I didn’t actually get out last Friday night. Silly work! But that’s OK, because I did get to go out on Saturday night, and I had a grand old time. My costume was amazing if I do say so myself, and came together splendidly to make everything I did on Saturday more entertaining throughout the night. Of course it also made everything much warmer anytime I was moving around, so I had to take parts of it off and let my body cool down when I got too warm. That’s OK though, because it was still totally worth it to me. If you weren’t there to see me in costume, then you really missed out.
On Saturday night the party that I chose to go to was out at the Electric Dance Hall. We got to start off the evening with a short lesson taught by Lady Lovelylocks that went over some American Rumba. There was a large contingent of newcomers in the class, so the entirety of the pattern she taught was pretty short and none of the figures were really all that complicated. All the ladies that I danced with seemed to do everything well for the most part. There were a few that had jumped into the class late who were a bit behind the others when I rotated through, but I managed to help them get to the end with only minor issues.
As for the pattern itself (in case you want to try it), we started off with a full basic without rotation. After that we did another half of a basic with an additional step to the Lead’s right afterward to get us in position for a Cross Over Break on the right side. Coming back from that we went into two Solo Spot Turns for both the Leader and the Follower, first on the left side then on the right side. As the Lead steps across back to the left, he’ll takes his partner’s right hand and go into an Aida, a figure from the Silver International Rumba syllabus. Lady Lovelylocks had us do a simplified version, just using the Aida as three steps backward with little to no focus on technique.
At the end of the Aida we opened up slightly more to get to a kind of back-toward-back (yes, exactly that) position with our partner. Here we did a measure of Cuban Rocks, pivoting to face one another just after the end of the last one, and then to finish the Lead just did a rock step backward while leading the Follower through a Underarm Turn. As I said, it wasn’t too difficult to get through, and I’m sure any more experienced dancers reading this can picture the whole thing in their mind without even having to stand up and try it. Fun stuff!
The lesson didn’t really end, but rather just melted into the dance party. There were a few of the newcomers who were having trouble with the figures, so Lady Lovelylocks got caught up helping them as class time was winding down. The DJ had put on some songs that were Halloween-themed which kind-of worked as American Rumba songs – I mean, if you ignored the feeling that the rhythm section gave you and just counted the straight timing of the music, or sometimes you could kind of get the feeling if you put your finger in one ear and only listened to the notes that would have been marked in the treble clef, or something like that. People started off trying to practice the progression of figures, but when Lady Lovelylocks got caught up helping others and stopped making everyone switch partners every couple of minutes, people ended up just pairing off and doing whatever they wanted.
After the third song, Lady Lovelylocks managed to pull herself away from helping people long enough to thank everyone for coming out and officially kick off the party, giving the DJ free rein to change to other styles of music. This particular DJ was brought in to play at the party not by Lord Junior, but by a generous donation from a member of the dance community. I’m not sure what the instructions were that the DJ was given for the party, but her music choices were… not very varied. There was SO. MUCH. CHA-CHA. It became a running joke between a few of us at the dance, trying to guess whether the next song would be another Cha-Cha or something different for a change. There were really a lot. I gave up trying to dance any of them after a while because I felt like I had gone through my whole repertoire of Cha-Cha figures and I was running out of ways to keep the dances interesting.
I went back and forth with wearing my complete costume and dancing without parts of it throughout the party. I know I should have just left the pieces off once I took them off, but I was so excited about wearing it that I kept going back and putting everything back on once I felt my body temperature regulate again. Inevitably I would have to take the pieces off once more after two or three dances, but those two or three dances made me super happy. Sigh… I am such a kid at heart sometimes. If the neighborhood where I lived believed in Trick-or-Treating, I would have stayed home all night on Halloween, gotten dressed up in my awesome costume, and handed out candy until the wee hours of the morning. I would have even bought awesome candy for everyone who showed up. Full bars! Crazy! But alas, ‘twas not to be…
One of the dances that I did that night was the only Quickstep number that was played. Sparkledancer came and found me (since she’s really the only person I am comfortable dancing Quickstep with). The interesting part was that the song was rather upbeat, and it attracted a group of ladies out onto the floor. They weren’t on the floor dancing Quickstep, rather they were all standing in a big circle and just wiggling around for fun. Their circle took up a lot of room, going from the wall all the way past the middle of the floor on one of the long walls. On top of that, there were so many ladies and they were standing so close together in the circle that you couldn’t cut through in between them either.
Every time I went down that long wall I had to abruptly change direction and go around the outside of their circle. Of course, since they were past the middle of the room, I had to hesitate a bit to make sure that there was no one coming down the opposite way on the other long wall. I’m pretty sure that this was more of a problem for me than for anyone else dancing the Quickstep, since Sparkledancer and I can move a lot more than your average social dancer can when we dance together. I must have done five or six laps around the room by the time the song was cut off, going around the group every time. It was kind of nutty!
