Tag Archives: Quickstep

I Wanna Go Where The Down Boys Go

So what’s new in my dance world this time around? Well, this past weekend it was time for my latest check-in with Lord Dormamu so that he could see how all of the practice time I’d been putting in with Sparkledancer was coming along. We ended up spending our entire session time on Foxtrot this week, since even though he could see improvement in our Foxtrot over where I started, what I was doing wasn’t… enough for him to be happy about.

Let’s start with him wanting me to stay low during the entire dance. I felt like I was super low the whole time, with my knees bent so much that they would run into Sparkledancer if I tried to bend them any further. Apparently that just wasn’t low enough for Lord Dormamu’s taste. Sparkledancer was sent off to stand on the side of the floor for a while and he made me get into frame, and then he came over and put his forearms on my shoulders and pushed me down even lower, and he told me to dance like that while he held my shoulders at that level. Every time I took a step forward, I felt like I was doing the prisyadka (that’s the actual name of that dance figure you always see ‘Russians’ doing on TV, where they are squatting and kicking… I’m sure you can picture what I’m talking about) instead of dancing Foxtrot. Вздох…

I also got called out for not making my movements smooth enough, as if I was dancing three even steps over four beats. This one though, I pretty much accepted. I have had a lot of musical training in my life. It’s a little known fact that I was a professional musician in my younger days, so I might admit to knowing a thing or two about music. That’s part of the reason that I was able to pick up dance pretty quickly when I was in that newcomer phase – my sense of rhythm was really good, so I was able to take steps in time with the music with no problem. But the training I had through the years enforced STRICT rhythm control on me (I was not a drummer, but I always wanted to be), so when Lord Dormamu talked about throwing out the rhythm and making Foxtrot more like Waltz where you take three even steps in each average measure instead of one two-beat step and two one-beat steps, I knew that would be trouble. I’ve worked on it, but when I am focusing on other techniques while dancing, my brain will automatically reset to having my feet follow the rhythm exactly. So that adjustment is going to take me probably several more weeks before it happens more naturally.

On a high note though, I was able to impress, or maybe surprise, Lord Dormamu at one point during our session. We had been looking at part of the Natural Weave in Foxtrot, and he was explaining something about how to best take the first and second step. Thinking out loud, I off-handedly remarked that what he was saying was similar to what I had been told about the first two steps in a Double Natural Spin a couple of weeks ago. He overheard me mumbling and asked me to repeat myself, and when I mentioned the Double Natural Spin louder he nodded and exclaimed ‘Yes!’ loudly, saying that it would be exactly like the first two steps for that. Then as we were walking back toward where Sparkledancer was standing to try things again, he paused and looked at me quizzically and had to ask me who it was that had shown me how to do a Double Natural Spin, since he hadn’t OK’d me to dance anything beyond Bronze yet. Oops…

Having run out of time, Lord Dormamu ran over to collect Sir Steven and go over the things we had just worked on, giving Sir Steven his thoughts on what we should be working on for the next hour. He wanted us to work with Sir Steven primarily on staying down while we were dancing. Sir Steven wanted to add on to this a bit and have us work on staying down, but also work on making sure we didn’t look like we were walking around in a squatting position, which apparently we did for some of the steps that we had taken that Sir Steven had seen while we were working with Lord Dormamu.

One of the most obvious things he noticed was that the person who was moving backwards wasn’t reaching their leg back as far as they could before taking a step. This was the main reason he thought that we looked… ‘squatty’ (for lack of a better term) while we were dancing as he watched. If the legs were bent so much when we got into frame, and they stayed bent when you’re taking a step backward, then it just looks weird if you’re watching. The person traveling forward is also likely taking steps while keeping their legs bent the entire time as well, but since there is someone in front of them hiding their legs half the time it is harder to notice that than it is to notice what the person moving backward is doing.

To work on making sure we were aware of how weird this looked, we switched over to doing some Waltz. Sir Steven wanted to make sure that if we were in frame and we were standing in one place, like at the beginning of the routine or during a Hesitation Change, that our knees were bent. As we were preparing to take a step, the person moving backward needs to reach their leg backward and straighten it as much as possible – not locking the knee, but pretty close to that. The person going forward would obviously wait for their partner to get their leg out of the way first before moving their own, but that leg also needed to be stretched out and straightened completely. Going over this technique over and over again really made sure that the feeling I had of doing the prisyadka never went away that day. It’s a good thing I have really strong legs!

Before we ended things that afternoon, we stopped for a bit to go back and look at our Natural Spin Turn again. The Natural Spin Turn seems like one of those figures that will never look good enough, so it keeps coming back to haunt me over and over. Like the New York figure from various International Latin dances, which seem like they should be so simple, yet never seem to be good enough for whoever is watching me do them. I guess this time around it didn’t look like we were rotating our upper bodies enough before taking the step out of the turn. The first step for me that rotated backward and the second step that drives forward looked good, but Sir Steven said that I was halting the rotation in my upper body at the end of that second step before taking the third step backward toward diagonal center against line of dance (it’s an under-turned Natural Spin Turn).

In my defense, I was spending a lot of mental energy on remembering to keep my legs bent enough to stay down while doing most of the rise and fall through foot rise and stretching out my legs so that it didn’t look like I was walking in a constant squat, so I may have left out some other things in the process… Sigh… I think I’m going to need a brain upgrade to keep all of this stuff straight at some point in the near future.

With those two items out of the way Saturday afternoon, there was only one thing left to do on Saturday before I got to go home and stay home. There was an open dance being held at the Cherished Dance Hall that I attended. Being a holiday weekend, the turnout wasn’t huge, but that just left more space on the dance floor for me to do whatever I wanted, so I couldn’t complain. The staff of the Cherished Dance Hall didn’t even come to the party. In fact, it was President Porpoise who showed up to run the event, being all presidential and porpoise-y like he is. He had found a DJ who had stayed in town for the weekend to come in and play some music, and they just put on songs for a couple of hours for all of us who showed up to dance. It was really nice.

I think this was the first time in quite a few weeks that I just threw out everything I had been working so hard on for the last several months and just danced for fun – quipping jokes to my partners, worrying less about frame and technique, and just trying to make sure the evening was as entertaining as possible for me and whomever was close enough to where I was to hear and see what I was doing. I feel like I managed to accomplish that feat, so it was a fun night for me. I’m not quite sure that many of the older ladies at the dance knew how to react to my jocularity, but that’s OK! Sometimes you just have to have fun for yourself, and hope that your mood is infectious enough to bring everyone else in with you.

