Know When To Listen, Know What To Listen For

I did actually manage to drag myself out of the house last Saturday night and go to a dance party. Blankets were calling my name really hard when I got done working out that afternoon, and I was super tempted to just give in to that siren song and curl up in a big pile with them… but I didn’t! It’s a good thing that I went too, because I found out some kind of hilarious information, and it was so much better that I got to hear it all first hand rather than have to try to piece the stories together later.

A couple of people who don’t come around in the dance world very often anymore made appearances at the dance party this weekend, which is what generated all the humor. The first person to show up that I hadn’t seen in a really, really long time was HotDog. He looked… well, like he had seen better days. He didn’t talk about it much, but I the story I got from Points (who was the second person that I hadn’t seen in a long time that also showed up at the party) was that he had made some questionable choices in life recently, so things have not been going super well for him because of that.

The timeline on all this is pretty vague, since HotDog won’t give anyone the full story or will give each person who asks a slightly different story, but the general details are: about three months or so back HotDog either quit his job, or was fired from it (I heard from one person that he was also blacklisted by the employer… who knows what that means). Because of the job loss he also got kicked out of his apartment – or left his apartment by choice, no one knows for sure which – because he didn’t have money to pay the next month’s rent. The part of the story that we know for sure picks up when he called Points out of the blue one day around that time, and she could give us an actual account of what happened next.

While Points was out-of-town on a business trip, she got the call from HotDog. There was obviously something going on, but HotDog wouldn’t tell Points all of the details over the phone. Worried about his well-being, she told him that he could go crash at her house while she was out-of-town, and when she got back she would try to be a shoulder he could lean on as he tried to put his life back together. He stayed at her place for two days by himself, and then Points returned home and he stayed for one more day while she was there before she ended up telling him that he had to find a new place to stay because he was being a pretty terrible house guest.

During that short time, according to Points, he just went through and devoured everything in her house that was edible. Because she travels a lot for work, she normally keeps a lot of frozen food in stock so that she has things to eat that won’t spoil while she is traveling. HotDog ate most of what she had in her freezers – food that would have lasted her for months, just gone in the course of three days. Strangely enough, I guess he also spent the whole time sleeping on the couch rather than in the guest bedroom. Also, Points said that he destroyed the toilet in the guest bathroom in a pretty gross way. It was kind of funny to hear, but I won’t elaborate further to save you the gross details.

After three days of staying there, HotDog just up and left. He had met some random girl who lived in the city on a dating app, and this girl offered to take him in, so he just packed up what little he had and went to go live with a complete stranger. If that doesn’t sound sketchy enough, rather than going out to get a new job, he told all of us at the dance party that he was spending his free time (which, since he’s unemployed, is all the time) working on his ‘dream job’ – making a “million dollars or less” (yes, he really said that) by posting videos of himself online. How’s that going for him? Well… so far, since he created his channel two months ago, he has posted a grand total of three videos.

I guess that making videos to post online is hard, time-consuming work?

I get the impression that this girl who HotDog met on a dating app that he is now living with isn’t a romantic interest for him even though they met on a dating app. That night at the party there were a couple of ladies who showed up together. They were both recent arrivals from out-of-state who had moved in a few months ago. Back where they came from they had spent a lot of time doing some sort of line dancing, but since there isn’t a lot of line dancing-specific events in my neck of the woods, they both decided to give partner dancing a try, which is how they ended up at the party that night.

One of the girls was younger and more attractive than the other, and HotDog definitely took an interest in her early on in the evening. He spent a lot of time near her during the Salsa lesson that was taught before the party, and then once the party started he would often go to where the two ladies were sitting together and grab that same girl for chunks of dances – not just one song, but four or five in a row. He was doing his best to try to show her all the basics for all the different styles of dance that he knew, and only seemed to release her back to her seat when the DJ put on a song for a dance style that he didn’t know.

His actions were bordering on the creepy side, so during one of those chunks of songs when HotDog had the lady out on the floor I went to go talk to her friend briefly. I let her know that HotDog is usually pretty harmless, but if her friend needed a way to escape from him that they could just flag me down and I could step in discreetly and pull HotDog off to the side to chat. The friend laughed about that and thanked me, saying that so far her friend didn’t seem distressed, but the two of them were also having a lot of wine so that might also be keeping her relaxed about the situation.

Funny enough, while I was talking to the friend, Sparkledancer came over to tell her that she noticed that HotDog was spending a lot of time with the one girl, and said that if he was being a creep that she could just flag me down and ask me for help. We both laughed because I had just made that offer before Sparkledancer got there.

We didn’t actually have to worry too much though. HotDog didn’t stay at the party that night for very long, and it was after he left that Points told some of us the story of HotDog staying at her house. It was probably for the best that I heard that story after he had left. I’m not sure if I could have looked at him the same way after I heard about that whole ordeal.

Don’t get me wrong – it was good to see that he was still alive and kicking. He did promise that he wouldn’t disappear for so long again, saying that he would definitely try to come to the same party next month. We’ll have to check back in on him then to see how he’s doing. Who knows? Maybe he will have achieved Internet fame and fortune by that time. I’ll be sure to let you know if that happens!

Moving on… let’s talk about Latin Technique class on Monday night. Lord Junior is still working on preparing for a competition that he is going to with a bunch of his Pro/Am students in February, so in class that night we spent time focusing on figures from multiple dance styles that his students needed to work on. We did the same thing last week, pulling one figure from each of three different dance styles rather than focusing on one style for the whole class. Lord Junior told us as class got underway that night that he had so much fun doing class that way last week that he wanted to do it all over again!

We started off by looking at Samba. Last week we looked at Botafogos, and this week we looked at Samba Locks. This is a different figure in the Gold syllabus for Samba than the Cruzados Walks & Locks – the Samba Locks are distinguished by having straight legs versus the Cruzados Walks & Locks where the knees have flex in them the entire time. This figure we worked through on our own heading down the length of the floor for a while, then paired up with someone in class doing two-Lock sets that would move alternately away from and then toward our partner. I was only sort-of successful with these Samba Locks – I could get my hips to kind of make the right movements on the left side, but the right side was just a disaster that did not look good at all.

Next up we moved on to Cha-Cha, and this week we focused on Cuban Breaks, doing a set of them to the right and then shifting over and doing a set to the left. At the end Lord Junior threw in a Spiral Turn and Forward Lock Step. His reasoning was that we hadn’t worked on Spiral Turns in class in quite a while, so he was going to give us one for extra practice. Maybe it’s because there was a lot less rotational hip movement during this set of figures, but I felt pretty confident and comfortable while going through the Cuban Breaks, and my Spiral Turn into the Forward Lock at the end was spot on. Even when we did this to music and up to tempo I still felt good about everything. Hooray for me!

