrot, so he wasn’t ready to move on to anything else yet.

What we did that day was… kind of crazy. Things started off normal enough, with Lord Dormamu asking us to dance for him so that he could see how we’d been coming along in our practice since last time. Overall, he thought we were doing better, but we still didn’t show quite enough drive coming from our pelvic regions for his taste. Yup, that’s how I know things in my life have gotten weird – when I start talking about ‘driving from my pelvic region’ as if it’s the most normal thing in the world to discuss. Phrases like that seem to come up fairly frequently nowadays. Ballroom dancing is such a nutty world, isn’t it?

Sparkledancer was taken to task first on this point. She and Lord Dormamu started dancing together, and just left me behind in the corner for a good ten minutes or so. I tried to keep an eye on what they were doing to see if I could pick up any pointers, but they were moving all over the room and with the other people dancing on the floor I found it hard to keep up with what was going on. I gave up after a while and decided to pass the time instead by making jokes at the Princess and her student, since they were dancing near my corner. I didn’t get much information from Sparkledancer about what they were covering while they wandered off, but she did tell me later that Lord Dormamu told her that her pelvis was “too polite” and he wanted her to fix that by learning to drive it forward harder. I’m not sure that I could ever get away with telling a girl that. It must be nice to be a dance instructor.

Then it was my turn. On a positive note, Lord Dormamu told me that he thinks I have successfully reset the default position for my head, so now I can start looking to the left again. Hooray for small victories! However, lest we get too far into the celebrations, I was also told that I needed to really work on pushing everything from both my right side of my abdomen and from my pelvis as well. This is when I was asked to do something awkward and uncomfortable: Lord Dormamu wanted me to get myself into dance frame and then clasp my hands behind my back. Then I was to dance by driving forward from those two parts of my body as much as possible, which put a wicked curve in my back because I needed to counterbalance myself with my head. When he said I was doing things right, I felt like my chest was pointing up to the ceiling, as if I were going to do a pull-up. While that is a common feeling for me, I’ve never held that position while dancing before.

This was not a comfortable way to dance by any stretch of the imagination. That must mean that I was doing things correctly, right? At first I was just dancing while Lord Dormamu walked in front of me, pressing his hands down on my shoulders. Then I had to do it with Sparkledancer putting her hands on my shoulders, but the two of us were also expected to try to maintain body contact, so I was awkwardly driving my abdomen and pelvis into her while she was working on driving her no-longer-shy pelvis into me. Most of the figures were OK while dancing like this. Some of the figures that rotated got to be a little wild, but I would expect that any time I try dancing with someone without being able to lock our upper bodies in a consistent relative position.

We spent a good half-an-hour dancing like this, with Lord Dormamu having us fix little things on each repetition. For instance, one time through he wanted us to exaggerate our footwork on the Natural Weave. As he said, “judges are old, blind and stupid” so we would have to make every step that we did as visible as possible if we wanted to get good marks (yes that is actually a real quote from Lord Dormamu). At the end of our session, just before wrapping things up, Lord Dormamu hemmed and hawed for a while and told us that, against his better judgement, he was going to have us try to dance the routine in frame once. By the time he stopped us just before we had completed the short wall, he said that he was really surprised by how well we had done – he doesn’t usually expect his students to be able to apply everything so quickly. Hooray! Go team!

As you probably already guessed, we were told that we should add in this exercise during our practice. To clarify, I asked him whether we should be dancing in that hold with just Foxtrot right now, or should we practice all of our routines like that. He said for now we should use it on all the routines, then stopped himself and said we may not need it for Tango, but he wasn’t sure. He had us start our Tango routine for him once, stopped us after a few figures and said that he liked the way that our topline looked already, it was just our legs that needed to be fixed, so we wouldn’t have to try to dance Tango while in that awkward frame. So that means only four more things for the practice list instead of five. Sigh…

Monday night I headed out to Latin Technique class. Before class got started, Lord Junior and Miss Shortdress were sitting around and talking about how much they both loved Samba, so that is what we ended up working on that night. Nothing we did was all that crazy in reality – we started out with three Promenade and Counter Promenade Runs, going into three Natural Pivots that came out into a final Promenade Run. At the end of that we rotated to face our partners by doing one Volta Movement that we held for two beats, just for a change of pace from the frantic movements we had up to that point.

Next up were these fancy, curving alternately outward and inward Lock Steps. We held on to our partner with our right hand in her left, then did a Lock Step that would curve away about an eighth of a turn, then curved back on the next Lock Step so that we could be palm to palm with our partner using our free hand, then repeated that combination. After the second set of Lock Steps, we came together at the end for two Stationary Samba Walks to finish out the musical phrase.

Yesterday in Standard Technique class we looked at Foxtrot. The last class Lord Junior had made a point of talking with all of us about the competition he had been in recently, and how the biggest problem he dealt with was that all of his students wanted to move way too fast. Whether it was because of nerves or adrenaline or just not being able to hear the rhythm of the music, Lord Junior had been constantly holding his students back to keep them on time with him. That’s why in the previous week’s class we had worked on dancing through some basic Waltz figures reeeeeeeeaaaallllly slow. This week he had all of us work on the same thing in Foxtrot.

None of the figures we used were all that complicated. Starting with a prep step we did a Feather, a Reverse Turn with Feather Finish and a Three Step. As we progressed through class, we switched out the Three Step at the end for a Top Spin, just to make things more interesting. But we did things super slow… like 70% tempo was the fastest that we went for most of the class until right at the end when we were allowed to try things at full speed once to see if there was any improvement. Dancing that slowly wasn’t that bad for me, since my part of all the steps used is rather simple. The hardest part was helping the ladies to maintain their balance during the Heel Pull in the Reverse Turn, and keeping my dance partner from speeding up when we were traveling in a straight line. For some reason, most of the ladies in class wanted to accelerate when traveling straight, like in the Feather or Three Step.