Monday night, through the freak rainstorms that kept popping up for short periods, I made it out to Latin Technique class. Only Sparkledancer and Bony were dedicated enough to brave the rain and join me, so we had a small class. We looked at some Rumba that night because everyone was so tired from having the day off, since it was a holiday and all that. Even though there were only four of us and we were just doing Rumba, we kept moving around the room to different parts of the dance floor throughout the night. I’m not sure if that was intentional or not, but that night we danced in the middle of the floor, over on the side by the front door, later on the far side of the room by the other short wall, near the mirrors… we just couldn’t stay in one place! And it’s not like the figures we looked at traveled all that much either. We were moving around whenever Lord Junior stopped to explain things to us, strangely enough.

Anyway… what we did that night started off in Fan Position. The gentlemen led the lady to close from Fan Position and do an Alemana, whilst the man checks forward and then checks backward, but instead of bringing our feet together after the second check we would take a step slightly off to the left so that the lady ended up on our right side. Both partners would then rotate 90° to the right and the lady would go into an Opening Out while the man did a Cucaracha. We would do three Opening Outs and then lead the lady through a Spiral Turn before taking three steps off to the man’s left side to end in an Aida.

Rather than going through the second half of a basic Aida, in tandem both partners took one step forward, then another step into a Spiral Turn, then a side step to end facing each other again. As we took the last step, the man would reach out with his right hand to take the lady’s right hand. We then led the ladies through two slow Swivels, first by lunging a bit toward the right and rotating our body, then shifting to the left leg and repeating the same movement. At the end we led one quick Swivel on the right side, coming out to take the lady through an Inside Turn and a Pivot, bringing her right hand up and over our head so that it could slide down to our shoulder. We finished the whole pattern that night by doing a fourth Opening Out action on the left side. We were going to try to turn that final figure into some Sliding Doors to be cool, but we ran out of time and Lord Junior decided to leave it there for now.

Finally, on Wednesday night this past week I ended up out at Standard Technique class where I got to work on Quickstep for a while. We had a lot of ladies show up to take part in the class. A LOT. I think we ended up with eight women to three men by the time class really got underway. As I was standing around talking to people before class started, the ratio looked like it would be pretty good, but then more and more women kept showing up! Do you think that since it is now staying light outside so much later in the evening that more people are willing to go out in the evenings? It sure seems that way.

We went over a short pattern in Quickstep that was supposed to get us to spend some time focusing on Contra-Body Movement and Contra-Body Movement Position, but there were a fair number of ladies (and one gentleman) who had trouble just getting the footwork for the figures right, so a lot of Lord Junior’s time was spent on just getting those individuals through the steps instead. I got a workout that night, since we had a few instances where Lord Junior put on music so that we could try out the steps in time, but then he would end up working with the other gentleman, back-leading him through the figures until he was comfortable with them. While they did that, I was left all alone with a line of ladies, going through the parts of the pattern with each one and then running back down to the other end of the floor to pick up the next lady and start over. By the time class was over, I was a bit of a sweaty mess.

We started everything off by facing diagonal wall and doing a prep step into a Natural Turn, setting us up to execute a Natural Spin Turn. Coming out of that we did a figure that I’m pretty sure Lord Junior referred to as a ‘Cross Change’ that was originally taken from Waltz. Essentially, after coming out of the Natural Spin Turn we took one step backwards toward diagonal center, rotated on that foot so that we could take a side step to the left still heading toward diagonal center, and then crossed the right foot behind the left so that we ended facing line of dance. We did another partial Cross Change right after that, taking just the side step to the left and crossing the right foot behind, which rotated us enough so that now we were facing diagonal center if done correctly (and there was no one in the way).

Coming out of the double Cross Change we added on an Open Reverse Turn which should rotate you enough on the first half so that you are now backing line of dance. To end the pattern that night we did a Four Quick Run going into another Natural Turn. The Four Quick Run seemed to give a lot of people trouble that night. A lot of the ladies I danced with kept missing the Lock Step, or doing two Lock Steps in a row instead of two running steps and then a Lock Step. We went through the progression a fair number of times (well, I should say, I went through the progression a fair number of times), and even after repeating things a few times some of the ladies I danced with still had trouble. Because of that, we never ran through things at full tempo. I think the fastest that Lord Junior said he set the music to that night was 85%, so we still had a bit to go. Maybe next time I am out practicing I will see if I can run things at tempo as a challenge.

Can you believe that it’s already June? Crazy! My first weekend in June will be pretty quiet. Sparkledancer is out of town on some work thing so I won’t be able to practice with her this weekend. Sir Steven is busy on Saturday and Sunday putting on some sort of dance show, so I won’t have a lesson with him this weekend. And I only know of one dance party on Friday night that I am sort-of interested in attending, so it sounds like for the first time in who knows how long I will have a free Saturday to do whatever I want! Will I go out for some solo dance practice? Will I try to get my cat to help me do some spring cleaning? Will someone else call me up and ask me to go out to a dance party with them somewhere? Who knows! I have a different idea rolling around in my head that maybe I’ll sit and write about this weekend instead of going anywhere, so we’ll have to see what I come up with next week!

Follow Me Into The Desert As Thirsty As You Are

After meeting up with Sir Steven and Sparkledancer last Saturday afternoon to work on things, I was feeling pretty good about dance life. We had started out by discussing the things that Sparkledancer and I had worked on the previous weekend with Lord Dormamu so that Sir Steven would be on the same page with what we were told to do. Since a lot of what we discussed centered on the work we did on Foxtrot, that’s where Sir Steven had us start that afternoon.

I’m happy to say that Sir Steven said that he could see improvement in our Foxtrot over what he had seen the last time we had gotten together, so the practice time that Sparkledancer and I had put in working on the items that Lord Dormamu gave us for homework must have been paying off. Now even though Lord Dormamu had specifically told us while we were working on Foxtrot to just ignore everything else and focus on only the points he gave us, Sir Steven still told us that we should still be adding in some of the shaping and swing that he had been working on having us do. We don’t have to put a bunch of emphasis on shaping and swing, but Sir Steven didn’t want us to forget about it entirely despite what Lord Dormamu told us. So that’s something else I’ll have to keep in mind now during practice.

To switch things up when we finished up with Foxtrot, Sir Steven had us look at Viennese Waltz for a while. The big takeaway from this session was to fix a habit of mine with Change Steps, and there’s a bit of a story behind this habit: see, there are really only two people I will willingly dance a Viennese Waltz with outside of a group class situation. I’ve been asked by lots of people at social dances over the years, but most ladies asking I don’t know anything about how much they have worked on Viennese Waltz, so I beg out of the dance and wander off usually. As you can imagine, one of the two people I will dance Viennese Waltz with is Sparkledancer, since she’s been around for most of the formal training sessions I’ve had in the dance style.