To close out the class, Lord Junior decided to have us work on a more difficult figure, one that he said that you almost never see anyone doing. It is actually a variation of the ending of the Aida called the Double Spot Turn. The ending variation is still a part of the Silver syllabus for International Rumba, but the variation is much more difficult to do properly, so most of the time you will just see dancers doing the normal ending that involves rocking in place before squaring up with your partner.

Calling the ending a “Double Spot Turn” was misleading – I expected it to be something like a double spin that you can lead in various Swing dances, where you do twice the amount of turn in the same amount of time. This was actually doing twice the amount of turn in twice the amount of time. That didn’t really make the thing any easier, but I just wanted to point that out. Over two measures, you are basically doing two Solo Spot Turns next to your partner. Starting in Aida position, the first measure you step and turn, then step and turn, then step and hold. Over the second measure you turn and step, then turn and step, then turn to face your partner and step to the side together to finish. Being over two measures of music does make the move slower, but turning like this is still really fast when done at tempo.

One last thing, then I’m done for the week. Yesterday night I actually got to go to Standard Technique class. I was supposed to have a lesson with Lord Dormamu, but he had to reschedule. Rather than stay home and take the night off, I headed out to the Electric Dance Hall for class. It turned out to be an entertaining choice for a couple of reasons. I thought the material that we covered in class was fun – we looked at some figures from the Waltz, a bit of a mixture between American Waltz and International Waltz.

On top of that, there was a couple that showed up at the studio just before class started. They were from out of state, visiting friends for the weekend, and had decided to do some dancing while they were here. They had seen advertisements for the other group class that goes on Wednesday nights at the Electric Dance Hall – there is some well-known lady who teaches classes for a few hours each Wednesday on a couple of different varieties of Swing dances. The lady from this out-of-town couple was really getting into the class that they were in, but the guy was more interested in the Waltz that we were doing. I saw him watching us from across the room a lot, sometimes forgetting that he was supposed to be participating in the class that he paid to be in until his partner poked him to get his attention back.

I thought that was funny to see. Men who dance have been doing fascinating things lately, haven’t they?

As for what the choreography that we actually ended up with in class looked like, it was pretty short when all was said and done. We started out facing diagonal wall and did a basic Open Twinkle, coming out heading toward diagonal center in Promenade Position. Next we went into a Quick Open Reverse from Promenade Position, and coming out of that we went into a Tumble Turn. I’m pretty sure that this was the first time I had ever done a Tumble Turn in Waltz – I know that I’ve done it in Foxtrot a few times, but I can’t remember ever doing it in Waltz before.

After the Slip Pivot that ends the Tumble Turn, we split apart with our partner. The Leads would take one step backward and then one step to the side and hold while we led the Follow through a Underarm Turn out to our left side. The turn was overturned so that she would end in Side-By-Side position with us, and we held like that for a full measure allowing the Follow to stretch away from us and create a fancy-looking line for dramatic effect. Because we were running out of time in class when we hit this point, Lord Junior switched up what he wanted to have us do and instead we finished by doing two Grapevine movements in Side-By-Side position traveling down the line of dance.

That’s all I have for this week. As I said, my lesson with Lord Dormamu had to be rescheduled for this weekend, so I might have interesting things to say about that next time. I don’t know if I will be going out to do anything else besides practice this weekend. There are a couple of things that are going on, but I have some work I need to take care of at home which I have been procrastinating on. Maybe I should actually put some time into doing that…

Also, I have been reading the things other people have been writing about all the new exercising that they have been doing since we hit 2019, and it’s gotten me thinking about all the different things that I have put into my workouts and diet over the years to support dancing. You know, like different strength training sets I use to build up muscle groups that help me move while I dance, or balance training, or the calorie calculations that I use, etc.. I have been mulling over writing some of that down and sharing it with all of you dancers lurking here… but I’m not sure if anyone else would find that kind of information helpful.

What do you think? Would anyone out there want to see that? 🙂

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Now I’m Here Blinking In The Starlight

Something funny happened over the weekend – on Sunday morning, as I was on my way out the door to meet up with Sparkledancer to practice for a while, I got a text message from Lord Dormamu. Getting a text message from him seemed a little weird since he was at a competition judging, so when my phone made the noise to tell me that I got a message from him, I was surprised. The message itself was terse, asking me if I could check a couple for him based on their competitor number and send him some information on who they were. The final line in the message was “We need to make u [sic] move more.”

After some minor Internet stalking, I was able to track down the name of the competition Lord Dormamu was judging at, and then I found the registrants so that I could pull the names of the pair dancing under the number that he sent me. Based on the events I saw their names in from past competitions, it looked like they were dancing in an age category well below me, so I wondered what it was about this couple that made him think of me for some reason. I sent the notes I made back to him, and hung around my house for a few more minutes waiting to see if he would reply. When nothing came, I started to wonder if he was in the middle of judging and had just decided to text me randomly while doing so, which just seemed really funny to me.

I took off to go practice with Sparkledancer. Once I had made it to the studio and was putting my shoes on, I finally got a reply from Lord Dormamu asking if Sparkledancer and I had danced against this couple before, which obviously we hadn’t since those kids were still dancing in the kids’ categories in the previous competitions that I had seen online. Sparkledancer decided to get into the Internet stalking game at this point, and she managed to pull up what they were entered in at the competition that Lord Dormamu was judging that weekend. It looked like the two of them were dancing in the 18+ group at this competition for the first time, which would explain why they might have flagged on Lord Dormamu’s radar.

We have a lesson with Lord Dormamu scheduled for Wednesday night, so I imagine that I will find out more about this mysterious couple that he saw at the competition and what that told him about my movement specifically. Up until that text message, the running joke with Lord Dormamu was that he thought I moved too much and I needed to pull things back to fit my steps into any ballroom smaller than the Endless Dance Hall (which is all other ballrooms that I have ever been to in my life). So the idea of trying to move more just makes my brain pop a little bit. What if I start running off the floor at the Endless Dance Hall too? Where would I even be able to go and dance if that starts to happen?

