Last Saturday was the first time since the last competition that everyone’s schedules matched up, and Sparkledancer and I were able to meet up with Lord Dormamu for coaching. The first thing that he said to us as we got started that morning was that he was pleased with the results we got at the beginning of the month, but doing as well as we did doesn’t mean that we’ll do that well during the next competition, so we still have a lot of work to do. Our next competition happens to be on November 4th, by the way, so we have a very short amount of time to cram in a lot of work to start ironing out our weak points.
The big thing that Lord Dormamu wanted to start working on with us that day was Tango, which is something both Sparkledancer and I have been hoping to have him look over thoroughly for quite a while. Before we started in on Tango however, he wanted to have us go through our Waltz for him once so that he could point out a few things that he saw during the last competition that we need to clean up.
What he was unhappy with in our Waltz were our Double Reverse Spins specifically, but the problem with those were caused by the way that Sparkledancer was doing her Heel Turns in general. After he had Sparkledancer and I go through the Double Reverse Spin a few times, he took her aside and the two of them worked on Heel Turns without me.
Sparkledancer told me later that day that Lord Dormamu took all the issues and trouble that she has had doing Heel Turns over the last few years that she has been dancing International Standard, and fixed them in less than five minutes. All the issues! For the rest of that day, and again when she and I were practicing together on Sunday afternoon, Sparkledancer was telling me how much easier Heel Turns seemed now that he showed her what she had been doing wrong.
I guess that really goes to show you why Lord Dormamu was a multi-multi-multi-<etc, etc><etc., etc.=””>-time world champion. He knows all the things. All. The. Things.</etc.,>
We didn’t spend too much more time on the Waltz once Sparkledancer and Lord Dormamu made their breakthrough. He told us that it would be a better use of our time to move on to Tango, and for us to practice the Double Reverse Spin and the other Heel Turns that Sparkledancer does in all of our routines later, during our normal practice time.
Obviously the first thing that he had to fix in our Tango was our dance frame. What Sparkledancer and I got into was basically the same frame as we use for all of our other dances, except my arms were held level with my shoulders, and our knees were bent more to put us closer to the ground. Lord Dormamu told us that we were actually too connected through the body for Tango. He made both of us roll our hips back so we were only connected at our ribs, and everything else was free. There was some additional maneuvering done to Sparkledancer to try to increase her volume, but that is really a constant adjustment for her nowadays. Our arms were in a good place already, so we at least had that going for us.
After we started dancing the first Back Corte, Lord Dormamu stopped us immediately. He saw the head flick that we had in the figure (something that Sir Steven had told us to put in way back in the day) and told us to throw it out. Much like what we had done with all the head movements in Waltz and Foxtrot when Lord Dormamu initially started looking at those dance styles, he wanted us to work on making the dance as clean as possible before we added in any styling movements. Let me say, it is a relief to not worry about moving my head for now, but I have also done that head flick for so long that I don’t always remember to take it out!
We made a pretty good start on the Tango. Overall we didn’t get very far into the routine – we only got through the first four figures – but it feels good to actually put the kind of work into Tango that we put into our Foxtrot. Lord Dormamu had me adjust the angles that a couple of these figures began or ended on so that we were facing what he said was the right direction, and to go through all the steps without either losing the position our bodies were in when we started, or rising up at all. We ran out of time that day, but Lord Dormamu promised that he would be looking at Tango again next time we got together.
Once Sparkledancer and I finished up with Lord Dormamu, we immediately had a lesson with Sir Steven to jump into. This lesson wasn’t quite so technical, so that was a nice break. We started out talking about how Sparkledancer and I have been coming on getting the lift down. I told Sir Steven all about where we were at, and how the sections that we were practicing weren’t quite comfortable enough yet to be done in a place where there wasn’t a cushion on the floor. I’m feeling OK about everything, but I personally want to make sure that I’m feeling way more than OK about things before we move from practicing the lift over a pile of pillows and blankets to practicing it over a dance floor. Safety first, right?
So we started looking other figures that Sir Steven wants to have us use in the showcase routine: Open Natural Turns. These are a fairly simple figure that I’ve done before, but because the showcase will end up using more colorful choreography that requires Sparkledancer and I to break frame, I had to take a moment to switch my brain over to American Smooth mode to get them right.