Monday night, as you might have guessed, I was out at Latin Technique class. Since we had done Rumba and Cha-Cha in class over the last two of weeks, this week we looked at Samba. Much like the last two classes, the material that we covered in this class was also related to notes that Lord Junior had gotten from a visiting coach that he and some of his Pro/Am ladies had worked with when the coach was in town several weekends ago.
One of the ladies who joined us for class that night had only briefly touched on Samba in her dance training so far, so Lord Junior wanted to start off with something simple to get us warmed up a little before diving into anything harder. The warm-up ended up being work on Volta actions. We did them very slowly, which is considerably harder than trying to do them fast. First we did them heading to the right, then going to the left, then with a bit of curve to them as if we were traveling in a large circle. When we managed to get through the sets, we sped them up a bit to work on them at a faster pace. We never quite reached full speed, but this was just a warm-up exercise so that wasn’t the end goal.
After finishing the warm-up, Lord Junior had us look at a section from his Open Samba routine that started out with Voltas, just to give us some continuity of mind. We started out facing the wall in Shadow Position with our partner, going into four Rhythm Bounces to get moving. Next we did four Voltas that took us in a semi-tight circle for 270°, setting us up to face a new wall as if we just went around the corner. Here, to change up the dynamics of the movement a bit, we did a couple of faster syncopated steps. Our feet were already situated in a Cuban Cross as our bodies were turned slightly to face diagonal wall, so on the next two steps we switched our feet into the opposite side Cuban Cross while rotating our body 90° to face backing diagonal wall.
Coming out of the twist was where the Leads and Follows separated from Shadow Position and started to do different steps. The Lead would untwist and take a step forward like a Cruzados Walk. The Follower went through a Four Step Turn, ending by pivoting their whole body around to face the Lead once more a few feet us. Here we went into a single Promenade Run, with the Lead just taking three steps forward to begin with while the Follower took a small step backward then turned to step to the side before stepping forward with the Lead. After the Promenade Run, the Lead would cut in front of the Follower quickly to go into three Natural Pivots – trying their best to take all of them down the line of dance if possible – before releasing the Follower to repeat the same single Promenade Run action we did before the pivots. That was where we ended things for the evening since we ran out of time to cover more.
Latin Technique was the only group class I went to this week. Since Wednesday was Halloween, Lord Junior decided that spending time with his young kids was going to be more fun than having class with the rest of us. I like to think that I am pretty fun to hang around with, so I’m going to pretend like Lord Junior totally missed out! Instead of class, I ended up going out to meet up with Sparkledancer for practice. We’re down to the last couple of days before our next competition, so I figured it was a good idea. Unfortunately, that meant I had to leave my costume at home. Even though my costume doesn’t impede all of my movement, it does lessen it slightly, so I thought that practicing in it would be a bad idea. Sigh… I just miss out on all the fun.
Oh yeah, did I ever mention that I am competing this weekend? I can’t remember if I did before or not (and I’m too tired to go back and read my previous notes to see if I did). This competition should be exciting for me for a couple of reasons. First off, if the list of events I saw online is to be believed, I won’t be dancing unopposed at this competition. Hooray! Secondly, Lord Dormamu is one of the judges. Hoor… that’s actually scary. I don’t know why it makes me nervous dancing somewhere where he is judging but dancing against other competitors actually makes me happy. You would think my reactions would be the opposite!
I did get together with Lord Dormamu and Sparkledancer for one last look at everything tonight before I head off to compete this weekend. All of our dances seem to be on track right now to do very well in this weekend’s event. Some things that we talked about which are points for us to start thinking about, but not necessarily points we will need to have down for this weekend, are:
- In Quickstep, we want to start moving toward making all of the quick steps much sharper. This means that we are almost delaying the start of the steps a bit – extending the slow step beforehand as long as possible to get a much more staccato movement in the quicks
- In addition to that, any place that we are adding in additional sway in the Quickstep he wants the transition going into and coming out of the sway to be faster, almost like snapping into place. This was something that worried me a bit, since I feel like I am whipping Sparkledancer around a little, but she told me that the movement doesn’t hurt her, so at this point I’m the only one worried about doing it. I’ll get over that with a little practice (I hope)
- In the Foxtrot we are going to start talking about blurring the lines between the quick and slow steps in the figures to even them out, making the dance flow more and look much more legato. Exactly the opposite of what we are doing in the Quickstep – more like dancing a Waltz to a song in 4/4
But that’s about it! I’m heading out tomorrow night to drive out toward the city where the competition is being held. Some people I know are getting up early to drive out on Saturday before the event starts, but since I am not a morning person I am just going to get there on Friday night and stay in a hotel nearby. To me, the cost of the room is a small price to pay for not having to get up at stupid o’clock in the morning. I’ll let you know how everything goes next week!