Aside from that strange little incident, the second item on the “Notable Dance Things From Last Week” list was Latin Technique class on Monday night. It was notable because Seedling came back! I had questioned whether I would ever see him again, since he had told Sparkledancer that he was reluctant to leave his current franchise studio situation, and his original complaint about that situation was that it was more expensive than he was comfortable with. I guess he has more money sitting around than he let on, because he is apparently willing to continue to spend money at the franchise and then also take classes elsewhere.

Also showing up to class that night for the first time in quite a while was Tanya Tiger! I have to point her out specifically because the story behind her being there is pretty funny – Tanya used to come to Latin Technique class all the time back in the day, up until she became unhappy with her current career path and went back to school to move into a different field. She actually finished school quite a while ago, but never returned to take class again with us when that happened.

At her last private lesson with Lord Junior, she was apparently telling him all about how she was sad that Latin Technique class was so early in the evening, because on Monday nights her significant other is out working late, so she just sits at home all alone. Since class was so early, she couldn’t get there in time after she got out of work. Lord Junior looked at her confused, and told her that Latin Technique class didn’t start at the time she mentioned… apparently she had forgotten what time class was, even though that time has never changed in all these year!, Also, she used to come to the class all the time! Also, the monthly class schedule is always posted on the calendar at the studio! Ha!

So Tanya promised that she would start coming to class again to have fun with us. Welcome back! This is good for her, since she still competes with Lord Junior, and there is an event coming up that she is working toward. Actually, Lord Junior and quite a few of his Pro/Am students are deep into preparations for an upcoming competition that they are all traveling to at the end of February. Class this week was built as a medley of steps from different styles that his competitive students who were there that night needed to work on.

We started off by looking at Botafogos in Samba. Lord Junior had us do Botafogos going both forward and backward that night individually (without partners). The Backward Botafogos were new. I’ve seen them before at social dances where the technique didn’t matter, but this is the first time I’ve been asked to do them and actually care about what I look like. The forward ones went better for me, but I think that’s only because I’ve done them in Latin Technique class many times before. I’ve said it before and I’ll say it again – Samba is not my favorite dance style. I just feel awkward trying to move my body in the ways that people who dance Samba competitively are supposed to. I believe that it’s part of the ongoing curse of my white boy hips.

Lucky for me Botafogos were all we looked at in Samba, and then we moved on to look at some Rumba. Here we specifically focused on the Closed Hip Twist releasing to Fan Position. This time we were able to work with partners, since the Closed HIp Twist works much better for the Followers if you can rely on your partner to assist with the movements. Lord Junior did have Seedling and I step through the Follower’s figures before we paired off, saying that knowing what the Followers were doing would help us lead the figures better.

Finally that evening we looked at the Three Cha Cha Chas Forward figure from Cha-Cha. We started these off facing our partner, went into an Opening Out and then did the Three Cha Cha Chas Forward in Right-Side Position. At the end of the three we did an Opening Out on the other side and came back with the Three Cha Cha Chas Forward in Left-Side Position. At the end we did one final Opening Out, then squared up with our partner for a basic chasse to the left. Nothing too crazy, but Lord Junior focused on pointing out things that everyone could improve on to make the steps sharper, faster and cleaner to keep up with the music when we got to full speed.

So… how do you think that Seedling felt about class this week? Lord Junior is really nice to people the first time they come to one of his technique classes, so during last week’s class he really didn’t call out Seedling for things he needed to work on. This week was a completely different story, and there were several times that Lord Junior stopped him to make corrections on what he was doing (like he does with the rest of us who have been coming to class for a while).

Do you think being corrected might have changed Seedlings views on Latin Technique class? Well, lucky for you, you don’t have to wonder! Seedling was quite willing after class was over to share his thoughts with Sparkledancer, and she thought some of them were funny enough to forward to me. And now, to continue to pay it forward, I’m going to put them here for you to see!

“My only complaint. I wish he would’ve stuck with one style of dance for the whole class. That samba preferably. It’s harder than what we do at my studio

Feel like 3 is way too much to make the technique stick”

“The Cha Cha and rumba didn’t give me much trouble except for the rumba timing and him enforcing it more than I’m used to”

“I mean it’s no [sic] enough

It’s a lot higher level and I will have to practice it to make it muscle memory

Right now I feel like I just walked into class for the first time”

That last line really brings back memories. That was pretty much exactly how I felt after the first time I went to one of Lord Junior’s advanced classes after only taking the ‘advanced’ classes at the franchise studio I started off at. I remember feeling like I had gone to all those classes, but the instructors must have been leaving out large portions of the material for some unknown reason.

Maybe, based on these musings from Seedling, he might be starting to see that dancing competitively outside of his franchise location is going to be a challenge for him. Maybe. Sparkledancer told me that she tried to explain to him that non-franchise judges like the ones at all the big-name competitions that he is dreaming of going to with his franchise instructor are not going to be forgiving to him if he focuses solely on figures as he competes through the syllabus and ignores the technique until he ‘finishes’ that. He didn’t seem phased by that at all at the time, and continued to think that his plan was flawless. But now, that last line… maybe he’s finally starting to see the light.

I guess we’ll have to see. I get the impression that Seedling will be back for more, so this probably isn’t the last time I will mention him. 🙂

Yesterday night I got to meet up with Lord Dormamu and Sparkledancer. We started out having a nice long chat about what he witnessed while judging that competition over the weekend that he was texting me during (he really was texting me during the event, he totally confessed to that), and how it related to my dancing. He also told me all about the drama going on behind the scenes with the event and the organizers, which was fascinating to hear about. The world of ballroom competition organization is kind of cut-throat business from the sounds of it!

More importantly though, we talked about the couple that he had asked me about, and what they were doing that made him think of me at the time. He told me that he was watching them dance in a smaller heat, so he was able to spend a bit more time paying attention to what they were doing. What dawned on him while watching that couple was exactly what it was about my dancing that was so different and still needed to be improved: the dynamic aspect of my movement. The way that this couple was moving – the quality of their movement, if you will – was much more dynamic and impressive than everyone else on the floor dancing against them. That is what Lord Dormamu wants to work with Sparkledancer and I over the next several weeks to improve.

We also talked about the results of that competition, which was another fascinating insight that I need to remember for when I take the floor. Despite how good the quality of the movement of this particular couple looked to Lord Dormamu, they did not end up winning those heats. Another couple actually took home the first place stickers for those rounds. I was curious what it was about that other couple who actually won that was so much better, because I thought that I should know to also work on that aspect, since I think the goal Lord Dormamu has for Sparkledancer and I is ultimately to take the top spot.