We spent a lot of time that day working on what Sparkledancer and I should be doing with our arms while we go through these figures. Arm motions are not something I worry about in International Standard, so the first few times I tried to gracefully roll my arms around they just looked awkward. After we worked out the arms, we looked at what the head should be doing next. Sir Steven wanted us to have some sway in our upper body as we moved, and the head should always be looking toward the side of your body that is sloping downward.
With those techniques out of the way, what we ended up with by the time we finished were: three Open Natural Turns where both Sparkledancer and I extend our left arms outward and link to each other using our right, one Open Natural Turn for me as I turn Sparkledancer so that she ends up in Shadow Position, four more Open Natural Turns in Shadow Position, and one more Open Natural for me as I spin Sparkledancer back around to end in Promenade Position.
That’s as far as we got that day with the choreography. There are still questions up in the air about what our showcase will look like and what song we will use, since there has been no confirmation from the Artistic Director of the show on what she thinks of our ideas. Supposedly she will be stopping by at some point to talk with Sparkledancer and I about the plan, but I have been given no date on that conversation yet. Hooray for flying blind! Good thing the performance isn’t until mid-December, right?
Later in the evening I was back out dancing again as my Royal Dance Court group hosted our monthly social dance party. We had planned something interesting and different this time around to mix things up a little and have some fun. One of the members of the Royal Dance Court was super excited about all of the Oktoberfest parties that he was planning to attend this month, and he thought it would be a lot of fun if we held a Oktoberfest dance party in celebration. The rest of us thought that sounded like a lot of fun, and after some thought someone else threw out the idea that there really is no better dance style to learn at a Oktoberfest party than… the Polka!
Because there are always more women than men at our dance parties, I was helping out during the class before our party to even up the ratio a bit. This was my first time ever dancing the Polka before, so I had to actually pay attention during the class to figure out what I needed to do. It’s been a long time since I’ve been in a class where I had no idea how to do any of the figures being taught, even the basic step, so I thought that it was strangely fun.
Most of what we went through during that class were just variations on the basic figure for the Polka. The instructor showed everyone what he called the “Forward Basic,” the ‘Promenade Basic” and the “Curving Basic” to get around the room. He had everyone practice these figures for quite a while, because there were quite a few people who didn’t seem to get them after the first couple of tries.I think he would have had more luck if he had had the class switch partners a few times, which would have also let several more ladies have a chance to practice, but that’s just my take on how things went.
Near the end of class we were given one more, slightly more interesting figure to look at. This figure had no real name, but started out in the Promenade Basic, and during the second half having both partners open up to side-by-side position facing against line of dance. The man then turns the lady clockwise with his left hand, switching hands as she comes around, and then turning ourselves back to face the line of dance and grasping her right hand with his as the turn ends so that we are in a cross-hand hold with the left hand on top.
From this position, you can continue down the line of dance in a semblance of the Promenade Basic, or lead her through a turn counterclockwise and retake her hand over her shoulder so that you are traveling in something like Shadow Position with a double hand hold. After going down the line of dance for as long as you’d like in this position, you can use your right forearm to initiate another turn, getting her to spin counterclockwise again in front of you and from there you could link back up into the normal Forward Basic figure.
We didn’t go over any of the fancy jumping or hopping figures that you’ve probably seen before when people do Polka, but these steps we did cover exponentially increase the number of Polka figures that I know. Maybe next time I hear a Polka song being played, I will actually be able to go out onto the floor and participate. Yay me!
One other funny note about the dance party… one of the guests who came to the dance party actually showed up in an authentic German costume. Apparently he had taken a trip to Germany earlier in the month and had picked up the outfit there, knowing that we would be having this dance party a few weeks later. He had the whole get-up – the hat with feather, the overalls that were only slightly longer than shorts, the tunic shirt underneath… and what looked like a knife strapped to his ankle. That accessory threw me off a bit the first time I saw it.
Sparkledancer actually danced with this gentleman during the evening. Being curious, she asked about the knife. Apparently it was very real, and “authentic” as he was proud to tell her. This is the first time I have ever known anyone to bring a weapon to a dance party. I’ve seen people who were choreographing a showcase routine in the past that involved dancing with swords, but never anyone just casually dancing with a blade on them for no real reason. So that was a new experience for me. Way to commit to the costume, dude!
Onto a completely different topic now… one that actually made me kind of angry and sad at the same time. This is highly dance related, and comments like this should make everyone in the dance community feel something… rage? Sadness? I don’t know.. Let me tell you what happened.