In the beginning, as I was learning and working on building confidence in the dance, Sparkledancer and I had a hard time with Change Steps. For some reason whenever I did one, she couldn’t follow me. This led to me at first telling her when I was going to do one, which was a hard thing for her to miss. As I started to get better at Viennese Waltz, I worked to make sure that when I did a Change Step I really over-emphasized the side step portion of the figure, so that there was no mistaking what I was trying to lead her through. While that tactic also worked, that sort-of became a bad habit for me, and when I am not really thinking much about what I am doing, you can still see me do a Change Step with the energy going off to the side rather than continuing down the line of dance.

Sir Steven decided that now I really need to work on getting rid of that habit, because it’s just wrong for the level I am trying to work at now. I’m supposed to work on practicing Viennese Waltz turns, either Natural Turns or Reverse Turns, my choice, then put in a Change Step that moves down the line of dance without going off to the side at all, and then add a couple of the opposite turn from whatever I started with after the Change Step. This is a simple bit of homework to try to undo my bad habit. So, now that’s on my list. I’m starting to have more homework to work on than I have practice time each week!

I did make it out to a dance party at the City Dance Hall this past Saturday night. The advertisement for the party said that they would be having an American Foxtrot lesson before the party, given by some instructor whom I had never heard of before. This gentleman went through things in a bit of a strange way, using some variations on common figures that I can only describe as ‘overly simplistic’ when compared to the way I’ve seen things done everywhere else I’ve been. None of the figures or progressions covered that night really connected to each other, either. They were more like general knowledge figures or progressions to be used at any time, starting with simple figures at the beginning and ending with a more difficult progression of figures as class wrapped up.

To start with he covered the Forward Basic heading straight down the floor. When people told him that they had all danced Foxtrot at least a little in the past, he quickly moved on to show everyone a Simple Twinkle. To be honest with you, I know this version of the Twinkle is on the syllabus and everything, but I have never seen anyone use it in practice before. The Simple Twinkle is the version that covers two measures of music, where you take a step forward and then a side step to the right, turning to Promenade Position as you bring your feet together. During the second measure you take a side step in Promenade Position, then a side step to the left as you square up with your partner and bring your feet together. Do any of you know anyone who uses this version of the Twinkle rather than the version that is only four beats that uses continuity movement? I certainly don’t!

Next up we looked at two-figure combination. It involved doing the first half of the Simple Twinkle, then a basic Grapevine, finishing with the second half of the Simple Twinkle. The Grapevine that he walked through for everyone also felt fairly simplistic compared to what people have shown all the other times I’ve seen a Grapevine done, really emphasizing the side steps of the figure as it went on. Once everyone seemed to have mastered the Grapevine combination, the instructor showed everyone the first of two more advanced progressions he had for us that night.

This progression started off with a rotating Left Box Turn with the Lead traveling down the line of dance. After that, the Lead would do another rotating Left Box Turn while turning the lady through a natural turn, making sure to grab her left arm as she rotated so that when finished you would be in Sweetheart Position. The Lead would then take three steps forward (not a Three Step, just three slow steps forward) while turning the lady in a reverse turn to unwind her, stopping her as she finished the turn so that she ended in Promenade Position with you. The instructor had us finish by closing from Promenade Position using the second half of the Simple Twinkle just like he had used to finish the Grapevine earlier.

The final progression also started out with a rotating Left Box Turn with the Lead heading down the line of dance. Rather than turning around right away, this time the instructor had us stay facing this direction for a bit and take three slow steps traveling backwards down the line of dance. After that the Lead did a second rotating Left Box Turn while the Follower was led through a reverse turn, ending in Promenade Position before closing with the second half of the Simple Twinkle again. The two progressions, if you noticed, begin and end the same way, with only a few figures in the middle being different. If you can pick up and get through one, you could easily do both.

I tried my best to dance every ballroom-style dance that night with Sparkledancer… when I could find her amongst the crowd, that is. That way the party was kind of like practice time, right? There were a fair number of people at the party that night though, so sometimes I had a hard time finding myself during the party, let alone a specific partner to dance with when a song came on. I made do as best I could. There was one lady that I met that night who was sitting against the back wall by herself. I had asked her to dance for one song, and during the dance I was making small talk, asking if she had ever danced that dance style before. She said that she had once upon a time, but it had been many years before. Being the nice (and charming!!!) guy that I am, I told her that it couldn’t have been that many years ago because there was no way she could be that old. Then she laughs at me and tells me her exact age. I honestly was not expecting a lady to confess to me how old she was, so that kind of tripped me up in my banter for a few seconds. Ladies really seem to like to throw these random curveballs at me to keep me on my toes…

Class on Monday night was probably the most fun thing that I got to do all week. There were six ladies who showed up for Latin Technique class that night, and as usual I was the only guy besides Lord Junior. As we were all gathering on the dance floor to get started, no one really had any strong feelings about what to go through that night, so Lord Junior said he would put it up for a vote. I just laughed at that, and said that everyone already knows what my vote is for (what other Latin dance do you want to dance so late at night?). Several of the ladies shook their heads and said that they agreed with me, so in the end I got enough votes to win, and we went over some Pasodoble that night.

Paso is… so… metal…!

We were originally going to start with a Promenade and Counter Promenade, and Lord Junior even went so far as to step through the Lead’s half of the step. As he began to step through the Follower’s part of the figure to show the ladies, he changed his mind and decided that we were going to start with a Twist Turn instead. The Twist Turn in Pasodoble is essentially the same as the Twist Turn from Tango, except the Tango figure does not start with an Appel, as you can imagine. We started the Twist Turn with the Lead facing the wall and ended by facing down the line of dance.

Next up we went through an Open Telemark. To make the turn a bit easier, we used the Appel at the beginning to rotate about an eighth of a turn so that the next step began facing diagonal center. When we finished the Open Telemark we were back to facing wall again after we closed the Promenade. There was a figure I believe was called an Ecart next, or a Fallaway Whisk. The figure was basically like a Whisk that you would see in International Waltz, where you cross your outside foot behind the other to turn you into Promenade Position. Over the next four-count in the music, we traveled down the line of dance, rotating the Follower around us on the second step so that we finished with the Follower facing wall and the Lead facing center.

That set us up to do a variation of the Coup de Pique to finish things off. A normal Coup de Pique has you twist and point your right foot forward once before taking a step backward down the line of dance on your left and then doing a chasse-like movement to continue traveling in that direction. The variation we did (and apparently the way Lord Junior prefers to do the figure every time) had us twist and point our right foot through, then twist and take a step backward down the line of dance with our left, and then do another twist and point with our right foot and finishing by twisting and stepping back on the left. This variation still has you ending the whole figure with your left foot free, which is the wrong foot to start the majority of Pasodoble figures with. There are a few that do require you to start with your other leg, but since we had been having so much fun in class we ran out of time to add anything else to the progression so we finished up there for the night.