Now, for the most troubling part of going to these classes this week was… Miss Shortdress. College is out for the summer, and she has been back with us the last two weeks for Standard Technique and Latin Technique classes. I didn’t think much about it when she first showed up two Wednesdays ago, since I hadn’t seen her in a while and it took me a lot longer than I care to admit to remember her name initially. I made mention of her a couple of times last summer, because people kept making fun of me for her acting like she had a crush on me. Well… I guess the long school year did not cause her to move on from that crush.

Monday night, since there wasn’t a gaggle of ladies to contend against when vying for my attention, Miss Shortdress was pouring it on pretty noticeably. She made a point of skipping ahead in the line of ladies to dance with me more than once during the hour. Before and after class she was hovering nearby and seemed to laugh extra hard at my jokes I was making when talking with people. And at one point when we were dancing together she called me “babe” unexpectedly. I think I faltered on my next step when I heard that. So that’s weird, right? I really don’t understand women…

Then on Wednesday night, there were a lot more women in class with us, so the things she was doing were at more of a distance. I heard from people who were standing near her in the line of ladies that Miss Shortdress was talking about me with one of her classmates. I guess she was once again laughing overly hard at some of the silly and quirky things I was doing, and somehow managed to drop into the conversation a line about how she thought I was ‘so cute.’ She did make a point of telling me directly at one point when we were about to dance together that she really liked how I got into frame… which normally would have been a nice compliment, but with everything else I’d seen and heard in classes this week made me feel uncomfortable.

I don’t know what to do about her. Hopefully this behavior doesn’t get any worse as the summer progresses. I can handle little things like these miniature flirtatious teases, but I don’t know what to do if her ‘amorous advances’ become any more blatant. I mean, I’ve got to be at least a dozen years older than her, so I definitely don’t want to accidentally encourage anything and get a reputation for being a creepy old man (skeevy, I believe, is the word I used for that last week). It also doesn’t seem worthwhile to say anything to her to confront the issue, since she will only be around until summer is over and then she’ll run off to college again and the problem will just disappear without any effort.

I bet if I didn’t dance she wouldn’t even consider me worth her time. Is dancing like my curse?

Anyway… so many things to do this weekend! On Saturday I have lessons with both Lord Dormamu and Sir Steven. Normally we try to have at least two weeks between our lessons with Lord Dormamu so that Sparkledancer and I can practice things, but he will be out of town the weekend of the 24th, so we moved things up. Saturday night I have a dance party to host, with some strange theme that I’m really not sure how to dress for. Sunday there is this high-level International Standard coach who will be hanging out at the Electric Dance Hall, and I signed up to have a lesson with him to get an outside opinion on all the things I’ve been working on with Lord Dormamu recently. At some point in all of that, I really hope I can go get all my hairs cut, since they have grown long enough to bother me. Will I manage to fit everything in?

Tune in next week to find out!

I Wanna Go Where The Down Boys Go

So what’s new in my dance world this time around? Well, this past weekend it was time for my latest check-in with Lord Dormamu so that he could see how all of the practice time I’d been putting in with Sparkledancer was coming along. We ended up spending our entire session time on Foxtrot this week, since even though he could see improvement in our Foxtrot over where I started, what I was doing wasn’t… enough for him to be happy about.

Let’s start with him wanting me to stay low during the entire dance. I felt like I was super low the whole time, with my knees bent so much that they would run into Sparkledancer if I tried to bend them any further. Apparently that just wasn’t low enough for Lord Dormamu’s taste. Sparkledancer was sent off to stand on the side of the floor for a while and he made me get into frame, and then he came over and put his forearms on my shoulders and pushed me down even lower, and he told me to dance like that while he held my shoulders at that level. Every time I took a step forward, I felt like I was doing the prisyadka (that’s the actual name of that dance figure you always see ‘Russians’ doing on TV, where they are squatting and kicking… I’m sure you can picture what I’m talking about) instead of dancing Foxtrot. Вздох…

I also got called out for not making my movements smooth enough, as if I was dancing three even steps over four beats. This one though, I pretty much accepted. I have had a lot of musical training in my life. It’s a little known fact that I was a professional musician in my younger days, so I might admit to knowing a thing or two about music. That’s part of the reason that I was able to pick up dance pretty quickly when I was in that newcomer phase – my sense of rhythm was really good, so I was able to take steps in time with the music with no problem. But the training I had through the years enforced STRICT rhythm control on me (I was not a drummer, but I always wanted to be), so when Lord Dormamu talked about throwing out the rhythm and making Foxtrot more like Waltz where you take three even steps in each average measure instead of one two-beat step and two one-beat steps, I knew that would be trouble. I’ve worked on it, but when I am focusing on other techniques while dancing, my brain will automatically reset to having my feet follow the rhythm exactly. So that adjustment is going to take me probably several more weeks before it happens more naturally.

