You Aren’t Comprehending The Position That You’re In

Let’s have a taste of normality this week, shall we? Just to mix things up a bit from what I have been writing about lately…

This past Friday night I ended up out at a dance party at the Electric Dance Hall. These dance parties are an amusing escape for me from all the training for competitions that I have been doing lately, which I will freely admit can get to be tedious sometimes. On top of that, this is one of the few events that I go to that is purely for socialization. Because the Electric Dance Hall is the closest studio to where I live, I spend the most time here, so I might even claim to be friends with everyone I see there. Don’t tell them that though. If they knew I considered them friends, it would ruin my cool-and-mysterious guy image.

I try to only bring up pure social dances in my notes if something actually noteworthy happens at the dance… so you know that something happened here. Unfortunately, this tale is less informative or funny, and more scary. Good thing it’s already October, and Halloween is right around the corner, right? This is a cautionary tale for any guys who read this…

We’re all dancing along that night, with the party going well. Lord Junior is outside the front door, talking with one of the attendees about some new lights he is hoping to install along the front of the building soon (he’ll talk with anyone who will listen about all the cool things he wants to do with the studio). I notice a new guy come in through the back door, someone that I had never seen before. This doesn’t flag as strange to me at first, because I don’t usually dance with the guys so I’m just less likely to recognize men than women.

After the first few dances though, this guy really catches my attention – and not in a good way. Like a lot of older gentlemen, he went straight for the youngest and most attractive women attending the party that night to dance with first, and then while dancing he decides to start throwing in lifts – randomly picking these girls up off the floor and swinging them around haphazardly so that their legs and arms are flailing about through the air. What?!?

Now it would be one thing if he limited this activity to Swing dances or Latin dances, since he would be mostly confined to one place, but he did this in Ballroom dances too. The worst part was that he also wasn’t staying on time with the music, so he was moving a lot faster than the others on the floor. That meant that eventually he’d catch up with the other dancers who were trying to keep away from him so that they didn’t get struck with a random flailing limb!

One young lady, a girl named Curves who happens to be a personal trainer, was his primary choice for dance partner that night. I don’t think he was actually interested in her because he wanted advice on how to get into shape… anyway, I stopped to talk to her after one of these wild and crazy dances, and she grinned sheepishly at me and just shrugged. Curves told me that the guy seemed relatively harmless, and she’s had men get more handsy with her at work. Him picking her up during a dance was better than him trying to pick her up for a date, in her opinion. The exact quote she gave me was “It’s like riding a new roller coaster every time he asks me to dance. I never know what to expect.”

Sparkledancer was also there that night, and she did not fare as well as Curves did. The first time this guy asked her to dance, at the end he tried to roll her into a dip that she was not expecting. That move did not go gracefully, wrenching her back in a really painful manner, and she ended up having to sit out for a few dances because of that. Once she was feeling better and managed to get back on the dance floor, in between songs she would often run over to wherever I was to hide behind me from that guy, because she did not want him to ask her for a repeat performance.

So gentlemen, there’s a warning in here for you: I know you think that it’s cool to do lifts and dips in dances, and you think that all the hot ladies will be super impressed by how manly and strong you are, but just say no! Lifts are not an appropriate dance step during a non-choreographed dance where there are other people on the floor who don’t know to stay clear of you! And they are really not safe to do if the lady isn’t prepared for the move! If she doesn’t trust you enough to know that you will get her in and out of the move, something could go horribly wrong. Injuring your dance partner (or someone else’s competition partner) is not cool!

Doing lifts in a dance is a lot like lifting weights while working out, so remember the three major rules: Safety is always rule number one. Keeping your form is rule number two. And finally, having fun is rule number three. Never forget!

…it’s really convenient that I got to talk about what this gentleman did, because it is a really good setup for my next vignette…

Saturday afternoon I got together with Sparkledancer and Sir Steven for our normal coaching session. We started off talking about the competition we did last weekend, getting some overall feedback from Sir Steven on what he thought, and letting him know the things that we felt based on the score breakdown that Sparkledancer and I had seen.