He started to tell me all about the other judges that were watching the events with him. Most everyone else on the panel that day were formerly high-level Latin champions, so he told me that the way they look at people who dance American Smooth or International Standard is very different from how he and other high-level Standard champions would judge a couple in those events. Those judges, according to him, were likely focused on picking at various small technical points – footwork, connection, etc., because they didn’t know as much about how the movement should look in International Standard. One couple taking more heel steps in the wrong places than another is an easier thing for any judge to count up and mark down rather than evaluating the way that the couple was moving together across the floor in the particular style of dance being done.

The remaining judges on the panel were all apparently ‘old and blind’ according to Lord Dormamu. One judge that he name dropped to me is supposedly in his 80s and can barely see his score sheet if he holds it up in front of his nose as he marks each couple. To a judge like that, the quality of the movement or the technical points of the dance style don’t matter as much as which competitors are the ones moving the biggest – because the bigger the couple moves, the easier they would be for that judge to see.

So… with all of this in mind, I asked what it was that we needed to focus on going forward. Well, Lord Dormamu’s answer to me was that we needed to make sure that we were better at everything. You know, nothing too challenging, right?

To begin with, Lord Dormamu was going to start working with us on making sure that our movements were as dynamic as possible so that we could easily beat couples like the one that stood out to him if we come across them in competition. That is going to be the focus of our next lesson(s) until he is satisfied with that aspect of our dancing. The technical points he told Sparkledancer and I are actually something that should be a part of all of our practice sessions to ensure that all of the points outlined in ‘the book’ are perfect for each figure. He wasn’t going to spend his time with us focusing on that because those are all written down, but he would point out any spots that he saw when we were together if either Sparkledancer or I did something wrong.

As far as moving big to be noticeable to one of the ‘old and blind’-type judges that he mentioned, that was something that Lord Dormamu admitted that I actually had an advantage over. I already move really big, covering a lot of space with each figure that I cover. I am also a pretty large guy compared to most other male dancers we come across, so my musculature is actually an advantage here because it makes me more visible. But other than the quantity of my movement and my size, there isn’t really much else we could do here to help in this situation… so for now I’m going to just hope that that’s enough!

We spent the entire time we were dancing last night working with the Waltz as our tool to discuss quality of movement. Starting out, Lord Dormamu had us go through the dance once with the music before he started talking about any specific points. When he stopped us and had us come back over, he told the two of us that everything was looking a lot better than he was expecting. I guess the work that I have been doing trying to increase the flexibility in my back is paying off, because he mentioned that as one point that made it all look much, much better than last time we were together.

The biggest change that he asked us to work on starting that night was actually for Sparkledancer. He wanted her to start really focusing on getting herself out of my way when I am moving forward. The goal is that as soon as she feels my body begin to shift, she needs to move herself backward (obviously without breaking body contact). This will prevent me from actually pushing against her body when I am ‘driving through’ as so many people have called it over the last few years.

Having her do this kind of threw me off the first time Lord Dormamu had her try with me after he was done going through the change with her. Sparkledancer doesn’t weigh a whole lot, so it has never been much of an issue for me to move myself forward while she is in front of me. I chalk that up to having strong legs. But suddenly there I was pushing myself forward using the same amount of force that I normally use, and there was no weight at all in front of me holding me back! So that amount of force almost became too much. This is definitely a change that is going to require practice this week to feel more comfortable with, in all of the dance styles.

Also, as a side effect to not having any weight pushing against me as I move forward, I cover more distance. Just what I needed… I really am going to start running myself off the floor no matter where I am dancing. It’s a real problem for me!

Quality-wise, there is a lot of focus on the two of us moving this way, all while ensuring that we are completely grounded to the floor and really into the legs. In the Waltz, that means a renewed focus on the falling action to really show the swing through the dance. This is actually easier for me to do when I am bending my back in this banana-like shape – the curve forces me to ‘sit’ when I am lowering, almost like going into a one-legged Chair Pose in Yoga (it’s one-legged since the other leg is preparing for the next step). This subtle change actually helps me control the lowering a lot better, interestingly enough.

Aside from moving through each figure slowly to ensure that our swing and sway actions looked impressive (which is a bit boring to talk about, so I’ll save you from that tedium), the only other notable fix that Lord Dormamu wanted us to work on was coming out of the Hesitation Change in the first corner and going into the Double Reverse Spin and a Reverse Turn. His problem was that the first step into the Reverse Turn looked weak, so we had to back up through the preceding steps until we found the source of the issue.

It turns out that as I was exiting the Hesitation Change, I was unintentionally squaring up my body, rather than leaving the left-side lead that I create while hesitating. Coming out of the Hesitation Change and leaving my body in the same position through the Double Reverse Spin and the Reverse Turn fixes the weakness with the first step  of the Reverse Turn that Lord Dormamu was seeing. So this was totally my fault. Now it should be fixed, and as long as I remember to always do it the right way, hopefully that takes care of that.

So yeah… that’s about it for this week. Practice is probably what I will spend much of my weekend working on, to try to get more comfortable with the changes that Lord Dormamu wants from me. Other than that, I think that a few people mentioned to me that there is a dance party on Saturday night… so I should probably make an appearance at that as well, but practicing the dynamics of my movement has got to be a priority. After all, we are only about a month off from my next competition. If I want to be ready to showcase improvement in these areas at that event, I’ve got to do the work!

I Give You He Who Suffers The Truth

This week’s stories of ballroom dancing that I have for you are actually going to be about the adventures of a different guy…

Remember that guy that I mentioned, the one whom Sparkledancer met on New Year’s Eve and she has continued to talk to ever since? He finally managed to meet up with her to go to some dance events outside of his home franchise studio! Sparkledancer has been telling me over the last couple of weeks that the guy was a bit strange, so she wanted me to be around at these dance events that she was going to, to help share the experience. Because I’m a sucker who is prone to being helpful, I agreed to go. These stories I am going to tell this week from the position of an observer.

My understanding of the situation surrounding this gentleman, whom I’m going to call Seedling, is as follows: he has been a member of a pseudo-franchise studio for the last two years. During that time he has had three different instructors. While he seems (at least, from what I can glean from talking with him) to enjoy the social aspects of the franchise studio, there are a couple of points that he is dissatisfied with. For one, the cost is too high for his tastes. For another, he believes that he is so much better than most of the other people at his studio, including his current instructor. Third, he was frustrated that his instructor had been holding him back in Bronze. She kept telling him that she wanted to make sure that his technique was good before promoting him, but he thought that he was doing great and was more than ready to move up.