On a high note though, I was able to impress, or maybe surprise, Lord Dormamu at one point during our session. We had been looking at part of the Natural Weave in Foxtrot, and he was explaining something about how to best take the first and second step. Thinking out loud, I off-handedly remarked that what he was saying was similar to what I had been told about the first two steps in a Double Natural Spin a couple of weeks ago. He overheard me mumbling and asked me to repeat myself, and when I mentioned the Double Natural Spin louder he nodded and exclaimed ‘Yes!’ loudly, saying that it would be exactly like the first two steps for that. Then as we were walking back toward where Sparkledancer was standing to try things again, he paused and looked at me quizzically and had to ask me who it was that had shown me how to do a Double Natural Spin, since he hadn’t OK’d me to dance anything beyond Bronze yet. Oops…

Having run out of time, Lord Dormamu ran over to collect Sir Steven and go over the things we had just worked on, giving Sir Steven his thoughts on what we should be working on for the next hour. He wanted us to work with Sir Steven primarily on staying down while we were dancing. Sir Steven wanted to add on to this a bit and have us work on staying down, but also work on making sure we didn’t look like we were walking around in a squatting position, which apparently we did for some of the steps that we had taken that Sir Steven had seen while we were working with Lord Dormamu.

One of the most obvious things he noticed was that the person who was moving backwards wasn’t reaching their leg back as far as they could before taking a step. This was the main reason he thought that we looked… ‘squatty’ (for lack of a better term) while we were dancing as he watched. If the legs were bent so much when we got into frame, and they stayed bent when you’re taking a step backward, then it just looks weird if you’re watching. The person traveling forward is also likely taking steps while keeping their legs bent the entire time as well, but since there is someone in front of them hiding their legs half the time it is harder to notice that than it is to notice what the person moving backward is doing.

To work on making sure we were aware of how weird this looked, we switched over to doing some Waltz. Sir Steven wanted to make sure that if we were in frame and we were standing in one place, like at the beginning of the routine or during a Hesitation Change, that our knees were bent. As we were preparing to take a step, the person moving backward needs to reach their leg backward and straighten it as much as possible – not locking the knee, but pretty close to that. The person going forward would obviously wait for their partner to get their leg out of the way first before moving their own, but that leg also needed to be stretched out and straightened completely. Going over this technique over and over again really made sure that the feeling I had of doing the prisyadka never went away that day. It’s a good thing I have really strong legs!

Before we ended things that afternoon, we stopped for a bit to go back and look at our Natural Spin Turn again. The Natural Spin Turn seems like one of those figures that will never look good enough, so it keeps coming back to haunt me over and over. Like the New York figure from various International Latin dances, which seem like they should be so simple, yet never seem to be good enough for whoever is watching me do them. I guess this time around it didn’t look like we were rotating our upper bodies enough before taking the step out of the turn. The first step for me that rotated backward and the second step that drives forward looked good, but Sir Steven said that I was halting the rotation in my upper body at the end of that second step before taking the third step backward toward diagonal center against line of dance (it’s an under-turned Natural Spin Turn).

In my defense, I was spending a lot of mental energy on remembering to keep my legs bent enough to stay down while doing most of the rise and fall through foot rise and stretching out my legs so that it didn’t look like I was walking in a constant squat, so I may have left out some other things in the process… Sigh… I think I’m going to need a brain upgrade to keep all of this stuff straight at some point in the near future.

With those two items out of the way Saturday afternoon, there was only one thing left to do on Saturday before I got to go home and stay home. There was an open dance being held at the Cherished Dance Hall that I attended. Being a holiday weekend, the turnout wasn’t huge, but that just left more space on the dance floor for me to do whatever I wanted, so I couldn’t complain. The staff of the Cherished Dance Hall didn’t even come to the party. In fact, it was President Porpoise who showed up to run the event, being all presidential and porpoise-y like he is. He had found a DJ who had stayed in town for the weekend to come in and play some music, and they just put on songs for a couple of hours for all of us who showed up to dance. It was really nice.

I think this was the first time in quite a few weeks that I just threw out everything I had been working so hard on for the last several months and just danced for fun – quipping jokes to my partners, worrying less about frame and technique, and just trying to make sure the evening was as entertaining as possible for me and whomever was close enough to where I was to hear and see what I was doing. I feel like I managed to accomplish that feat, so it was a fun night for me. I’m not quite sure that many of the older ladies at the dance knew how to react to my jocularity, but that’s OK! Sometimes you just have to have fun for yourself, and hope that your mood is infectious enough to bring everyone else in with you.

Monday night, through the freak rainstorms that kept popping up for short periods, I made it out to Latin Technique class. Only Sparkledancer and Bony were dedicated enough to brave the rain and join me, so we had a small class. We looked at some Rumba that night because everyone was so tired from having the day off, since it was a holiday and all that. Even though there were only four of us and we were just doing Rumba, we kept moving around the room to different parts of the dance floor throughout the night. I’m not sure if that was intentional or not, but that night we danced in the middle of the floor, over on the side by the front door, later on the far side of the room by the other short wall, near the mirrors… we just couldn’t stay in one place! And it’s not like the figures we looked at traveled all that much either. We were moving around whenever Lord Junior stopped to explain things to us, strangely enough.

Anyway… what we did that night started off in Fan Position. The gentlemen led the lady to close from Fan Position and do an Alemana, whilst the man checks forward and then checks backward, but instead of bringing our feet together after the second check we would take a step slightly off to the left so that the lady ended up on our right side. Both partners would then rotate 90° to the right and the lady would go into an Opening Out while the man did a Cucaracha. We would do three Opening Outs and then lead the lady through a Spiral Turn before taking three steps off to the man’s left side to end in an Aida.

Rather than going through the second half of a basic Aida, in tandem both partners took one step forward, then another step into a Spiral Turn, then a side step to end facing each other again. As we took the last step, the man would reach out with his right hand to take the lady’s right hand. We then led the ladies through two slow Swivels, first by lunging a bit toward the right and rotating our body, then shifting to the left leg and repeating the same movement. At the end we led one quick Swivel on the right side, coming out to take the lady through an Inside Turn and a Pivot, bringing her right hand up and over our head so that it could slide down to our shoulder. We finished the whole pattern that night by doing a fourth Opening Out action on the left side. We were going to try to turn that final figure into some Sliding Doors to be cool, but we ran out of time and Lord Junior decided to leave it there for now.

