The big to-do here in the dance kingdom this past weekend was a dance party on Friday night at the Endless Dance Hall. The venue was celebrating the anniversary of their opening, so they were holding a free party for everyone to attend. There was going to be lots of free food, a bunch of cool prizes given away in a raffle throughout the night, and tons of dancing. All for free! A lot of the other dance studios in the area decided to forego their own Friday night parties because they assumed that most dancers in the Dance Kingdom would end up at the Endless Dance Hall.
Since I’m not the type to pass up a free event I would enjoy, I also ended up at the Endless Dance Hall that night. I missed the free dance lesson that they were giving that night since I got there too late, but from what little I caught when they were reviewing at the end of class looked pretty basic (which would make sense for a free class given before a free party). Everyone seemed to be having a good time, and the mood in the air was infectious as I sat down to change into my dance shoes.
I’ve always liked dancing at the Endless Dance Hall. After all, they have so much dance floor, you can really just let go and move as much as your limbs will allow you to, which is not something I get to do in many other locations. Because so much of my dance time is now spent at other dance halls in the area, it is more of a rare treat now than it once was to find myself at the Endless Dance Hall for an event of any kind. So that night I took advantage of the situation, and stretched out my legs as much as I could while I was dancing.
The funny part ended up being that, no matter how much space was available on the dance floor for people to use, everyone tended to bunch together in the same spot on the floor while dancing. If there was a Latin or Rhythm song playing, people would all be crowded around one spot on the floor really close to one-another. If it was a Standard or Smooth song, the crowd would generally flow around the floor in a big crowd much like a school of fish, with only a couple of dancers dancing outside the school. I don’t think this was intentional behavior, but I noticed it as I danced that night. I thought it was interesting behavior, which is why I’m mentioning it. Does this happen at dance parties that you attend?
Early Saturday afternoon I had scheduled a session to meet up with Lord Dormamu and Sparkledancer at the Fancy Dance Hall. Sir Steven was out-of-town that day, so I only had the one lesson to go to this past Saturday. Sir Steven, Sparkledancer and I had made plans to get together on Sunday to work on things instead.
After getting to the studio and starting to stretch out my shoulders in preparation, Sparkledancer arrived and came to hang out where I was stretching. When Lord Dormamu saw the two of us, he excused himself from the lesson he was giving for a moment, ran over to the office in the back and came back with a sheet of paper. He brought that paper over to Sparkledancer and I, which turned out to be a flier for a competition being held nearby in early November. We were told that this was the next competition we should add to our calendars. With that, he left us to warming up while he went back to finish up his lesson.
I guess that’s an improvement, being given a month’s notice for a competition, right? I mean, the last competition Lord Dormamu told me I had to sign up for months ago, I was only given a week’s notice. So it looks like I will be adding this to my list of things to prepare for. Sigh…
Once Lord Dormamu finished everything up with his other student, we got started. We talked briefly about the competition at the end of the month. According to Lord Dormamu, there are four major points he wants Sparkledancer and I to focus on, which should be the main things we need to do in order to ‘win’:
- No gapping
Apparently if the two of us focus on these four items, and showcase how much our movement has improved under Lord Dormamu’s recent tutelage, he thinks we should have no trouble winning the rounds that we are signed up for. I can’t say that I am nearly as confident about winning as he seems to be, but I’m going into this competition with an open mind.
We spent our time working on the Foxtrot again, continuing to look at our movement while dancing. There are a couple of specific points I was asked to work on, unrelated to the movement aspect of the dance. The first thing that we stopped to look at was the Closed Impetus with Feather Finish. Last time Lord Dormamu had looked at this with me, he had told me that I needed to lean to the left more during the rotation so that my head looked like it stayed in the right place for the entire figure. This time around, while he watched me do what I had been practicing, he told me that he still didn’t entirely like the way that it looked.
I stepped through the figure a few times with him so that he could see what I was doing piece by piece. After going through it all, he told me that I should be able to fix the way the figure looks by lowering more as I come out of the Natural Turn before I go into the Closed Impetus. If I did just the Closed Impetus, everything went perfectly well, but if I started with any of the figures in the routine before the Closed Impetus, it seems like I am not lowering myself enough to start the rotation, which is what was making it look funny. I’ve got some time to practice the transition between the two figures before the competition, and I better get cracking!
We also looked at the Three Step again briefly. The figure has been going well, but now Lord Dormamu wants me to try to rotate my body even more during the figure. He told me that I should basically be able to see what is happening directly behind me if my body is rotated enough. There was this big smile on his face when he described that to me, so I don’t entirely know if he was being completely serious about me seeing where I was coming from, so I’m taking it to mean that I should rotate as much as my body can handle… for now..
At the end of our lesson, Lord Dormamu was telling us that he had to head out of the country for a while to take care of other dance business, so this would be our last time seeing him until the day before Sparkledancer and I are scheduled to compete. As he was telling us about how we should use the time to practice a lot and we would have one last run-through with him before competing, the Princess happened to walk by. With his eyes suddenly lighting up, he flagged her down and asked her if she had any time open on her schedule next weekend to work with Sparkledancer and I in his absence.