Two nights ago I had a meeting to attend for my Royal Dance Court group to discuss upcoming events that we have been planning, as well as various other items in dance politics that have been floating around recently. You might be interested to know that as of that meeting, I am now the official Keeper Of Records for the Royal Dance Court. I guess the old Keeper Of Records wanted to give up the responsibilities of the position, probably to spend more time writing or something. I did not volunteer for the position, I was just told that I was going to do it, and I didn’t have any good reason not to at the time, so the nomination carried. I started my tenure on the Royal Dance Court by bringing my laptop to the meetings so that I can take notes. A couple of people started copying me after they saw me doing it, but I think that might be why I was nominated to be the Keeper Of Records. Little do they know that I mostly brought my laptop to take notes that I can share on this site! Now I will also be sharing the notes with any people interested in the business of the Royal Dance Court. So… yay? Is this the next step to me seizing the power at the top of the Royal Dance Court? We’ll have to see!

As far as interesting things that were discussed… well, if you aren’t a member of the Royal Dance Court with me, there probably isn’t much. We spent a fair amount of time discussing the formal party that we hosted, and how our financial intakes from ticket sales compared with our expenses. An idea has already been proposed, and it looks like accepted, for the theme of the formal we will host next year, so there was initial talk underway about purchasing decorations for that party. There was some talk about the dance cruise we are looking to host in a few months, like the one I went on a year-and-a-half ago, and the initial cost projections that we’ve received for that. As you can see, much of the discussion was kind of boring overall, so I won’t waste much space here on any of that.

One of the other interesting items that were discussed was when we were all told that a couple of the Royal Viziers who consult the King have resigned for various reasons. Being a member of the Royal Dance Court, I had received emails about these positions earlier in the day where they were looking for applicants to submit resumes for consideration if you are interested in moving up in the world. I toyed with the idea for a few minutes when I saw the email in the afternoon, but I dismissed it since the amount of time they were looking for people to commit would interfere with my actual job, and the position doesn’t pay nearly as well. So for the time being, if we have issues that need to move up the chain from our Royal Dance Court, we don’t know who we can contact right now. It’s usually frowned upon to call up the King directly (that’s how beheadings happen, if history has taught me anything), so we’ll have to solve any potential problems ourselves until new Royal Viziers can be brought in.

And finally there was Standard Technique class this week. No one had any specific things they wanted to work on when class started, much like Monday’s class, so Lord Junior went with the idea that he had gotten earlier in the day for class: having us work on the Double Reverse Spin and Double Natural Spin in Foxtrot. I’m sure that statement set off all sorts of red flags in your mind, since the Double Reverse Spin is a syllabus figure only in Waltz and Quickstep, and the Double Natural Spin is not on the syllabus for any dance style! But these figures do work in Foxtrot without any weird changes needed. Because you can do the Double Reverse Spin in Quickstep, you can easily make it work in a Foxtrot (it’s just slower), and a Double Natural Spin is a figure that is just the natural opposite* of a Double Reverse Spin, so you can use it in any dance style where a Double Reverse Spin works.

(Note: there is one difference between the two when done in Foxtrot… more on that in a minute)

The progression used wasn’t that difficult per se, but it does travel the floor quite a bit, so make sure you give yourself plenty of space before you start. We began with a normal opening for many Foxtrot routines I’ve seen in my lifetime – facing diagonal center, take a prep step and go into a Feather. Next came the Double Reverse Spin, done with the same timing you have in a Quickstep Double Reverse Spin, but since this is Foxtrot you have to add on a Feather Ending at the end. That has you coming out heading toward diagonal wall. Then we did a Three Step, and finally we finished with the Double Natural Spin. The Double Natural Spin has to end with a full Feather instead of just a Feather Ending like the Double Reverse Spin has. Because you are on the opposite foot when you start, you also finish on the opposite foot, so you must have one additional step to make the ending work. Turning the Feather Ending into a full Feather step just makes sense in that situation.

Most of the ladies had some trouble with the Double Natural Spin when Lord Junior was going through their part with them and they were dancing the steps by themselves. I watched as several of them turned themselves the wrong way a few times, and then had to stop and think about things because suddenly they were trying to cross the wrong foot in front. It was an amusing problem to watch from the sidelines, but that issue cleared itself right up when they danced with a partner. There were a few other notable issues that I ran into while dancing with people that night:

  • Veep constantly rotated her Double Natural Spin too much
  • Bony seemed to like taking tiny steps even after she was asked to reach further by both myself and Lord Junior, so I kept kicking her feet accidentally when I tried to move
  • there was one older lady who had joined us for class that didn’t like crossing her foot in front of the other in either the Double Reverse Spin or Double Natural Spin, so she would end up on the wrong foot for the next step

In the end, it ended up being a rather amusing night. Lord Junior had so much fun that he told us all that we should look forward to next week’s class, when he’ll make us do the same two spins in the Waltz, and hope that we all can get through them without the same issues. So that’s something to look forward to. Hooray!

This weekend I have the monthly party that my Royal Dance Court group hosts to help put on. I think we are having some sort of Waltz theme this month, but I am terrible at remembering things like that, so don’t quote me on it. Hopefully it will be fun, and lots of people will turn out to attend. For some reason I have this weird feeling that we are going to end up with a small turnout, and I can’t place why. I hope I’m wrong about that. Do you want to come to the party for me to make sure that there are a lot of people there? Please?

Some Enchanted Evening


Last Friday night I headed out to the Electric Dance Hall to attend the party they were holding to celebrate the anniversary of their opening day all those years ago. The actual anniversary wasn’t really on that day, or even during that week, but Lord Junior said that as long as he had the celebratory party during the same month as the original opening day he would call that a win. I showed up at the Electric Dance Hall with tons of time before the actual party started, so the group class that was being held beforehand was still going on when I got there. They were going over some basic Cha-Cha stuff, so I prepared myself to dance a lot of Cha-Cha that night.

I had fun at the party that night. I feel like it had been quite a while since I had just gone out to dance for fun rather than going out to dance for practice purposes, and sometimes you need to just have fun. After all, one of the big three rules is that you’ve got to have fun, right? I believe that it’s right up there with staying safe as rule one, and keeping your form as rule two. I also got to spend time with a bunch of people I hadn’t seen in a while, and I did my best to hide my amusement at HotDog’s constant attempts to try to dance with only the youngest, most attractive ladies who were at the party. About halfway through the night Lord Junior gave a brief speech about how awesome the years at the Electric Dance Hall have been, and told us all about his hopes that the success of the studio continue for many years to come.