Finally, on Wednesday night this past week I ended up out at Standard Technique class where I got to work on Quickstep for a while. We had a lot of ladies show up to take part in the class. A LOT. I think we ended up with eight women to three men by the time class really got underway. As I was standing around talking to people before class started, the ratio looked like it would be pretty good, but then more and more women kept showing up! Do you think that since it is now staying light outside so much later in the evening that more people are willing to go out in the evenings? It sure seems that way.

We went over a short pattern in Quickstep that was supposed to get us to spend some time focusing on Contra-Body Movement and Contra-Body Movement Position, but there were a fair number of ladies (and one gentleman) who had trouble just getting the footwork for the figures right, so a lot of Lord Junior’s time was spent on just getting those individuals through the steps instead. I got a workout that night, since we had a few instances where Lord Junior put on music so that we could try out the steps in time, but then he would end up working with the other gentleman, back-leading him through the figures until he was comfortable with them. While they did that, I was left all alone with a line of ladies, going through the parts of the pattern with each one and then running back down to the other end of the floor to pick up the next lady and start over. By the time class was over, I was a bit of a sweaty mess.

We started everything off by facing diagonal wall and doing a prep step into a Natural Turn, setting us up to execute a Natural Spin Turn. Coming out of that we did a figure that I’m pretty sure Lord Junior referred to as a ‘Cross Change’ that was originally taken from Waltz. Essentially, after coming out of the Natural Spin Turn we took one step backwards toward diagonal center, rotated on that foot so that we could take a side step to the left still heading toward diagonal center, and then crossed the right foot behind the left so that we ended facing line of dance. We did another partial Cross Change right after that, taking just the side step to the left and crossing the right foot behind, which rotated us enough so that now we were facing diagonal center if done correctly (and there was no one in the way).

Coming out of the double Cross Change we added on an Open Reverse Turn which should rotate you enough on the first half so that you are now backing line of dance. To end the pattern that night we did a Four Quick Run going into another Natural Turn. The Four Quick Run seemed to give a lot of people trouble that night. A lot of the ladies I danced with kept missing the Lock Step, or doing two Lock Steps in a row instead of two running steps and then a Lock Step. We went through the progression a fair number of times (well, I should say, I went through the progression a fair number of times), and even after repeating things a few times some of the ladies I danced with still had trouble. Because of that, we never ran through things at full tempo. I think the fastest that Lord Junior said he set the music to that night was 85%, so we still had a bit to go. Maybe next time I am out practicing I will see if I can run things at tempo as a challenge.

Can you believe that it’s already June? Crazy! My first weekend in June will be pretty quiet. Sparkledancer is out of town on some work thing so I won’t be able to practice with her this weekend. Sir Steven is busy on Saturday and Sunday putting on some sort of dance show, so I won’t have a lesson with him this weekend. And I only know of one dance party on Friday night that I am sort-of interested in attending, so it sounds like for the first time in who knows how long I will have a free Saturday to do whatever I want! Will I go out for some solo dance practice? Will I try to get my cat to help me do some spring cleaning? Will someone else call me up and ask me to go out to a dance party with them somewhere? Who knows! I have a different idea rolling around in my head that maybe I’ll sit and write about this weekend instead of going anywhere, so we’ll have to see what I come up with next week!

Come On Now, Follow My Lead

For a little bit of a change of pace this week, let’s reflect on a bit of dance drama that is going on in the Dance Kingdom at the moment. I am not a part of it, but I have been hearing a lot about it from a growing number of people. Plus, it’s on my mind at the moment, so I want to talk about the problem. This isn’t necessarily a brand new problem we’ve been having – parts of this drama have come up during a couple of different quarterly meetings I’ve been to for my Royal Dance Court group, so the issue has been going on for at least six months. I personally did not see it as being a big problem initially, certainly not an issue worthy of discussion at multiple different meetings, but since the issue now seems to be spreading into conversations with even some non-Royal Dance Court members, I don’t feel so bad spending a little time writing about what’s been going on.

It all starts with one elderly gentleman, whom for this exercise I’ll refer to as Mr. Grouchy-Face. Now, Mr. Grouchy-Face likes to dance, and when he goes to dance parties he is an unattached male, so he’s the kind of person that all of us in the dance community like to have around. Followers like him because usually there aren’t enough guys at any dance party, so having one more guy around who doesn’t bring a dance partner with him increases their chances of getting to dance. Other Leads like him because having another Lead around means that occasionally they might get to have a break during a song to go get some water or snacks, or even (gasp!) say hi to their friends.

This guy…

But Mr. Grouchy-Face is not like other dance Leads in that way. Mr. Grouchy-Face does not rejoice in the arrival of all other dance Leads at the parties he goes to (and occasionally at parties he doesn’t even attend). Mr. Grouchy-Face seems to have something major against a specific subset of Leads, and he likes to make sure everyone knows about his feelings regarding these gentlemen. It used to be that he would occasionally make off-hand comments during dances about these Leads at parties, but lately it seems he has taken to writing up long-winded ranting posts complaining about these men online. These rants of his are things that I have seen because lately they’ve gotten copied and emailed around when others take offense to his messages. Mr. Grouchy–Face goes back and deletes his writings after a day or so, so the only record we really have are these copied versions that are passed around… but if you wait until another dance party comes along, there’s a good chance you’ll get to see another message on the same theme be posted by this gentleman.