Sparkledancer wanted to help him out, because she’s nice like that, so she asked Seedling what his dance goals were. That was where the story that Sparkledancer was relaying to me gets a bit harder to follow. First she was telling me that he said that all he wanted to do was be an awesome dancer. That is a pretty common goal, but the biggest things that help with that are time, patience and practice, so there wasn’t much Sparkledancer could do for him. Then he came back and said that he wanted to become a competitive dancer like her – but he wanted to do it by learning and competing in all the figures up through Gold, and worrying about learning the technique only after he finished doing that. Sparkledancer tried to caution him that going that route was possible, but to compete without mastering the techniques means placing badly in competitions, so he had to be ready to accept that.

That plan didn’t sound right to him, so then he told her that his goal was to be a super awesome dancer that was basically an instructor, and all the ladies would be able to recognize his skill and he could give “semi-private lessons” (his exact words) on the dance floor during parties. That really irked Sparkledancer, because she is really against men at social dances who think that they should be teaching women how they think they should dance during a party. So she told him off about that goal. Seedling backed away pretty quickly, coming  back with the idea that he wanted to become a Dance Host that women would hire to dance with at social dances instead.

When Sparkledancer told him that the majority of the Dance Hosts that are in the area are dance instructors from various studios, Seedling told her that he could totally be an instructor. After all, he reasoned, he wears all black when he goes out dancing already (yes, he actually said that to her), and he already helps other students in the Bronze I classes at his studio with their steps when they are having trouble. To that Sparkledancer responded that if he actually wanted to become an instructor, he should start off by talking to some of the instructors in the area to get some advice. After that, he would need to go back to his Bronze I classes and start learning the Follower’s part, because an instructor needs to know both sides. If he can master that, she told him that he then needs to make a name for himself so he can attract students.

Given that information, he decided to change his goal yet again. This time, he said that he was going to become a super high level competitor and make a name for himself by winning some big-name competitions. For some reason, he chose International Latin to be his thing. If he did that, he reasoned, then the ladies would come knock his door down to ask him to be their instructor. Bringing it back around, Sparkledancer told him that if he really wanted to do that, then he would need to start working on the technique immediately because that is really the only way he is going to win any competition, especially the bigger well-known competitions.

So this conversation had been going around in circles between Sparkledancer and Seedling for the last two weeks. I have gotten texts from Sparkledancer while at work where she has sent me snippets of things that he has said because she was having a hard time believing that he would think that way about whatever subject he was currently going on about. I think it’s kind of funny, since I haven’t had to deal with it firsthand.

At the end of last week, when the conversation between the two of them came back around again to how he wanted to become super good, but he was already better than his instructor since she only started dancing six months ago, yet he didn’t want to leave his franchise studio because he loved the people there, Sparkledancer finally threw down the gauntlet: she told him that he could go out to a few things that were happening in the Dance Kingdom that weekend and see what the dancing world outside of his franchise had to offer. Then, armed with that knowledge, he could make up his mind about whether it would be better for him to stay and be happy where he is, or leave and be happy on the outside. Seedling agreed to her challenge, so the great test began!

This was a particularly good weekend to go out and experience things for a franchise dancer – Saturday afternoon, Judge Dread (the internationally known ballroom adjudicator) was in town giving workshops. After that, on Saturday night there was going to be a social dance out at the City Dance Hall. Before the dance party there would be a lesson in East Coast Swing given by an instructor who has racked up a number of national dance titles in her competitive career. Finally, Sparkledancer told him that he should make an appearance at Lord Junior’s Latin Technique class on Monday night, since Seedling had decided that he wanted to dance International Latin competitively. That class would give him a glimpse into what the world of competitive technique for Latin looked like so he could see what he was in for by taking that path.

And so, Seedlings quest began!

The first stop on this tour of the outside world for Seedling was the Endless Dance Hall for workshops with Judge Dread. I only stayed for the first one because I had things to take care of back home, but Seedling stuck around for both – the first being in the Waltz, and the second in Cha-Cha. The Waltz concepts that Judge Dread went over would work for either American or International Waltz, but from what I heard the Cha-Cha choreography was purely from the American Rhythm side of the house.

There were two concepts that Judge Dread wanted to have everyone think about during his Waltz workshop – figures that progressed a lot down the floor, and figures that stayed in place. To give everyone an example of the first kind of figures, Judge Dread had us all do an Open Progressive Twinkle followed by an Open Natural Turn. The Open Progressive Twinkle was done at a very wide angle so that it started heading toward diagonal wall and continued almost straight in that direction. If the Open Natural Turn was done using the expected angle, you would finish the two figures heading toward backing line of dance.

To prepare us for a set of figures that would stay in one place, Judge Dread changed the Open Progressive Twinkle that we were currently doing so that it turned us 90° to come out diagonal center, and then he told us that we were going to move the Open Natural Turn to the end of the progression. In its original place we instead did the first three steps from a Weave From Promenade Position. After those steps we did a basic Reverse Turn which brought us to a complete stop with our feet together, setting us up for the first non-traveling figure – a basic Right Lunge. Coming out of that, he had us do a Spanish Drag, which is a picture line that you normally see in the Tango, but it works just as well in the Waltz.

The Spanish Drag was only held for one beat, allowing us to use the third beat of that measure for a Slip Pivot to turn us to face against line of dance. That positioned us for a Back Twinkle to change directions, and we began to travel again down the line of dance using the Open Natural Turn that Judge Dread had moved. Once we had all those figures down and everyone in class had run through the choreography as-is multiple times, Judge Dread told us that all the steps that we were doing were even in timing, so normally a dancer would try to mix things up by adding in figures that had syncopated steps to keep the choreography exciting.

With that in mind, Judge Dread showed everyone the footwork for the Grapevine as seen in Waltz. We put one of these in between the first Open Progressive Twinkle and the opening to the Weave from Promenade Position, and two of them in a row after the Back Twinkle near the end before the Open Natural Turn that finished the choreography. The whole progression was pretty long as you can see, but it flows very nicely from one piece to the next so it is easy to remember once you step through it a time or two.

Next up on Seedlings tour was the dance party held at the City Dance Hall on Saturday night. There we were given another long progression by the instructor that the group hosting the party had asked to come teach. This instructor was someone who I had met before, but I’d never had a chance to take a class or a lesson from her until that point. I must say, I thought she was pretty funny. There was a method to what she was trying to show the class, but she kept jumping around from point to point, often coming back to figures that she had explained before to tell us all something that she had forgotten when she first talked about the steps. The fact that I could follow her train of thought either means that I was paying attention really well, or I am actually pretty scatterbrained and so jumping around between topics makes sense to me (the jury’s still out on which of those facts is true).