One unexpected thing did happen that nearly stopped my heart that night. I had just gotten done dancing something, I don’t even remember what it was now, and was going to work my way back to the side of the dance floor to pick up a new partner for the next song when suddenly I felt a hand on my shoulder. I turned around to see the Dance Robots standing there smiling at me. I love these two – they make me so happy. I see them at lots of dance parties around the area. They are like twenty-times my age, yet they are always the first ones to take to the dance floor on the nights that I see them, and usually the last ones to leave as well. You can just wind them up and they dance all night long! It’s amazing, and I hope I can be just like that when I’m older.

Anyway, when I turned and saw who it was that was laying hands on me, I was happy to see that it was the two of them. I was quick to exchange greetings and pleasantries, and I asked them how life has been treating them lately. The lady Dance Robot tells me that they have been super busy lately because they have been packing up in preparation to move.

What!!?!?!?!?!????!?!?!?!!?!?!?!?!?!?!??!?!?!?!??!???!??????

At that point, I am kind of staring at them with some sort of shocked look on my face, while the two of them are just exchanging looks and laughing about something. I’m thinking to myself how the whole Dance Kingdom would fall apart if these two moved somewhere else. Things just wouldn’t be the same, and it would be super sad!

Sparkledancer happened to be walking by at that point and stopped to greet the Dance Robots. When she sees the dumb look on my face, she asks them what’s going on, so they tell her the same thing about how they are getting packed up to move. She gets shocked too and puts her hand over her face in a gesture of surprise, but manages to hold it together well enough to ask about where they are moving to. The two Dance Robots are really laughing now, and say that they are just looking to downsize their residence, and they managed to find a smaller place just a few miles from where they currently live, so they’ll still be around to cause trouble at all sorts of dance parties for the foreseeable future.

Crisis averted. Those two… they think they are sooooooooo funny. If they weren’t so lovable, I might have to be angry with them.

Saturday morning came far too early. I had rearranged everything I normally have planned for my Saturdays so that I could head over to the Endless Dance Hall to help get everything set up for the big formal party that my little Royal Dance Court group would be throwing that night. I got to the Endless Dance Hall before we were scheduled to get started, since I was hoping to try to get some things out of the way to make sure that I could get out of there on time to be at my coaching session with Lord Dormamu later that afternoon. Sparkledancer had also agreed to meet me there at the same time, since she had to meet up with Lord Dormamu as well, so she was totally on board with getting things done as quickly as possible.

I was pleasantly surprised when I got there to find that all of the tables and almost all of the chairs had already been pulled out of storage and set up by the Endless Dance Hall’s staff prior to our arriving, and that the tables had been arranged in the manner that I had recommended! See, originally the members of the Royal Dance Court had wanted to put a table for the DJ in the middle of one of long wall against the back of the room, and line up six tables on either side of the DJ table curving down the short walls. This would have left a square-ish area for dancing in the middle of the floor. When I had gone to the Endless Dance Hall for the last competition I was in several weeks ago, they had set up six tables lined up along each long wall with a place for their DJ in the middle of one of the short walls, leaving a competition sized rectangular dance area in the middle. I had loved the look of that setup, so I had taken pictures of it and they were shared with the rest of the Royal Dance Court. While Prez was… skeptical about changing the layout, everyone else thought it would be great.

As I was taking stock of the situation inside the Endless Dance Hall, Sparkledancer and one other member of my Royal Dance Court crew showed up. Seeing the boxes with the chair covers and ties sitting over in the corner, I put the three of us to work on getting all the chairs in order. As more of the Royal Dance Court members showed up, I ended up having to tell them what things they should be starting on next, since everyone immediately started in on the chairs as well and no one went to work on any other tasks. Once Prez showed up with the boxes full of the pieces to assemble the centerpiece, I asked two of the ladies to go work with her on getting those put together and to leave the other tasks to the rest of us. I remembered what happened last year when too many people tried to deal with the centerpieces, and the arguments that followed, and how we ended up having to go back and change things several times… Not wanting to repeat that this year, I figured a small group could handle that task, and fewer hands would mean less rework required.

Things came together quickly, which was nice. We could have been slightly more efficient if people had stuck with the tasks I had asked them to do until they were finished instead of getting sidetracked, but overall I was happy to wrap everything up in about an hour and a half. I confess that I don’t often like to be the ‘alpha male’ in the room ordering a bunch of ladies around, but since I had a deadline that afternoon where I had to leave, I felt like exerting that influence was necessary to make sure that things got done. No one stopped me from delegating tasks, or questioned the executive decisions I was making to speed along the setup process, so I don’t think any of the ladies really minded me taking charge like that. Or if they did, they didn’t come say anything to me about it, which for right now I’m also going to count as a win in my book. Hooray!

Finished with the setup, I took off from the Endless Dance Hall to get to the Fancy Dance Hall for my coaching session with Lord Dormamu. This was the first time I had gotten to work with him since the competition I had done at the beginning of April. Because of that, Lord Dormamu decided that I have to go back to having things taken away from me since he still doesn’t think certain aspects of my dancing are right, and he wants me to focus on fixing those points while not worrying about anything else at the same time. Sigh… sometimes I feel like I am not actually moving forward, even though I’m supposed to be the Lead and I don’t walk backwards too often.

So what were the main points that I was able to take away from this session? I think they can best be broken down as follows:

  • I have to go back to keeping my nose in line with my sternum. Lord Dormamu says that, while it’s gotten much better, I still unconsciously lean my head to the right sometimes when I am thinking about other things, so until I can fix that habit I have to force myself to realign my default position to be neutral
  • On Double Reverse Spins in Waltz, he wants me to throw out the notion of “early quick rise” altogether. That is the technique you are supposed to use according to the book, but Lord Dormamu says that no one actually does it that way. To force Sparkledancer to bring her feet together for the Heel Turn, I should now take a shorter step that curves to the left going into the figure, which will force my partner to bring her feet together
  • Going forward, I am supposed to really emphasize the rise and fall in the Waltz by staying down farther (almost like squatting) on both beats one and three in the music, and rising up for beat two. Lord Dormamu said that he will be the one to let us know if rising and falling like that gets to be too much and we need to go back and smooth things out more, but that is how we should do it until he says otherwise

Sparkledancer’s only focus coming out of this session was that she needs to work on spreading her elbows farther and pulling her body farther to the left when in frame. There were lots of comments comparing her to a jet while he was getting her to do this, and the times that she did it right and was able to hold the position the entire time we danced something there were some explicit exclamations of joy. It’s funny when Lord Dormamu swears like that. English is obviously not his first language, and he only swears in English when really good things happen, so it catches me by surprise when I hear him do it.