See, what we have going on in the Dance Kingdom is this process where sometimes a couple of ladies in the community will get together and, to make sure they have a dance partner during a dance party they want to attend, they hire a male dance instructor for the evening. These instructors essentially act like Dance Hosts, like you would see on a dance cruise. From what I’ve been told about the process, there are a handful of younger male dance instructors in the Dance Kingdom that are willing to give up their Friday or Saturday evenings to make some extra money, and if you split that fee amongst two or three ladies it doesn’t cost a whole lot. If the dance instructor has two ladies, each lady gets to dance every other dance, if there are three, they get to dance every third dance, etc. etc..

The return that the ladies get for the price is incredible. I have been to many parties where male instructors have been hired out in this manner, and these guys really get a workout during those evenings. They dance pretty much every song, and I’ve seen times where the only rest they take is during line dances or mixer dances, and during the break in the middle where the host of the party gives a few announcements. These Dance Hosts rival only the Dance Robots for how much time they spend on the dance floor during your average party!

Mr. Grouchy-Face does not like this practice. Not even a little bit.

The first time I heard about Mr. Grouchy-Face’s issue, it was described to me during a Royal Dance Court meeting as a patron of some of our dances being concerned about the hired dance instructors coming in and doing all kinds of “fancy moves” all over the dance floor, which Mr. Grouchy-Face said was a safety issue. When I heard that, I think I just stared at the person relaying the story, blinking slowly. That concern about a ‘safety issue’ is what brought about the speech I gave about floorcraft at the beginning of our dance party last month (note: I didn’t give a repeat speech this month because we had a much smaller crowd this past weekend, as I feared we would).

And that’s the point that brings Mr. Grouchy-Face back into the light this week… this past weekend I did help host another monthly dance party with my Royal Dance Court crew. There weren’t a ton of people who came by – it was a fair amount, but nothing like the crowds of the months prior. Mr. Grouchy-Face was not one of those that came out that night to dance with us. His name was not on the sign-in sheet, and I did not see him out on the floor, so I know for a fact that he wasn’t there. Yet even though he had no first-hand knowledge of the party, he chose to complain about what he thought happened that night. The next day someone showed me a copy of another long-winded rant that he had composed all about things that ‘happened’ at our dance party.

The Internets are serious business!

Living in this modern world like we do, a couple of the attendees at our dance party had taken a number of pictures of the event and posted them online. Mr. Grouchy-Face looked through all those pictures and decided to write up something all about how the party looked like a lot of fun and he wished he had gone, but it was probably better that he didn’t because it appeared, based on his personal count, that 85% of the pictures taken of the party were centered on these hired Dance Hosts. When I read through this message that was forwarded to me, I thought someone was pulling my leg! There was only one instructor that I saw who came to the party that night because he was hired as a Dance Host! One!

Now, to be fair, there were a couple of other instructors that were there at various points throughout the night – we (the Royal Dance Court) had hired an instructor to come in before the party and teach an American Waltz lesson, and he had stayed for the party afterward to dance with ladies and possibly drum up new business for himself. Lord Junior had been in the area that night, so he had stopped by to say hi to people he knew, and he ended up staying for an hour or so to dance a little… but no one paid him to be there, and the Royal Dance Court member running the check-in desk let him in for free since he has helped us out with a lot of things in the past. And finally there was a guy who came to the party that I am pretty sure teaches lessons at the Endless Dance Hall, but I can’t swear to that, so maybe he was counted as an instructor. This gentleman actually paid the cover charge to get into the party, and spent the evening dancing with ladies socially without causing much of a fuss, so I didn’t think anything of it at the time.

I had to actually get out my computer after doing that mental checklist of the dance instructors at the party so that I could look at the pictures that Mr. Grouchy-Face was talking about. As I flipped through them and took count for myself, there were nowhere near 85% of the photos being centered on the dance instructors (and that was counting the few instructors who were there that weren’t hired as Dance Hosts for the evening). I then went through and took another count of the photos where you could see one of those individuals in the background of the pictures. The venue we use isn’t super huge, so if you take a picture that isn’t facing the wall you can get a large portion of the dance floor in the shot. Counting that way you might be able to make an argument for 50% of the pictures having a dance instructor in them, but that is still a far cry from 85%.

But the part that really confuses me the most? I think it comes down to this statement that he made:

“The [Royal Dance Court] feels so strongly about hosting as the norm for “social ballroom dancing” that some of their [Court] members don’t even show up and participate in the club’s own group lessons. It’s the same [Court] members who arrive with a dance host only after the lesson and rarely dance with their own club’s members. When these [Court] members manage to dance with someone other than a pro (their “host”), it takes a “real” man away from everybody else. Essentially, the [Court members] ensure that they dance every dance—even when it leaves other (member) ladies sitting out.”

(Note: this is a direct copy from the statement Mr. Grumpy-Face wrote that I was forwarded. The italicized words in brackets change the names he typed to protect the innocent)

This is what throws me for a loop – if Mr. Grumpy-Face is so concerned about ladies sitting out during these dance parties, don’t you think he would be excited to see these instructors acting as Dance Hosts out on the dance floor? If the Dance Hosts take care of a couple of the ladies throughout the night, that frees him up to take care of other ladies who are “sitting out” so that more people can dance during each song! I mean, I don’t see it as being any different from what the Dance Robots do. They are not married, but they always come to dance parties together, and they very rarely dance with anyone else during the evenings. If the female Dance Robot decides to join in during a mixer dance while the male Dance Robot goes off to eat snacks (or cause trouble, which he thinks is funny), you could make the same argument that the female Dance Robot is taking a “real” man away from the other ladies attending the party too, couldn’t you? If that’s true, then you could say the same about the handful of older married couples we see coming to the dance parties who don’t often switch partners during the evening too!