Because we had a couple of people in the class that had never seen East Coast Swing before, the instructor started off by showing them how to do the basic. This was actually the part that threw me off the most – I came from one of those schools where they taught you to start off with the rock step for the basics in Swing dances like East Coast Swing of Jive. This instructor started with the triple steps instead. Even when I was thinking about what to do, my body still tried to wind up to take that rock step right at the beginning, and that messed me up more times than I would like to admit during her class. Please don’t think less of me for admitting that to all of you…

Once all the newcomers were comfortable with the basic, she began going through the progression she wanted to show everyone. The whole thing started with one normal basic, then added on a basic that rotated 90° counterclockwise. Once facing the new wall, she had us go into a regular Cuddle. After we came out of that so that the partners were standing across from each other again, she had us go into a more advanced variation of the Cuddle. The variation started out the same way, but once the Follower was wrapped up the Lead would take four steps going forward clockwise around the center point. On the third step the Lead would release the Follower’s left hand and move his right hand down to rest on her right hip, so by the end both partners were in a side-by-side position facing opposite walls.

The Lead’s hand on the Follower’s hip allowed him to give her a nudge to lead her to start the next part of the progression. We did three triple-steps in a row heading toward the Lead’s right. After each triple-step, the Lead would rotate their body 180° to face the opposite wall. Keeping pressure on the Follower’s right arm would get her to flip to face the other direction at the same time. So the progression was a triple-step, 180° to the right, triple-step, 180° turn to the left, and then one last triple-step and 180° turn to the right.

After the third triple step the Lead would bring their left hand up to lead the Follower through a Tuck Turn while he did two steps in place, which kept the Lead on time to do a triple-step with the Follower after the turn was finished. From here the instructor had us do another basic with a Link to get back into dance frame, and to give everyone a chance to take a breath before the next figure, which turned out to be a Lindy Whip. Coming out of that she had us go into Back Walks And Points (I’m pretty sure that’s the actual name of the figure), and we finished everything with one final basic.

The dance party after the class turned out to be an interesting test for Seedling… but we’ll get to that in a bit. Right now, let’s go over the final class that he went to outside of his normal studio this past week, which was Lord Junior’s Latin Technique class on Monday night.

During class, Lord Junior wanted to have us all work on the opening section from the Closed Silver routine for Cha-Cha that he uses with his competitive students. The opening section isn’t very long, but Lord Junior designed it to showcase a lot of quick movements in an attempt to try to wow the judges right at the start. It opens with both partners facing each other and going into a set of Cucarachas to the right, leading into four in-place chasses. After the fourth, we stepped backward on a diagonal to open up away from our partner while still holding on with the left hand – Leads going off to their right, Followers to their left. This was supposed to give us some space to do Cuban Breaks without kicking each other, but I have really long legs so sometimes if my partner didn’t step very big there still wasn’t quite enough space for me.

After a set of those with the left leg, we would pivot to turn around 180° so that we could do a set with the right leg as well. Finishing those we rotated to square up with our partner again briefly, then launched right into a set of four syncopated New Yorkers. Coming out of the last one we did one normal tempo New Yorker on the right side (which seemed awfully slow by comparison), which finished with a basic chasse to the left. That was all the figures that Lord Junior wanted us to do, so the rest of class was spent trying to perfect the movements so that everyone could do them at full tempo.

So after several days of romping through the world of dance outside of his franchise world, how do you imagine that Seedling felt about his future dance journey? Well, if the conversation that he had about his dance goals with Sparkledancer gave you any indication about his train of thought, you might be guessing that he would be unable to make up his mind about his future now that he has more information – and you would be correct. Seriously, I heard all about his discussions with Sparkledancer after each of these outings, and the guy was all over the place!

For instance, after Latin Technique class was over, I went home and was sitting on the couch looking at some things for work when my phone beeped at me. It was Sparkledancer, forwarding me a message that Seedling sent her after she asked him what he thought of the class. He said: “Yeah it was really good. I mean my instructor said it before but the WAY he said it made sense a lot faster. It was a slower class figure wise but a lot of technique in exchange.”

…I guess he missed the part where the class was called Latin Technique?

Anyway, on top of that Seedling was convinced that he was way better than all of the other women in class, telling Sparkledancer that he wasn’t sure why the girls were in the advanced class when they were struggling to keep up with him. He had the same issue with all the ladies that he danced with at the social dance on Saturday night, telling Sparkledancer that he thought he was so much better than all the women because he knew so many more figures than they did and the women were struggling to understand what he was leading.

…I know what you’re thinking, because it was the same thought that I immediately had too: if ALL the women are struggling to follow you, then likely the problem is not that the women are too low of a level compared to you. The common denominator in that situation is staring at you in the mirror.

Now that Seedling has been to two social dances in the world outside of his franchise studio, he says that it is exactly the same as the social dancing at his franchise studio – meaning that the majority of the women he is going to meet there are going to be outside of his age range for dating. With that information, he seems to be leaning toward wanting to be a competitive dancer. The conversations that Sparkledancer told me about are back to going round and round, because it seems like he wants to dance competitively, but going down that path doesn’t solve his original problem of dancing being more expensive than he can afford comfortably. It actually makes that problem worse.

From the sound of it, he doesn’t like the fact that the franchise studio he is currently a member of won’t cut him a break and let him take private lessons without paying for the group class package on top of that. But he doesn’t want to look at dancing with other instructors outside of his studio where he wouldn’t have to pay for group classes if he didn’t want to. I wonder if it’s because he actually likes this instructor that he has. Even though I have heard him say that he is a better dancer than her, so he isn’t sure that she can teach him a whole lot, secretly I suspect that because she is young and pretty, pays attention to him and praises him for everything that he is doing with a constant stream of high-fives and saying ‘Good Job’ instead of offering any criticism, he doesn’t want to leave her.

The young and pretty thing I know for a fact is something he likes – seriously, he was very eager to show me a picture of how pretty this girl was over the weekend for some reason. I didn’t even ask, he just started pulling up her pictures on some social media site on his phone right in front of me. It was a little creepy.

