All The Action Is Right There At Your Feet

Oh man, Saturday was a good dance day for me. I was just feeling all kinds of good feels for dancing by the time I went to bed on Saturday night. I’m pretty sure that most of it was because of a crazy idea that I had which actually turned into a reality thanks to a lovely lady agreeing to a request of mine… but I’ll get to that later. Let’s take things in order, shall we?

The first dance-related thing that I did on Saturday was my normal lesson with Sparkledancer and Sir Steven. Sir Steven wanted to run through everything except Viennese Waltz that day, spending most of the time on Quickstep since it had been a while since we had covered that style. I jotted down a few notes I needed to remember for each dance that we did:

  • Waltz – we were reminded again to make sure to add the rotation to the Half Natural Turn later; Sir Steven also wanted us to practice our Double Reverse Spins some more, making sure that Sparkledancer slows down her last two steps of the figure
  • Tango – Sir Steven told us that our Tango is looking a lot like a Tango now, instead of like a Foxtrot (yay!), so that was pretty good to hear; throughout the dance we were told to focus on controlling the power in our slow steps more; in the Promenade Pivot I have to keep my head in check because Sir Steven said that I was moving it as I rotated without realizing what I was doing; during the same figure, Sparkledancer was told that her head keeps looking straight during the turn and then whips around back to Promenade right at the end to make it more dramatic
  • Foxtrot – there were a few points in our Foxtrot routine that Sir Steven wanted us to change: in the Reverse Turn he wanted me to change my body rotation during the figure, neutralizing my body on second step, and then turning back into CBMP on the third to lead outside partner; during the Natural Weave he wanted Sparkledancer to work on counterbalancing more with her head when coming out of the heel turn; during the Change of Direction, Sir Steven looked at the change Lord Dormamu had told us to make in the figure (making it cover eight beats of music instead of four), and he wanted us to slow the whole thing down to make it four slow movements instead of being one slow step, a quick step, holding for four beats and then taking the final quick step. This last change got thrown out later by Lord Dormamu
  • Quickstep – overall Quickstep went well. The big things Sir Steven wanted us to look at in Quickstep were to make sure that we stay connected for the whole dance; to be sure that the last two Progressive Chasses on long wall go straight down the line of dance; for me to keep my head in one place in the Natural Spin Turn (there will be no head flick any more); and on the short wall after the Double Reverse Spin I can angle the Progressive Chasse toward the center more to stretch out the figure without running out of floor space

Sparkledancer and I were also given the official information on the December showcase that the Fancy Dance Hall is going to put on. I guess that means that we are definitely going to be a part of the show.. I’m not sure how much of my original, mostly funny idea for a dance number will make it into the performance. The idea that I had thrown out didn’t exactly fit with the theme of the event. I had given Sir Steven some ideas during our initial discussion about how my idea could be made to fit in, but it was still a stretch.

However, if you subtract large portions of the idea I had (basically, all of the characterization of the two people in the dance, the costumes, the setting… really all the stuff that made the idea funny to me), and replaced them using characters and costumes and the setting from the theme of the show, things will still work. However, changing all of that changes the entire feeling of the performance. Where my idea was to do something kind of lighthearted, sappy and funny, the dance would turn into something very dramatic, haunting and emotional.

Is it a good idea to make these changes and go through with the showcase? I’m not sure. I was pretty excited about the original idea that I had for the show. If I have to change most of it to make it fit into the showcase, is it still even my idea? Will the performance be as much fun? Can I even play a more dramatic character while dancing, since my natural state is to be rather silly? I’m not sure. For the time being, I didn’t say no to being in the showcase, but I haven’t put down any money to be in it either. Maybe I can talk to Sir Steven about blocking out the choreography a little so that I can get an idea of what the dance will look like before I pay for the event. That might help.

Of course, I should also probably talk to Sparkledancer about this. Obviously she could perform with Sir Steven if she wanted to be in the show and I didn’t, but he’s nowhere near as strong as I am, so he wouldn’t be doing many crazy lifts with her if that’s something she wanted to do. Plus, if I wasn’t going to be in the show, she would have to schedule to take lessons with Sir Steven to learn the choreography without me, so I wouldn’t be paying for half of those lessons like I normally do. That might make her reluctant to sign up for the event on her own if I wanted to back out. With all of the crazy things dance-related things that she does for me, I should do this for her if she wants to be in the show. That’s what a good friend/amateur dance partner would do, right?

Anyway… enough about that nonsense. Here’s the update on my crazy idea, which is something I talked about last week:

Remember how I mentioned that, in my quest to get more female instructors to come teach workshops before the dance parties hosted by my Royal Dance Court group, there was one super-high level, totally awesome female instructor that I was going to try to personally convince to come teach for us? Guess what? I actually had a chance to talk to her on Saturday afternoon at the Fancy Dance Hall, and she totally said yes!!!!!!!!!!!!!!!!!!!!