I don’t think this concern for ladies sitting out is the whole reason that Mr. Grumpy-Face dislikes the Dance Hosts so much. I think a lot of it has to do with some dance jealousy. Take a look at this statement he made in an earlier rant he wrote about another event:

“’Hosting’ was going on last night, so it looks like this was about a 7:1 opportunity for the ladies to dance with someone better than the ‘members’.”

What am I even reading here…?

That’s what I personally think the real heart of his problem is. Dance jealousy. It’s fairly obvious that these dance instructors that are hired to dance with ladies know more than the amateur male dancers at the parties. After all, they are dance instructors! If they didn’t know more than the amateur male dancers, then they probably shouldn’t be teaching, right? But rather than watch these instructors dance at the parties and get inspired by what he sees, and then go out and learn how to dance better himself, Mr. Grumpy-Face chooses to complain about their presence at the dance parties instead. Because obviously complaining online takes much less work than going out and practicing his own dancing so that he can become better… which is something that he could totally do, since he is retired and thus has lots of time during the day he could devote to dance practice!

Another weird thing that Mr. Grumpy-Face has made comments about that he doesn’t like is an upcoming fundraiser dance that is being held in the Dance Kingdom this summer. To raise money for one of the children’s ballroom clubs, there is this adult ballroom club in the area that is holding a fundraiser dance party. They talked a whole bunch of local dance instructors in the Dance Kingdom into donating a few hours of their time that night, and people are allowed to “purchase” a dance with those instructors during the party, with all the money for those dances being donated to the children’s ballroom club. It’s a neat idea, and I’ve been to a party like this in the past, and everyone who was there seemed to really enjoy themselves and the event raised a sizable amount of money for the cause. Who wouldn’t like that?

Mr. Grumpy-Face saw the announcements posted for this upcoming charitable dance party, and he is not a fan. He thinks that a better idea would be to have the group of people who is putting together this dance be the ones whom people will donate money to dance with. I’m not sure how he thinks that will differentiate this event from a normal social dance that these people attend where other attendees can dance with them for free. You would think that he could see that, logically, more people would be interested in attending a dance party to dance and socialize with these local professionals, many of which do not often attend social dances, versus donating money to dance and socialize with the party’s organizers, whom I see all the time at various social dances around the Dance Kingdom and could dance with at any of those events. Especially since several female dance instructors have signed up to donate their time for the fundraiser, which you almost never see happen because there is usually a glut of female attendees at social dances. So that night even Mr. Grumpy-Face could hire a dance host to dance with if he wanted to!

Sigh… OK, I think I’ve got that out of my system. I apologize for showing you a part of the seedy underside of the Dance Kingdom. Being elected as a member of the Royal Dance Court exposes me to these things. This issue has started to take on a life of its own lately, so I thought I could use this as a way to get my incredulous thoughts off my chest so that I can remain calm and collected during the future discussions about this issue that I’m sure will come up. You can bet that there will be more to the story the next time I get together with my Royal Dance Court group, even if I see them informally.

Thanks for sticking with me through this. Until next time – keep on dancing!

Follow Me Into The Desert As Thirsty As You Are

After meeting up with Sir Steven and Sparkledancer last Saturday afternoon to work on things, I was feeling pretty good about dance life. We had started out by discussing the things that Sparkledancer and I had worked on the previous weekend with Lord Dormamu so that Sir Steven would be on the same page with what we were told to do. Since a lot of what we discussed centered on the work we did on Foxtrot, that’s where Sir Steven had us start that afternoon.

I’m happy to say that Sir Steven said that he could see improvement in our Foxtrot over what he had seen the last time we had gotten together, so the practice time that Sparkledancer and I had put in working on the items that Lord Dormamu gave us for homework must have been paying off. Now even though Lord Dormamu had specifically told us while we were working on Foxtrot to just ignore everything else and focus on only the points he gave us, Sir Steven still told us that we should still be adding in some of the shaping and swing that he had been working on having us do. We don’t have to put a bunch of emphasis on shaping and swing, but Sir Steven didn’t want us to forget about it entirely despite what Lord Dormamu told us. So that’s something else I’ll have to keep in mind now during practice.

To switch things up when we finished up with Foxtrot, Sir Steven had us look at Viennese Waltz for a while. The big takeaway from this session was to fix a habit of mine with Change Steps, and there’s a bit of a story behind this habit: see, there are really only two people I will willingly dance a Viennese Waltz with outside of a group class situation. I’ve been asked by lots of people at social dances over the years, but most ladies asking I don’t know anything about how much they have worked on Viennese Waltz, so I beg out of the dance and wander off usually. As you can imagine, one of the two people I will dance Viennese Waltz with is Sparkledancer, since she’s been around for most of the formal training sessions I’ve had in the dance style.

In the beginning, as I was learning and working on building confidence in the dance, Sparkledancer and I had a hard time with Change Steps. For some reason whenever I did one, she couldn’t follow me. This led to me at first telling her when I was going to do one, which was a hard thing for her to miss. As I started to get better at Viennese Waltz, I worked to make sure that when I did a Change Step I really over-emphasized the side step portion of the figure, so that there was no mistaking what I was trying to lead her through. While that tactic also worked, that sort-of became a bad habit for me, and when I am not really thinking much about what I am doing, you can still see me do a Change Step with the energy going off to the side rather than continuing down the line of dance.

Sir Steven decided that now I really need to work on getting rid of that habit, because it’s just wrong for the level I am trying to work at now. I’m supposed to work on practicing Viennese Waltz turns, either Natural Turns or Reverse Turns, my choice, then put in a Change Step that moves down the line of dance without going off to the side at all, and then add a couple of the opposite turn from whatever I started with after the Change Step. This is a simple bit of homework to try to undo my bad habit. So, now that’s on my list. I’m starting to have more homework to work on than I have practice time each week!