Overall, I think that Seedling’s weekend of adventure through the Dance Kingdom probably won’t change anything for him. I get the impression that he is set in his ways, even if he isn’t content with those ways. Change is hard. It’s daunting to look at a new path and convince yourself to take it knowing that you basically have to start over at almost the beginning to actually further your progress. I should know, I went through it before – both when I walked away from the franchise studio where I started out and had to adjust to dancing on the outside, and then again when I started to compete seriously under Lord Dormamu’s tutelage and he made me reset and go all the way back to the beginning in International Standard to rebuild my fundamentals into what they are now.

I don’t know when the next time I will see or hear about Seedling again will be. I suspect that this isn’t the last time he will show his face. I’ll be sure to let you know when it happens!

From Where I Stand I See

I’m going to start off this week with an update for you on something I mentioned last week: over the weekend I managed to convince Sparkledancer to bring her competition shoes with her to one of our practice sessions so that she could test them out. Turns out that the shoe that the girl stepped in at the competition did get stretched out pretty badly, and nothing Sparkledancer tried that day as we practiced managed to make the shoe feel stable again. After testing it for about an hour, she told me that she might feel comfortable using them occasionally for practice, but to put them away again and try to rely on the shoes to function well during a competition would be a bad idea.
So, after a lot of arguing and a brief and hilarious scuffle, I managed to steal one of her shoes and look at the size printed on the inside. I went ahead and ordered her a new pair. Despite what she will tell anyone else, I personally feel like it was my fault that I didn’t get us away from those other kids on the floor, so I will take responsibility for that other girl sticking her heel into Sparkledancer’s shoe and damaging it. Plus, I’m lucky enough to have a job where I get paid enough to afford to do random things like this, so it’s really no skin off my back.

One thing that I did learn is that the shoes Sparkledancer uses are stupid expensive. Holy cow, those are the most expensive pair of shoes I’ve ever bought in my whole life! I thought I paid a lot when I got my own super-fancy shoes that I use for practice (and the second pair I have in my closet that I only use for competitions), but those shoes seem cheap by comparison. Do you think that it’s because there are so many more female ballroom dancers than men, so men’s shoes are just less expensive because of the disparity in demand? That would be an interesting peek into the economics of ballroom dancing.

Anyway, once the new shoes show up the problem will be corrected. I still feel bad that anything happened in the first place, but being able to fix the problem eases my guilt quite a bit.

Enough about shoes, let’s talk about dancing. This past weekend, aside from practicing, I managed to get myself out of the house on Friday night to head out to the Endless Dance Hall for their party. It was the biggest party scheduled in the Dance Kingdom – many other dance studios cancelled their own Friday night parties so that they could join the fun out at the Endless Dance Hall. Why would they decide to do something crazy like that? Well, they all knew that they just couldn’t compete with the Endless Dance Hall. For one thing, it does have the biggest dance floor available anywhere within a few hours drive. For another, they had hired the best ballroom DJ to come play the music that evening, and that always draws in a fair number of people.

But the real coup de grâce was the fact that they made their party free to everyone who showed up.

Yeah, free parties do tend to attract people more than parties that you have to pay for. Especially parties that also have a dance lesson being offered (for free, of course) and prizes up for raffle (also free). What’s not to love? So it totally makes sense that all the other studios in the surrounding area cancelled their Friday night parties and encouraged their students to go over to the Endless Dance Hall. Heck, I even saw some of the instructors from other studios in the area at the party that night, weirdly enough. There’s no question in my mind that it was the place to be! That’s why I went!

I didn’t get there early enough to take part in the lesson. I mean, I’m sure I could have jumped in right at the end to help out since there did seem to be a few more ladies than men on the floor, but as I stood watching what was going on for a few minutes I couldn’t figure out what was going on. The lesson was on Cha-Cha, I did get that much, but there were a lot of people I had never seen before in the lesson, and most of them appeared to be lost on what to do, so trying to glean the steps that were being taught from them wasn’t working for me. The instructor had a microphone, but with the noise from the crowd going on I couldn’t understand half of what he was saying. So, I just stayed on the sidelines and watched instead.

But I didn’t have to stay on the sidelines long! Soon the lesson finished and everyone in class was released to do what they wanted. I spent my time that evening between dancing and talking with a bunch of people I hadn’t seen in a while. I don’t know if my number was ever called in the raffle – I ended up giving my ticket to the Dance Robots. The prizes looked nice, but I didn’t really need anything, and those two always make me happy when I see them.

I danced a lot that night, and because of that I didn’t manage to hit up the snack room until way late in the evening – like half-an-hour before the party ended late. As my luck would have it, a lot of the good snacks were already gone, which made me kind of sad. I don’t know why it is that I don’t feel hungry until so late at night. I mean, I do have a tendency to make sure to eat dinner before I go to parties like this, which probably has a lot to do with it. Do other people just not do that? Is that why they always plow through all the snacks before I feel like having something? Just a weird thought I had that night…

Monday night in Latin Technique class we continued with the trend that we started last week of working on simple figures to help the new ladies that joined class improve their basics. This makes two weeks now for these new ladies. I wonder if they’ll stick around long enough for me to give them names? I’ve had this terrible luck lately where when someone does something notable enough that I decide to break down and come up with a name for them, they disappear almost immediately afterward. That’s why lately I’ve really only come up with names for the notable dance instructors I meet rather than the students, because instructors are less likely to disappear (though it still happens). Fingers crossed that these ladies in Latin Technique will prove to be interesting and hang around for a while.

This week’s class was all about Cha-Cha. Mostly slow Cha-Cha. I’m pretty sure that Lord Junior said that he had lowered the tempo of the songs he had us practice to down to 65% for much of the class, which felt really slow to me. The figures that we worked on we did end up dancing with partners, but the material was all designed so that the partners were just mirror images of each other. That allowed some of the ladies to pair off with each other. There were six ladies in class that night, and just Lord Junior and I trying to work the crowd would have left a lot of people standing around waiting if he hadn’t designed things so that they could work together.

The pattern that we were doing was short and simple, at least in my opinion. I’ll go through this from the Lead’s perspective – so if you want to do the Follower’s part just mirror what I say. We started out facing our partner and doing a basic chasse action to the right. At the end we went into a basic New Yorker on the right side. Coming out of that, rather than squaring up with our partner again we instead did a 180° pivot and went into a Three-Step Turn heading to the left, letting go of our partner as we started to turn.
At the end of the Three-Step Turn we squared up with our partner again and went into a basic New Yorker on the left side. Coming out of that we went into another 180° pivot to do a Three-Step Turn heading back to the right. At the end of the turn we would reconnect with our right hand, facing our partner with our weight on the right leg, ready to move into something else. That’s where the pattern ended for the night. As I said, pretty basic and simple if you’re comfortable with the basics of Cha-Cha.