That brings us to Saturday night at the formal party that I helped to host. All in all, the party went off without a hitch, and people seemed to enjoy everything going on. The dinner was good, but personally I think that the dinner rolls were the best part. After everyone had eaten and they allowed people to go back and help themselves to any of the leftover food, I think I went back to get three more rolls on top of the one I ate with my meal. Then again, the meal itself was much less food than I normally eat for dinner, so I was still hungry after dinner was finished (that is the one downside to building big muscles – you have to eat A LOT).

Throughout various parts of the evening, I was running around the dance hall taking care of things, trying to keep the people who came to attend the dance happy. The one person we had on hand from the Endless Dance Hall’s staff had been up most of the night working on something for his actual job (he just owns a gigantic dance studio as a hobby. Must be nice), so the few times we went back to the office to get things we had stored back there we found him sleeping, with the office lights still on even. That was part of the reason I tried to take care of things, leaving him to get some much deserved rest.

The dancing went really well. We did have a few minor hiccups on the dance floor, but I think those were all due to people having a bit too much to drink. There was one lady who was a bit out of control when she danced, but luckily her “date” who wasn’t actually a date took it upon himself to keep a tight leash on her about halfway through the dance. Lord Fabulous and Lord Scarry had come to the party with a large contingent of their students, and near the end of the night Lord Fabulous seemed to forget many of the rules of good floor etiquette. I saw him take one of his students and dance an East Coast Swing right in the line of dance while everyone else was dancing Foxtrot, and later in the evening I watched as he and Lord Scarry danced together, weaving a Foxtrot through all the other people on the floor doing East Coast Swing. But the worst one I saw was when Lord Fabulous took a girl who, by the look on her face didn’t know what she was doing, and attempted to do a Quickstep with her. They were all over the floor during that dance, not following the line of dance at all, and several times even traveling directly against the line of dance! That one scared me a bit, but luckily the song ended in short order.

Shortly after the halfway point of our party, I saw a new couple enter the building. I didn’t see any other members of the Royal Dance Court nearby, so I excused myself from the lady I was dancing with to run over and greet them. Introducing myself and asking if I could help them at all, they looked around a bit and told me they thought they were in the wrong place, since this didn’t look like the dance party they were looking for. I explained to them that this was my Royal Dance Court’s formal dance, and asked them what they were looking for to see if I could help. They said there was some sort of anniversary party at a ballroom studio, but they didn’t know the name of the studio off the top of their head, so they said they would just head out and call some friends of theirs to ask. I wished them luck, and they took off. Little did I know that this small event would become relevant later…

Even though Saturday was an exhausting day full of dance tasks, there hadn’t been enough time to fit in everything that I had to do, so I went out to do more dancing on Sunday as well. I had rescheduled my normal weekend coaching session with Sparkledancer and Sir Steven for Sunday afternoon, so I headed back over to the Fancy Dance Hall for the second time that weekend to see them. There was also a Latin workshop that was scheduled for late in the afternoon on Sunday that I really tried to make it out to, but I hadn’t been home all weekend so when I tried to take care of some things after getting home from my coaching session, I didn’t finish until after the workshop had already started, so I never made it there. Ah well, you can’t do everything, right?

The Fancy Dance Hall was quite a site when I got there on Sunday afternoon. The place looked trashed! All of the tables and chairs had been moved into piles in the corners or were pushed back against the wall, but I could tell that something wasn’t right after I walked through two really sticky spots on the floor as I headed over to take a seat next to where Sparkledancer was already waiting for me. Sparkledancer and I started talking about what we wanted to do to warm up before getting started, and where to go on the floor since I wanted to avoid the sticky spots I had already found, and both Lord Latin and Lord Dormamu were occupying different sections of the floor to give lessons.

Before I had even gotten my shoes on, Sir Steven came over to say hello. He had come out of the back room as soon as he had seen us, and was still eating part of his lunch, so I could tell something was up. He started off by apologizing to us for the state that the building was in. Apparently they had rented out the Fancy Dance Hall as a venue for a party the night before for some group that is associated with the Salsa community in the Dance Kingdom, and the party got to be out of control. They were still trying to clean up the mess that had been left behind, as we could plainly see. The party had lasted until well past two in the morning, and the rough estimates that they got from the people running the party was that just about 500 people had shown up, even though the Fancy Dance Hall is only rated to hold slightly less than 300 according to the fire code for the building.

The two girls from the Fancy Dance Hall’s staff who had volunteered to be on site during the party had started calling Lord Dormamu after midnight when they lost control of the situation, telling him he needed to get his butt back to the studio as fast as he could. Once the party was over, they had tried to clean up as best they could but called it quits after a couple of hours, leaving the place in a functional but messy state so that people could teach lessons on Sunday. Lord Dormamu had already called the service that comes in on Saturday mornings to clean their wooden floors to schedule them to come back as soon as possible and clean the floor all over again. There were sticky spots all over the place, and in the front there was a trail of stickiness that traveled all along the short wall in a curving pattern that looked like a giant slug had crossed the floor. I’m not sure how someone at a party managed to make a sticky mess like that, but it was kind of impressive to see!

So what was the funniest part of the whole mess? As soon as Sir Steven said the name of the event, I remembered the couple that had stopped in at the Endless Dance Hall during our formal party the night before asking about a dance party they were looking for. They had been looking for the party at the Fancy Dance Hall! Had I known that was where they were trying to go, I could have told them exactly how to get there! Small world, right?

Anyway, the stickiness of the dance floor turned out to be a metaphor for what we worked on that day with Sir Steven. He wanted us to slow down some of our movements, and to do so he had us practice leaving our feet ‘stuck’ to the ground for as long as possible in Waltz and Foxtrot. This involved doing something that I had really only done in Tango up until that point: bending my legs so that my knees extended out over my toes as far as they could before moving my back leg, filling up the time for each step. This sounds pretty simple, but it was easy enough to forget at times when trying to remember to also do the various points that Lord Dormamu asked me to do the day before (like keeping my nose in line with my sternum), and it requires you to really engage your core to help maintain your balance the entire time.

I couldn’t tell if taking my steps like that while dancing through portions of my Waltz and Foxtrot routine actually helped to slow down my steps at all, or if the steps just happened to be slower because I was trying to process so much information in my brain that it took extra time for the signals to reach my legs so that they would start moving. Either way, thinking about this did help slow down a few spots that I know tend to get rushed when I’m not paying attention (like coming out of the Reverse Turn in Foxtrot going into the Feather Ending). This is yet another thing to add to my ever-increasing list of items to do during my practice sessions. At the rate that list has been growing lately, I’m either going to have to start dividing the points up to work on only some homework items each practice session, or I’m going to have to find time to spend four or five hours in the studio for each practice session to fit everything in.