I did make it out to a dance party at the City Dance Hall this past Saturday night. The advertisement for the party said that they would be having an American Foxtrot lesson before the party, given by some instructor whom I had never heard of before. This gentleman went through things in a bit of a strange way, using some variations on common figures that I can only describe as ‘overly simplistic’ when compared to the way I’ve seen things done everywhere else I’ve been. None of the figures or progressions covered that night really connected to each other, either. They were more like general knowledge figures or progressions to be used at any time, starting with simple figures at the beginning and ending with a more difficult progression of figures as class wrapped up.

To start with he covered the Forward Basic heading straight down the floor. When people told him that they had all danced Foxtrot at least a little in the past, he quickly moved on to show everyone a Simple Twinkle. To be honest with you, I know this version of the Twinkle is on the syllabus and everything, but I have never seen anyone use it in practice before. The Simple Twinkle is the version that covers two measures of music, where you take a step forward and then a side step to the right, turning to Promenade Position as you bring your feet together. During the second measure you take a side step in Promenade Position, then a side step to the left as you square up with your partner and bring your feet together. Do any of you know anyone who uses this version of the Twinkle rather than the version that is only four beats that uses continuity movement? I certainly don’t!

Next up we looked at two-figure combination. It involved doing the first half of the Simple Twinkle, then a basic Grapevine, finishing with the second half of the Simple Twinkle. The Grapevine that he walked through for everyone also felt fairly simplistic compared to what people have shown all the other times I’ve seen a Grapevine done, really emphasizing the side steps of the figure as it went on. Once everyone seemed to have mastered the Grapevine combination, the instructor showed everyone the first of two more advanced progressions he had for us that night.

This progression started off with a rotating Left Box Turn with the Lead traveling down the line of dance. After that, the Lead would do another rotating Left Box Turn while turning the lady through a natural turn, making sure to grab her left arm as she rotated so that when finished you would be in Sweetheart Position. The Lead would then take three steps forward (not a Three Step, just three slow steps forward) while turning the lady in a reverse turn to unwind her, stopping her as she finished the turn so that she ended in Promenade Position with you. The instructor had us finish by closing from Promenade Position using the second half of the Simple Twinkle just like he had used to finish the Grapevine earlier.

The final progression also started out with a rotating Left Box Turn with the Lead heading down the line of dance. Rather than turning around right away, this time the instructor had us stay facing this direction for a bit and take three slow steps traveling backwards down the line of dance. After that the Lead did a second rotating Left Box Turn while the Follower was led through a reverse turn, ending in Promenade Position before closing with the second half of the Simple Twinkle again. The two progressions, if you noticed, begin and end the same way, with only a few figures in the middle being different. If you can pick up and get through one, you could easily do both.

I tried my best to dance every ballroom-style dance that night with Sparkledancer… when I could find her amongst the crowd, that is. That way the party was kind of like practice time, right? There were a fair number of people at the party that night though, so sometimes I had a hard time finding myself during the party, let alone a specific partner to dance with when a song came on. I made do as best I could. There was one lady that I met that night who was sitting against the back wall by herself. I had asked her to dance for one song, and during the dance I was making small talk, asking if she had ever danced that dance style before. She said that she had once upon a time, but it had been many years before. Being the nice (and charming!!!) guy that I am, I told her that it couldn’t have been that many years ago because there was no way she could be that old. Then she laughs at me and tells me her exact age. I honestly was not expecting a lady to confess to me how old she was, so that kind of tripped me up in my banter for a few seconds. Ladies really seem to like to throw these random curveballs at me to keep me on my toes…

Class on Monday night was probably the most fun thing that I got to do all week. There were six ladies who showed up for Latin Technique class that night, and as usual I was the only guy besides Lord Junior. As we were all gathering on the dance floor to get started, no one really had any strong feelings about what to go through that night, so Lord Junior said he would put it up for a vote. I just laughed at that, and said that everyone already knows what my vote is for (what other Latin dance do you want to dance so late at night?). Several of the ladies shook their heads and said that they agreed with me, so in the end I got enough votes to win, and we went over some Pasodoble that night.

Paso is… so… metal…!

We were originally going to start with a Promenade and Counter Promenade, and Lord Junior even went so far as to step through the Lead’s half of the step. As he began to step through the Follower’s part of the figure to show the ladies, he changed his mind and decided that we were going to start with a Twist Turn instead. The Twist Turn in Pasodoble is essentially the same as the Twist Turn from Tango, except the Tango figure does not start with an Appel, as you can imagine. We started the Twist Turn with the Lead facing the wall and ended by facing down the line of dance.

Next up we went through an Open Telemark. To make the turn a bit easier, we used the Appel at the beginning to rotate about an eighth of a turn so that the next step began facing diagonal center. When we finished the Open Telemark we were back to facing wall again after we closed the Promenade. There was a figure I believe was called an Ecart next, or a Fallaway Whisk. The figure was basically like a Whisk that you would see in International Waltz, where you cross your outside foot behind the other to turn you into Promenade Position. Over the next four-count in the music, we traveled down the line of dance, rotating the Follower around us on the second step so that we finished with the Follower facing wall and the Lead facing center.

That set us up to do a variation of the Coup de Pique to finish things off. A normal Coup de Pique has you twist and point your right foot forward once before taking a step backward down the line of dance on your left and then doing a chasse-like movement to continue traveling in that direction. The variation we did (and apparently the way Lord Junior prefers to do the figure every time) had us twist and point our right foot through, then twist and take a step backward down the line of dance with our left, and then do another twist and point with our right foot and finishing by twisting and stepping back on the left. This variation still has you ending the whole figure with your left foot free, which is the wrong foot to start the majority of Pasodoble figures with. There are a few that do require you to start with your other leg, but since we had been having so much fun in class we ran out of time to add anything else to the progression so we finished up there for the night.