As it turns out, the Princess had planned to be at the Fancy Dance Hall next Saturday as well to take care of some business things, so she told Lord Dormamu just to put something on her calendar and we could all get together. Now I have a scary lesson next weekend to prepare for, which will be right after my lesson with Sir Steven. I hope that I don’t work too hard and get all sweaty during my lesson with Sir Steven that day, because I don’t want to offend the Princess with my sweat while I offend her with my dancing…. 🙂
On Saturday night my Royal Dance Court group was holding their monthly dance party. This month the big plan for the party involved getting Judge Dread to come out and teach for us, since he has a pretty big following that will come out to hear him give a lesson. However, we also wanted to have him come and teach a lesson in Quickstep, which is a dance style that tends to keep people away from the dance party. As I walked into the venue to help set up that night, I was curious to see whether the crowd ended up bigger than usual because of Judge Dread, or smaller than usual because of the Quickstep.
It turned out to go both ways. The class started off larger than usual, but as Judge Dread made his way through class and the figures got harder, people started to drop out and go sit along the side of the room until the class was over. Judge Dread actually broke what he was teaching in class into three separate patterns for everyone: one that was really basic, and could be used just to get anyone around the room during the song, one intermediate pattern that improved upon the basic pattern and helped make you look more impressive, and finally a more advanced pattern that actually borrowed a Tango figure to use in Quickstep to make things more challenging.
I ended up sitting out the class that night. The crowd had an even number of men and women in it as Judge Dread got started, so I wasn’t needed this time around. I sat out on a chair in the back, paying attention as best I could when people weren’t talking to me. This got to be progressively harder as the class progressed and more couples dropped out. Some of them came to sit near me and ended up talking to me. I didn’t catch the entirety of the progression used at the end of the class because I was being social instead.
The dance afterward was more fun for me, since I didn’t have to sit out from that part of the night. We had some new people come out to the party whom I hadn’t met before, so I made sure to stop by and introduce myself and see how they were doing. Once was a single gentleman, and the ladies attending the party made sure that he was doing alright. The others came as a couple, and it didn’t look like they had danced much before. They were friendly enough, but beyond that they were only interested in dancing with each other that night. Overall, the party turned out well, and I think everyone had a great time.
As I strolled into the Fancy Dance Hall on Sunday for my coaching session with Sir Steven and Sparkledancer, it occurred to me that the competition that I was preparing for was two weeks from that day. Two weeks! That’s so close! Where has all the time gone lately? Probably to dancing, I’m sure. That seems to be what I do the most of in my life right now.
The Fancy Dance Hall was much quieter that afternoon than it was when I was there the day before. Only Sir Steven and the Gatekeeper happened to be there when I walked in until Sparkledancer showed up. Sir Steven and the Gatekeeper were just finishing up a lesson, and once she was done she just hung around the studio for some reason, doing things on her laptop while Sparkledancer and I went through our lesson. She never looked at us, but I could hear her chuckling sometimes when I made jokes during our lesson, so I’m pretty sure she was somewhat paying attention to us. Weird.
We started off that day running through a four-dance round – Waltz, Tango, Foxtrot and Quickstep. That isn’t quite the order that we will be dancing things in the competition, but it was close enough for our needs. Once we finished up those four dances, Sir Steven went back to talk about specific points in a couple of the routines that he wanted to go over again with the two of us. Waltz and Quickstep actually looked pretty good according to Sir Steven, so he wasn’t going to mess with them that day. Hooray! That left only Foxtrot and Tango to talk about.
Foxtrot was first, and there were only two points that Sir Steven wanted to make about what he saw. The first thing he wanted to point out was that he thought that the Closed Impetus with Feather Finish looked funny. I told him that I was aware of this, and that Lord Dormamu had actually talked to me about it the previous afternoon. Because I hadn’t had any real practice time with the figure since that lesson, I hadn’t really worked out how to implement the changes Lord Dormamu wanted me to do successfully quite yet. Sir Steven gave me some pointers about making sure that the lowering was done through my knee bending and rotating slightly to make the figure look better.
The second thing that he wanted to talk about was the Change of Direction at the end of the routine. The pause that Lord Dormamu wants us to do in the middle of the figure still looks awkward. We spent some time working with the shaping of the figure, using the pause to shape our bodies slowly and dramatically before starting to move again, with the hope that it would make that hold seem less strange in the middle of the figure.
Overall we only spent a short while on Foxtrot that day. Tango was our major focus, since that is still our weakest dance of the four. First thing he wanted to talk about was our Promenades – apparently while he watched us do the routine at the beginning, our Progressive Links looked really strong, but then our first step out of the link just looks… bleah (that’s a technical dance term, I’m sure). Sir Steven wanted us to make sure that we had just as much power on the first step coming out of a Progressive Link as we did during the Progressive Link itself.
We also talked about the size of the routine versus the size of the floor we compete on. With all of the work we have done with Lord Dormamu on our movement lately, when Sparkledancer and I dance the routine we are easily able to make the choreography stretch beyond the length of a competition floor. Sir Steven’s preference is for me to just throw out figures from the routine, rather than curve the routine around the floor to make all the figures fit. As he told me, the judges don’t know my choreography, so if I eliminate parts of a routine and dance confidently, it will look better than trying to keep all of the figures while taking tinier steps, or curving figures awkwardly and possibly changing the angles that certain figures begin and end with.
This Saturday is going to be crazy for me. I have two lessons scheduled, one with Sir Steven and one with the Princess, and then I have to hurry up and run home and then drive out to the big lake in the Dance Kingdom for an evening of dancing on a boat! How much fun is that going to be? Unfortunately, the boat party is totally sold out at this point, so if you don’t already have tickets, you’re going to be stuck dancing on the shore. If you do have tickets, come say hi to me at some point during the evening! On top of all of that, I really have to practice, since the competition is so close now! Will I also have time to fit in any sleep? I guess you’ll have to tune in next week to find out!