With all this dancing, it’s no wonder I have no time for much of a romantic life…

There were other dance things that I did this past week, but the stuff that happened this weekend is the important stuff I’d like to remember for posterity. Next weekend shouldn’t be quite as busy, though there will be some interesting happenings to write about. Outside of my normally scheduled weekend dancing, I have another lesson with Lord Dormamu scheduled for this coming Sunday before he heads out of town for several weeks. We’ll have to see if I am able to get in enough practice before that time for him to see a difference on the points he gave me last weekend. Wish me luck with that!

If We’re Dancing All Alone Or In A Crowded Room

Last Saturday morning I headed out to the Fancy Dance Hall for my scheduled coaching session with the Princess. I must say, by the time I finished up with that lesson, I was not feeling very good about how I danced at all. It wasn’t even like we really covered anything all that different from things I had heard from other people before or anything, she just wanted to emphasize different techniques that morning than the techniques that I have been focusing on in my other coaching sessions of late.

So what things did the Princess really want me to work on with her that day? The biggest thing was she wanted me to really use my body connection with my partner to drive my steps. She also wanted the lead to be coming mostly from my hips, just like Lord Dormamu had told me. I got to go through the semi-uncomfortable demonstration again where I had my hands put on the front of the Princess’ hips and had to hold them there while she went through some figures in Waltz. It was less uncomfortable for me this time around than it was when Lord Dormamu made me put my hands on his hips while he danced – I’m not sure if it was because I had already had to go through this weird exercise with a dance coach once already or if it was because she was female, and thus the threat of my hands accidentally slipping was less awkward to me (luckily I have gotten good at keeping my hands in one place).
  She also told me several times I needed to bring my left side more toward her when we got into dance position. I guess this is something that I am going to need to worry about with any partner I dance with. When I open my arms to allow the lady to walk toward me and get into dance frame, I keep my body in a neutral position with no rotation in my hips. I guess I was assuming that my partner would get into frame with me in the correct place without me having to rotate at my hips to adjust at all… but apparently that is the wrong assumption. So that’s something to keep on my list to look at adjusting before I even start dancing now.

There were several points that I also got called out for my head being in the wrong place. I know, this is a constant struggle for me, and even when I feel like my head is leaning slightly to the left I guess from the outside it sometimes looks like it is leaning slightly to the right. The Princess had this tendency to use her pointer finger to push against my head when it was in the wrong place to make me fix it. Several instructors I have worked with have done this before, but unlike those coaches the Princess has long fingernails that felt rather sharp as they were digging into the side of my neck. That wasn’t really the most pleasant thing to experience, especially when she decided to poke me like that when we were in the middle of dancing.

So yeah, there was nothing really earth-shattering from that lesson. We spent half the time working on Waltz and half on Foxtrot. The Princess was nice enough to tell me at the end that I have noticeably improved, but I still need to work on keeping things consistent and to fix some of these minor things to take it up to the next level. I don’t know why the constant starting and stopping to go back and fix things made me so unhappy with my dancing that day, but it did. I ended up leaving and heading off to go work out and burn off some of that negativity so that I could be in a better frame of mind before I went out to host a dance party later that night.

As I mentioned at the end of my post last week, I was out and about hosting another monthly dance party this past Saturday night with the rest of the gang from the Royal Dance Court. Well, I say “the rest of the gang” but really it was only about half of the group. Being a holiday weekend, many of the members of the Royal Dance Court were out of the area visiting with family. I had expected that we would see the same thing with all the dancers who would otherwise attend our party, leaving us with just a small crowd that night. As it turns out, since all of the other dance parties that would have otherwise happened that night were cancelled or rescheduled due to the holiday, ours was the only ballroom dancing event in the whole Dance Kingdom last Saturday night, so we had quite a large turnout instead. Hooray!

To begin the night’s festivities, we had invited a local instructor to come by and teach a class on American Cha-Cha for anyone interested. From what I was told, this instructor regularly teaches classes and lessons at the City Dance Hall, but I don’t remember ever seeing him there in all the times I’ve been to that location. That could be because I don’t often pay attention to the other male dancers when I am there since there are usually a lot more ladies than men, so my attention is needed elsewhere. He was a fun instructor though, and English was clearly not his first language, so some of the phrasing he used when explaining things was unintentionally funny. When class started, we initially had the same number of men and women, so I was hanging out along the edge of the floor keeping an eye on things.

A couple of ladies showed up about ten minutes into the class, so I ended up joining in at that point to help keep things as close to an even ratio as possible. I ended up in the front row next to the instructor because all the other men chose to stand in two rows behind him; I’m guessing so that they could watch what he was doing during class. Since I hadn’t seen anything new to me in the ten minutes I was standing along the side, I figured I could be right in front as well so that people could watch me too if needed. The pattern that was taught that night wasn’t that difficult in my mind, but there were a couple of parts that surprised the ladies that I danced with in class. Several ladies told me that the other men besides me and the instructor guy next to me were doing things differently – which was kind of a scary thing to hear from the ladies, since the progression we went through ended up being rather long. None of the men complained that they didn’t understand the figures we had gone through, so the instructor guy just kept adding on more until we ran out of time for the class.

We started out with what I consider a normal starter step for any Cha-Cha: a side step to the left on beat one followed by a backward rock step. After that we did a normal chasse to the right followed by a Crossover Break (or, in International Cha-Cha, a New Yorker). From there we did a figure that I had learned long ago as a ‘Snap’ but I’m not sure if that’s its real name – coming out of the Crossover Break, we rotate back to face our partner, but instead of doing a chasse to the left we stop her by putting up our right hand and then turn to do another Crossover Break to the right. This second Crossover Break led to the first piece that many of the ladies I danced with struggled to get through frequently: In the middle of the Crossover Break, you needed to pivot on your front foot (left foot for the Leads, right for the Follows) to go into another basic chasse to the right. This is an easy transition to lead, because if the guy has a good connection with his partner and rotates at the right time, the lady has no choice but to turn. From what I gather though, many of the men weren’t doing this correctly.