Two nights ago I had a meeting to attend for my Royal Dance Court group to discuss upcoming events that we have been planning, as well as various other items in dance politics that have been floating around recently. You might be interested to know that as of that meeting, I am now the official Keeper Of Records for the Royal Dance Court. I guess the old Keeper Of Records wanted to give up the responsibilities of the position, probably to spend more time writing or something. I did not volunteer for the position, I was just told that I was going to do it, and I didn’t have any good reason not to at the time, so the nomination carried. I started my tenure on the Royal Dance Court by bringing my laptop to the meetings so that I can take notes. A couple of people started copying me after they saw me doing it, but I think that might be why I was nominated to be the Keeper Of Records. Little do they know that I mostly brought my laptop to take notes that I can share on this site! Now I will also be sharing the notes with any people interested in the business of the Royal Dance Court. So… yay? Is this the next step to me seizing the power at the top of the Royal Dance Court? We’ll have to see!

As far as interesting things that were discussed… well, if you aren’t a member of the Royal Dance Court with me, there probably isn’t much. We spent a fair amount of time discussing the formal party that we hosted, and how our financial intakes from ticket sales compared with our expenses. An idea has already been proposed, and it looks like accepted, for the theme of the formal we will host next year, so there was initial talk underway about purchasing decorations for that party. There was some talk about the dance cruise we are looking to host in a few months, like the one I went on a year-and-a-half ago, and the initial cost projections that we’ve received for that. As you can see, much of the discussion was kind of boring overall, so I won’t waste much space here on any of that.

One of the other interesting items that were discussed was when we were all told that a couple of the Royal Viziers who consult the King have resigned for various reasons. Being a member of the Royal Dance Court, I had received emails about these positions earlier in the day where they were looking for applicants to submit resumes for consideration if you are interested in moving up in the world. I toyed with the idea for a few minutes when I saw the email in the afternoon, but I dismissed it since the amount of time they were looking for people to commit would interfere with my actual job, and the position doesn’t pay nearly as well. So for the time being, if we have issues that need to move up the chain from our Royal Dance Court, we don’t know who we can contact right now. It’s usually frowned upon to call up the King directly (that’s how beheadings happen, if history has taught me anything), so we’ll have to solve any potential problems ourselves until new Royal Viziers can be brought in.

And finally there was Standard Technique class this week. No one had any specific things they wanted to work on when class started, much like Monday’s class, so Lord Junior went with the idea that he had gotten earlier in the day for class: having us work on the Double Reverse Spin and Double Natural Spin in Foxtrot. I’m sure that statement set off all sorts of red flags in your mind, since the Double Reverse Spin is a syllabus figure only in Waltz and Quickstep, and the Double Natural Spin is not on the syllabus for any dance style! But these figures do work in Foxtrot without any weird changes needed. Because you can do the Double Reverse Spin in Quickstep, you can easily make it work in a Foxtrot (it’s just slower), and a Double Natural Spin is a figure that is just the natural opposite* of a Double Reverse Spin, so you can use it in any dance style where a Double Reverse Spin works.

(Note: there is one difference between the two when done in Foxtrot… more on that in a minute)

The progression used wasn’t that difficult per se, but it does travel the floor quite a bit, so make sure you give yourself plenty of space before you start. We began with a normal opening for many Foxtrot routines I’ve seen in my lifetime – facing diagonal center, take a prep step and go into a Feather. Next came the Double Reverse Spin, done with the same timing you have in a Quickstep Double Reverse Spin, but since this is Foxtrot you have to add on a Feather Ending at the end. That has you coming out heading toward diagonal wall. Then we did a Three Step, and finally we finished with the Double Natural Spin. The Double Natural Spin has to end with a full Feather instead of just a Feather Ending like the Double Reverse Spin has. Because you are on the opposite foot when you start, you also finish on the opposite foot, so you must have one additional step to make the ending work. Turning the Feather Ending into a full Feather step just makes sense in that situation.

Most of the ladies had some trouble with the Double Natural Spin when Lord Junior was going through their part with them and they were dancing the steps by themselves. I watched as several of them turned themselves the wrong way a few times, and then had to stop and think about things because suddenly they were trying to cross the wrong foot in front. It was an amusing problem to watch from the sidelines, but that issue cleared itself right up when they danced with a partner. There were a few other notable issues that I ran into while dancing with people that night:

  • Veep constantly rotated her Double Natural Spin too much
  • Bony seemed to like taking tiny steps even after she was asked to reach further by both myself and Lord Junior, so I kept kicking her feet accidentally when I tried to move
  • there was one older lady who had joined us for class that didn’t like crossing her foot in front of the other in either the Double Reverse Spin or Double Natural Spin, so she would end up on the wrong foot for the next step

In the end, it ended up being a rather amusing night. Lord Junior had so much fun that he told us all that we should look forward to next week’s class, when he’ll make us do the same two spins in the Waltz, and hope that we all can get through them without the same issues. So that’s something to look forward to. Hooray!

This weekend I have the monthly party that my Royal Dance Court group hosts to help put on. I think we are having some sort of Waltz theme this month, but I am terrible at remembering things like that, so don’t quote me on it. Hopefully it will be fun, and lots of people will turn out to attend. For some reason I have this weird feeling that we are going to end up with a small turnout, and I can’t place why. I hope I’m wrong about that. Do you want to come to the party for me to make sure that there are a lot of people there? Please?