The scores from each of the judges definitely showed exactly what we knew going into the competition – that Tango was our weakest style followed by Quickstep, and Foxtrot being our strongest. Since Sparkledancer and I had already made plans with Lord Dormamu to begin looking at Tango next once he felt good about our Foxtrot, Sir Steven didn’t want to worry about that too much for the time being.

Instead, he wanted to start worrying about the showcase that Sparkledancer and I had agreed to do in December. Oh yeah! I totally agreed to do a showcase in December, in case you didn’t know. I put down money on it and everything, so I am committed to that performance unless something crazy comes up that requires me to pull out between now and then.

As I’ve mentioned before, the Fancy Dance Hall has a different philosophy for showcases than most dance studios.They put these events together based around a central theme, with all the dance numbers and songs built around the advertised idea. When I originally started talking to Sir Steven about some thoughts for a showcase number, my idea was just something that I thought would be fun, but wasn’t even related to the theme of the show.

Because I was told that my original idea could work, but would need some modification, I’ve been reworking my original idea with Sparkledancer to change it into something that can fit the theme, and will be a stretch for us both to perform, forcing us to practice some aspects of dance we don’t normally work on. We had one song that we were going to use based on the original idea for the show, but with all the changes that we wanted to make we found a song that would work out much better. The problem is that we haven’t been able to meet with the Fancy Dance Hall’s Artistic Director yet to discuss our new song and our performance ideas with her, so that part is up in the air at the moment.

However, one thing that is not up for discussion that I wanted to make sure we had in our choreography no matter what we do would be some lifts (gasp!). I really feel like the audience enjoys seeing dancers perform lifts the most in any showcase performance, so I want to try and have some for the audience’s sake. Also, since I do so much weightlifting and Sparkledancer is so tiny, we can perform them pretty easily.

Plus, Sparkledancer and I have danced together for years, and are good friends at this point, so she trusts me not to drop her. That really helps too.

Lucky for me, Sir Steven was on board with my desire, and he wanted to start having me work on what would be the major lift in the choreography. The lift he was laying out for us would work no matter the song that we ended up using, the only difference would be how fast each section of the lift would move. One song is a much faster tempo than the other, so the lift would either be slow and dramatic looking with the one song, or explosive and fun looking if we used the other.

So that’s what we spent the whole hour working on. Sir Steven broke the entire thing down into three smaller sections for me so that I could get an idea of what’s going on. Sparkledancer and I will probably make some minor modifications to pieces so that she feels comfortable and supported the whole time, but if we can put it all together I think it will look pretty awesome. I’m super excited about this!

One funny note – at the end of our session that day, Sir Steven commented to me how he was really surprised that I wasn’t all sweaty. Normally during our coaching sessions when we are working on our competition routines, I get to be a gross sweaty mess, and he tends to make fun of me for that. I told him that today I wasn’t really working all that hard. Sure, we did a lot of practice with me picking Sparkledancer up to go over the pieces of this lift, but she’s not really all that heavy. Normally when I work out, I use much heavier weights and focus on one muscle group, but here I was lifting a fairly light weight, and doing it synergistically, so it wasn’t all that difficult for me. He just shook his head at that…

Monday night, like usual, I was out at Latin Technique class. I enjoy Latin Technique class because it tends to be amusing, but the last couple of months of class Lord Junior has picked on me less because of things that I do wrong. I know part of that has to do with the fact that I don’t actually compete in Latin dances like other students in class, so he tends to focus his attention on those students instead, but there are also a lot of nights where I end up being the only other male in class. I wonder if that makes him worry less about me, since I end up practicing the figures a lot more as I rotate through all the ladies.