After the second chasse to the right, we went through the second figure of the evening that the ladies I danced with didn’t really understand until I went through things with them. This one actually surprised me though. All we were supposed to be doing was a basic Solo Turn to the right (a Solo Turn is where both the man and the woman turn at the same time – also called a Walk Around Turn). Many of the women I danced with just kind of stood there and watched me awkwardly when I turned, even though I was pushing against their left arm to try to get them to turn with me. Once I stopped to talk them through what should be happening, and let them see the instructor guy next to me leading the lady through the same figure, they seemed to catch on. Several of them told me that the men they danced with in the rotation prior to me weren’t doing anything like what I was trying to lead them through, which is why what I was doing was confusing them. I don’t know what to make of that figure causing so many problems though. I had thought that was a fairly common step that pretty much everyone knew.
  Coming out of the Solo Turns, rather than go back into normal dance frame we went into a wide two-hand hold so that at the end of the chasse we could do Cuban Breaks – one set to the left and then one set to the right. As we finished the Cuban Breaks and shifted our weight back to the left leg (right leg for the ladies), the men did a rock step backwards while leading the ladies through a normal Spot Turn. This led into our final chasse to the right of the evening, after which the instructor checked the clock and saw that there was still a bunch of time left, and asked everyone if they wanted to keep going. Most of the class agreed enthusiastically, so he added on two final figures. The first was a Fifth-Position Break on the right hand side, which set us up for the final figure. The final figure was essentially the Promenade Walks from East Coast Swing, modified to fit to Cha-Cha timing. I’m fairly certain this figure isn’t on the Cha-Cha syllabus anywhere (at least, not anywhere I can find), but if you’ve done Promenade Walks in East Coast Swing before you can easily do them in Cha-Cha as well.

Once the class was over was my big moment to step into the spotlight for a minute. As I mentioned a while back, there had been a few complaints from some gentleman who attended our social dances about dance hosts doing ‘fancy’ moves on an increasingly crowded dance floor. In order to combat these issues, I had been elected to start giving out a few pointers on floorcraft before our dances began, to help improve the floorcraft of our attendees, and thus improve the dance floor safety of our parties. I said I would write up a whole speech and present it here for you all to see, but I never got around to that. Instead, since I have become accustomed to talking to random people at these sorts of events, I decided to just wing it. After a brief introduction of myself and an overview of why I was giving this speech, I laid out three random floorcraft points from a list I had made prior to that evening:

  1. When we are dancing ballroom dances, there should be two different tracks. An outer track for those who take larger steps and move ‘faster’, and an inner track for those who take smaller steps and move ‘slower’. This leaves the center of the floor for people not moving or dancing a completely different dance style.
  2. To tie things back to the lesson, I reminded everyone that when doing New Yorkers or Crossover Breaks on a crowded dance floor, they shouldn’t not fling their arms out fully extended. Instead they should keep their arms at their side with their hands on their hips. I did make a joke about ladies dancing near a certain individual being allowed to throw their arms out to smack that person, which got a laugh.
  3. The biggest point I emphasized that night was that people who didn’t know Viennese Waltz or Quickstep should not be on the floor during a Viennese Waltz or Quickstep. I pointed out that a social dance, especially one on a floor the size that we had to use, was not a place to learn either of those dances. After my speech was over, the DJ also reiterated this point.

I closed my short speech with the three points about floorcraft that I had learned from Judge Dread, that the Lead’s job is to keep his Follower safe, keep her comfortable, and keep her entertained. These three points have stuck with me over the two years since I took that class, so I thought it would be a good line to close with. If I really do end up giving a speech like this every month before our Royal Dance Court dances, I think I will close with this line every time.
  For the first part of the dance, I mostly hung out in the back of the room to watch what was going on. There were a pretty even number of men and women at the party, so I didn’t want to get in the way of everyone else having fun. I did have one lady stop by during one of the first Cha-Cha numbers to ask me if I could show her the pattern that everyone had gone over during the class. She had missed part of it, and wanted to make sure she knew what was going on in case some gentleman tried to lead her through this new progression. I took her over to a mostly empty corner of the dance floor to step through it slowly with her, and she seemed to understand once we finished.

The most unexpected part of the dance happened early on in the night, right after the first Foxtrot number was played. I had been standing in the back during that Foxtrot, as I mentioned, just watching people, and making friendly conversation with the few people who came within range of me. After the dance was over and the DJ changed over to a different song and dance style, an older gentleman made his way off of the dance floor and over to where I was standing. My spider-senses started tingling immediately as I noticed his approach – this gentleman was the guy whom had made the complaint that led to me giving the short speech on floorcraft in the first place. I put on my best welcoming smile and braced myself for whatever might happen.

When he was close to me, he reached over and put his hand on my shoulder and pulled slightly so that I would lean down so he could speak in my ear. He told me that next time I should make a point to emphasize that the instructors that show up as dance hosts should watch out as well. Apparently one of the dance hosts that a group of ladies had hired to dance with that night had done what he called a “fancy move” on the dance floor, and he was near the guy when it happened, and it caused him to have to change his steps to avoid what was going on. I bit my tongue to not say too much in response to that, instead just nodding and agreeing until this gentleman was satisfied and wandered off. I really wanted to tell him that I was less worried about what those few instructors serving as dance hosts for the evening were doing than I was with the other social dancers who I see doing all sorts of crazy things on the dance floor, but I didn’t think that the middle of a dance party was a good place to get into that kind of dance philosophy discussion.

Sigh… I’m sure that this will come up again at our next Royal Dance Court meeting.

I missed out on Latin Technique class this past Monday because of things going on at work, but I did manage to make it to Standard Technique class on Wednesday night. We ended up working on Quickstep that night, focusing quite a bit on footwork that required you to be up on your toes for long periods of time. Without knowing that we were going to be doing this during class, I had unfortunately worked my legs really hard during my normal workout before class, so my calves were kind of unhappy before we even started dancing. I managed to grit my teeth and get through things, but I was happy when class was over and I got to go home and rest my legs for the night.

We began class warming up with chasse-like steps down the long wall. All of the steps were meant to be done while up on our toes, and we did several variations of timing, with a few runs that had some twists to keep things interesting. We began with normal Quickstep Progressive Chasse timing, then switched to chasses in Pepperpot timing, then did a few where it was Pepperpot timing with a 180° rotation on a slow step between the chasses, and to finish things off we changed over to Lock Steps in Pepperpot timing. The Lock Steps and the Pepperpot timing were good to end the warmup with because we used those in the actual progression we worked on for the rest of class.

Our progression was pretty basic overall. We started with a Natural Turn into a Natural Spin Turn, ending with a V6. The last step of the Natural Spin Turn was used as the first step of the V6 to make sure everything flowed together properly. We used the Lock Steps that you have in the V6 to work on the timing and footwork we had started in the warm-up. First we were doing the V6 with Lock Steps that had normal timing, and then we changed things so that the first Lock Step was normal and the second used Pepperpot timing, and finally we did both Lock Steps with Pepperpot timing. At the end of class when we were running through the figure for practice, we kept switching up which timing we were using just to keep everyone on their toes (ha ha! Unintentional humor…).
  I know there are several dance parties going on this weekend, but as of right now I’m feeling like kind of a stick in the mud, so I don’t know how much effort I will put into going to any of them. Staying home and curling up with my cat sounds like a grand idea. We’ll have to see what happens. I’ll let you know all about what I end up doing next week.