So Sunday afternoon I went out to the Electric Dance Hall to watch the showcase performance that they were holding. Having been a performer in showcases past (and currently preparing to perform in a showcase in the near future), I know how important it is to go out and view the routines that your dance acquaintances have been working hard on, and show them lots of love in the process.
I had seen the lineup for this showcase earlier in the week, and I was a bit surprised by what I had read. Out of around thirty scheduled performances, there were only two that were unique, and the rest were evenly split between Lord Junior performing with some of his female students, and Lord Scarry performing with some of his. I know having a pair of amateur dancers performing is a rarity around the Dance Kingdom, but usually there are at least one or two acts put on by amateurs. Not this time, for some reason.
Anyway… here’s what got me all riled up: during the second act, as Lord Scarry took the stage with one of his students to perform, the DJ for the night was having trouble getting their song to work. As several people ran over to try to get the music straightened out, Lord Fabulous tried to entertain the crowd by asking Lord Scarry’s student questions about herself to pass the time. A spotlight interview, of sorts – I’m sure you can picture it in your mind. Most of the questions were pretty benign, but the last question was for her to tell everyone about when she started dancing.
As the girl was talking, Lord Fabulous interjected that this particular student had actually started dancing many years ago with her husband, but then (as Lord Fabulous put it rather proudly) she “kicked him out because he was holding her back.” The crowd of students that had come to perform with Lord Scarry and this students friends who were in the crowd all laughed and cheered at what I assume was supposed to be a joke, but I was shocked at hearing that bit of trivia proclaimed so happily.
See, I don’t know if any of you ladies have noticed, but men are in short supply in the ballroom dancing world. I certainly notice, because I go to group classes and oftentimes find myself being outnumbered by ladies all of the time. When the ratio is this lopsided, why would anyone be happy, or make light of the fact that we once had a brethren male dancer in this fight who is no longer with us because his wife thought he was holding back her progress?
This is not the first time that I have heard of this phenomenon happening either. Back in the day, shortly after I started my dance journey at the Land of the Loft, I remember Lord Fabulous performing a routine at one Friday night dance party with one of his female students. When Lord Fabulous introduced this student to everyone else in the dance hall, he told us that this lady had also started dancing with her husband once upon a time, but ended up dropping him as a dance partner ( the lady told us all she “voted him off the island”) so that she could continue dancing without him holding her back, because he was the weak link. Hearing Lord Fabulous make a similar joke again this weekend reminded me of that incident.
Why would anyone want to joke about this? Why would anyone be proud of this? That’s what really gets me riled up. With the obvious lack of men who dance in the Dance Kingdom, you would think that everyone would try their best to help keep these men dancing. You would think these two ladies in particular would really want their husbands to continue dancing with them, rather than having to go out to dance parties and hope that other men in attendance would want to take them out on the floor, right? How many of the other ladies at the party would be jealous (super jealous) that these two women have their husbands dancing with them all night long?
I realize that training a man to ballroom dance is harder in the beginning than training a lady to dance (that may be controversial, but I feel that it is true). You have to teach the guy all the footwork, then how to lead the figures, then help him figure out how to mix up the figures to keep things entertaining for his partner, then help him get experience in floorcraft so that he can keep his partner safe. And that’s all assuming that he already has a good grasp of hearing the timing of the music. If he has no musical background, you’d also have to train him to hear and follow the beat in the song playing, which is something I see new male dancers struggle with all the time when I watch social dances.
A lot of men drop out of the ballroom world on their own due to the frustration of feeling like a beginner, especially when they compare the way they are dancing to what the male dance instructors are able to do. I know that it made me feel like a terrible dancer back when I started. But from the sound of things, this student performing (and the one I remembered from the past) actively discouraged their husbands from dancing. That just seems so… wrong to me. For shame!
Grr… I could probably go on for a long time about how stupid that is, but I think you get my point. I’ll stop now.
Anyway… this weekend marks my favorite time of the year for dancing: Halloween! There are a whole slew of Halloween dance parties planned that I know about in the Dance Kingdom, but for some reason they are all happening on Saturday night. You would think that one of them would have chosen to do theirs on Friday night so that they didn’t have to fight for attendees, but no… they didn’t.
Which one am I going to? It’s a toss-up right now. I like the one at the Electric Dance Hall, because that’s the closest one to where I live, but the Fancy Dance Hall is hosting some kind of themed mystery event that also sounds like fun. So I’ll definitely be at one of those two. Hopefully whichever party I go to will have good Halloween candy for me to partake of as well. That’s the best part, right?