We had a new lady join class this week, who was recommended by her instructor from a different studio (I know! That surprised me too!). We normally do Rumba when new students that Lord Junior doesn’t know show up; the slower dance allows him some time to evaluate their skill level and see how difficult he can make the choreography that night. To warm up, and get the new lady used to straightening her legs just before transferring her weight, we did a couple of sets of Rumba Walks with Spiral Turns down the length of the floor. Our new friend had never done a Spiral Turn before, so while the rest of us did the progression on our own, Lord Junior walked down the floor with her to help out.

The choreography we worked through was fairly basic that night, especially for Leaders, since all we did was shift side-to-side a lot, and take a couple of steps near the end. The one figure that Lord Junior specifically wanted to have the ladies work on was a Closed Hip Twist, so he spent a lot of time working with the ladies on making that look good.

We started by standing facing one another, guys on their left leg and ladies on the right, holding on with just the matching hand, and as we began we led the ladies through an Alemana, finishing with them on our right side. As we put our right hand around on the ladies shoulder, we turned them into an Opening Out action, doing a side break to the left in the process, and then closed them into the Closed Hip Twist so that their Press Line was pointed right toward us.

Next we rotated them 90° clockwise, allowing them to walk along in front of us for two steps before turning them 180° to lead them into Fan Position. Closing from there, we went into a Hockey Stick, adding in a full Spiral Turn in the last stretch instead of the normal half-turn so that they ended up facing away from us for the last step at the end of the line. For the last measure, we both checked forward, and the guys gently rotated the lady’s arm to turn her around to face us before taking two steps backward with the lady walking forward along with us. Nothing too complicated – I’m pretty sure everything but the Spiral Turns we did that night were from the Bronze syllabus, but I’m too tired to look that up right now to verify.

The last thing that I did this week was to head out for Standard Technique class. Lord Junior wanted to have us work on Foxtrot that night. In particular, there was a group of figures that he had just added into Veep’s Foxtrot competition routine that he wanted to have all of us look at – especially Veep, since going over things in class would mean that he wouldn’t need to spend as much time on the figures in her next lesson. That’s really convenient for her, huh.

All of the individual figures of this choreography I had seen before, so it wasn’t too hard for me to put them together in the given order. Starting with a prep step we went into a normal Feather, then added on a Bounce Fallaway. Rather than go into the Weave ending like you see in the book, Lord Junior had us do a Tumble Turn with a Feather Finish. That set us up facing diagonal wall where we added on a Reverse Wave, and finished everything with an Open Impetus.

The most challenging part of the whole routine that night seemed to be the Bounce Fallaway. Lord Junior was telling the ladies that, by the book, their head should stay to the left the whole time, even when we went into Fallaway position. This really threw off a lot of the ladies I danced with, and rather than take the first few steps in Fallaway position they would oftentimes try to close to normal dance frame with me. I ended up having to keep my left arm really rigid a number of times to really let them know that they needed to stay in the right place while we were dancing.

By the end of class when we were just running through the choreography repeatedly so that everyone could practice, I ended up having to alter the angles I was using on the Reverse Wave. Lord Junior and I were starting at the same time on one end of the floor, and he kept stopping behind me while I was trying to do the Reverse Wave, so I kept having to cut the figure at the last second and I would go into a Closed Impetus to keep my partner close and safe. I ended up changing things so that my Reverse Wave would head down the line of dance rather than toward diagonal wall, because then I had all kinds of room to travel without worrying about anyone behind me.

Hooray for normal weeks, right? Don’t get too used to this. I made other crazy plans for this weekend, so it will be anything but normal for me. I’m heading out to the Grand Dance Hall this weekend once again. Every year they have a whole weekend that they set aside to hold a couple of formal dance parties on Friday and Saturday night, along with some entertaining workshops during the day on Saturday. That’s where I’ll be this weekend! I’m hoping I’ll still be able to find some time for normal dance practice as well in the middle of all that. Will I be able to handle so much dancing in one weekend? We’ll have to see what happens!

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