To amuse himself, as the newcomers in class got more comfortable with the figures, Lord Junior started to increase the challenge factor. First off, he had us start using our arms. I never think that using my arms looks good (which is part of the reason I have stuck with Standard for so long), but I managed to get through. Next, as you can imagine, he started to speed up the music, first by 5% intervals, then 10%. We did actually make it up to full speed that night by the end, which surprised me. The ladies who hadn’t done much Cha-Cha before were struggling to keep up when the song was at tempo, but they were laughing about it and having a good time, so it didn’t seem like it was traumatic for them. Hopefully that means that they’ll be back for more next week!

Instead of going to Standard Technique class on Wednesday, I headed out to the Endless Dance Hall to meet up with Sparkledancer and Lord Dormamu to finally discuss what he saw while judging us at the competition we were in a couple of weekends ago. The session was enlightening, as you might have expected, and definitely gave me a number of points that I will need to work on in preparation for the next competition I decide to do. Incidentally, that topic came up briefly as well during the lesson, and it looks like the best option for our next competition will be in January at another event that Lord Dormamu is also going to be judging. That sounds really convenient, don’t you think?

After a brief discussion at the beginning of the lesson about what Lord Dormamu saw from us while we were on the floor competing, it was clear to me that I am not one of those magical individuals that does better dancing in a competition than I do during practice. I honestly didn’t think that I was, but this confirms it for sure. There were things that he saw me do that I didn’t think that I was doing, and techniques that I thought I was doing a lot of that he said were barely noticeable. I guess I need to start recording myself more often when I practice if I want to see these things with my own eyes.

One of the most interesting notes that Lord Dormamu said that no instructor has ever told me before was about the incident with Sparkledancer’s shoe. We obviously had to tell him that story about the shoe incident, and how things looked funny while Sparkledancer was trying to get her shoe back on as we danced. He said that in a situation like that, we should have just stopped, separated briefly so that Sparkledancer could put her shoe back on, then come back together and continued. According to him, no judge would mark us lower for doing something like that if it was required to stay safe. Good to know for the future.

Lord Dormamu also noted a similar take on dancing through a contested field. I guess there were points that he saw me moving where I was weaving through the other competitors on the floor. The way he interpreted it was that I was doing it in order to keep moving through my routine and not show any downtime in my dancing. This can be a good thing to do sometimes he said, but there were points where he noticed that moving between other dancers affected the way that I held my frame, or the volume that Sparkledancer was trying to create. If people are too close together, volume is something that obviously contracts if you try to squeeze through people.

I was told that when the floor is crowded with competitors, it can actually be more impressive to a judge if I just stop and hold in place, even if I end up holding for long periods of time while waiting patiently for the floor in front of me to clear up and become safe to continue dancing. Doing this allows me to show that I am calm, confident, and in control of the situation way more distinctly than forcing my way through a crowd ever could. This is especially true while we remain in the closed syllabus rounds, where many of the other competitors will be nervous and fidgety, especially if they are not used to navigating a crowded dance floor. Being calm and poised will set me apart from all the others in the eyes of the judging panel that is comparing all the competitors to each other.
With those overall notes out of the way, we looked at our Waltz and Foxtrot routines that night. The first comment that I got after dancing through both of them the first time was that none of the issues that he saw us doing while dancing in the competition were present now. So, I guess that means that I somehow have to find a way to compete more to figure out how to keep the way I dance in competition and the way I dance in practice the same. Sounds so easy, right? Sigh…

The overall takeaway in the Waltz that Lord Dormamu gave me was that I needed to work on lowering more. He thought that the lowering action was not enough during the competition while I danced the Waltz. To fix this, he wants me to work on lowering even more during practice. That way, when I naturally lower less during a competition, it will still look low enough. You know, overdoing it under control to make it look normal if I ease off. The joke that Lord Dormamu told me was that he wanted me to work on destroying my knees by lowering so much in practice.

I happen to like my knees, so I probably won’t go that far… but I can see what he is trying to imply with that joke.

As for Foxtrot, I was told that there were points during the competition where he could see me pushing off my legs to move. While in some ways this is good, because it shows that I am clearly using my legs to drive through the steps, it is bad when it happens in such a way that it can be seen clearly by someone watching. For example, if I am driving through the step and I give it one last push as I switch from one leg to the other, that action might make me (and then Sparkledancer, because I’m heavier than her) bobble a bit during the transition between legs. Trained eyes pick up on little movements like that!

We went back to talking about the overall vision for Foxtrot – ideally, the dance will flow smoothly from start to finish. Little bobbles that are noticeable will detract from this look that we are trying to achieve. Lord Dormamu said that he wants me to think of the dance as if there were a wire strung along the floor over my route while dancing, keeping everything smooth and level. The only change in elevation should be kept to the sides of the frame as we sway through the steps, while the center of our frame remains smooth and level the whole time (I know it’s not physically possible to do that while swaying properly, but that’s the idea to shoot for).

During the lesson we walked through a lot of the pieces of both routines to make sure that we understood what the end goal was, but a lot of this is going to come down to practice between Sparkledancer and I – repeating everything endlessly to make sure that moving in this nature is a fundamental part of who we are. I know it doesn’t sound super exciting, but that’s how we continue to do well while competing and keep on improving overall at the same time. There are talks about us going to some kind of championship dance competition during 2019, and Lord Dormamu obviously expects us to win, so getting these points that he saw in our last competition straightened out is imperative if we are going to meet that goal he has laid out for us.

Those are my dance notes for this week. I think that it’s going to be a rather quiet weekend in my world. As probably many of you are aware, there’s a big competition going on this weekend in another area of the Dance Kingdom. Like, really big. I won’t be there, since they don’t offer much for amateurs to do at this competition, but I know quite a few people who are going. Lord Dormamu, as you might expect, is going to dance with a handful of his Pro/Am ladies. Lord Junior is also going to compete with what sounds like a whole contingent of his students. That should be some crazy road trip for them!

To everyone competing in that event this weekend, good luck! More than that, have fun! A wise man once said that if you’re not having fun, then it’s really not worth it. Aside from having fun, I hope that any of you reading this who might be dancing blow all of your competition away… unless you are competing against one of my friends, then I hope that you come in second. I mean, that’s only fair for me to hope, right? No hard feelings. 🙂