Can you guess who I asked…?

…yup, it was the Princess! I went straight to the top of the list of female dance instructors in the area. After all, what’s the point of starting with second best for a quest like this?

I did end up going out and buying her some chocolate to try to bribe her, because I figured that it couldn’t hurt. She told me that I didn’t have to do that, she likely would have said yes to me anyway, but I’m sure that my offering of tasty treats helped just a little. Word on the street is that the Princess loves good chocolate.

Once she said that she would be willing to do this huge favor for me, I told her that she could pick out any month she wanted to come and any dance that she wanted to teach, and I would make sure that it happened for her. Initially she said that she love to come teach a Tango lesson in January, but after she left Lord Dormamu told me that he was pretty sure that she was scheduled to go to a competition with him over the weekend our dance party was scheduled in January. So that will probably have to change. I’m going to talk to her again and shoot for February now, where our dance party will be the Saturday after Valentine’s Day. What better way to celebrate Valentine’s Day than to hold a dance workshop taught by someone everyone in the Dance Kingdom loves?

So I’m pretty excited and proud of myself for getting this all set up. I’m going to pat myself on the back for a minute right now, just for thinking about how awesome an event it’s going to be. Good job me! Her agreeing to do this just put me in a great mood for the rest of the day on Saturday (and it’s putting me in a good mood again just talking about it now!).

I had gone back to the Fancy Dance Hall early on Saturday to get a chance to talk with the Princess, so I had a lot of time to kill that afternoon before my second lesson of the day with Lord Dormamu. I sent Sparkledancer a message asking when she would be coming back, because if she was around I could get in some extra practice time while waiting. Lucky for me, she wasn’t too far away, so she got there in twenty minutes and we worked on some of the things Sir Steven told us to practice earlier that day.

When Lord Dormamu finally finished up his other lesson and came to join Sparkledancer and I, we got down to work on Foxtrot again. This time around, Lord Dormamu spent most of our session working with Sparkledancer on her position while in dance frame. I guess that either means that I am finally holding my own enough that what I’m doing is tolerable, or what Sparkledancer was doing that day was bothering him more than anything I did that day. Either way, there were long periods of time that afternoon where I was just standing around watching the two of them dance together without me.

During one run through of the routine where I was actually involved, we got all the way through the Change of Direction near the end, so I decided to stop and tell Lord Dormamu about the change Sir Steven asked us to make to the timing of the figure. After I explained what Sir Steven had asked us to change, and then danced through the figure with Sparkledancer to show him, Lord Dormamu said that we could not do things that way without risking disqualification.

Apparently, according to “the rules”, the figure is recorded in “the book” with a specific timing for each step. If we dance through the figure and hold in the middle without changing the timing of the actual steps we take, then we are still dancing the same figure. However, if we change the timing of the steps, then we are changing the figure itself. Until we start dancing in the Open-level category where we don’t have to follow the syllabus any longer, we aren’t allowed to do such things. So, in order to keep from being invigilated, we have to stick with what we were originally told and not implement the changes that Sir Steven wanted.

I had never heard that before. I’m not sure where these ‘rules’ are written that Lord Dormamu referred to, but I don’t think he would lead me wrong on something like this. I’ll have to keep that in mind for the future.

Near the end of our session, Lord Dormamu had Sparkledancer and I get into frame for one more run of our routine. As he came back over after starting some music, he slowly walked around the two of us while we stood there, evaluating our dance frame. He commented on how much Sparkledancer had improved how she looked over the course of this lesson. Sparkledancer smiled at him and said “It’s all because I have such a great coach.” Without missing a beat, Lord Dormamu winked at her and said “Yes. Good work, Sir Steven.” I lost it at that remark and broke frame to turn around and walk away from the two of them. Sometimes they are too much for me to handle…

Because I was feeling so full of good dance vibes that day, I wanted to go out to a dance party Saturday night to try to continue that high. The only dance party that I knew about was the one taking place at the Fellowship Dance Hall, which is not a venue that I go out and visit very often. The crowd that they tend to draw at this particular ballroom club in the Dance Kingdom is… old. Much older than the other crowds that I am used to dancing with, which are already quite a bit older than me. But that night I went anyway, throwing my age concerns to the wind. Adventure!

I got there early enough to take part in the lesson that was being offered before the party started. The instructor wanted to go over some Waltz with everyone. You would have thought that would mean that a larger number of songs they played at the open dance after the lesson was over would have been Waltz numbers, but that wasn’t the case! Anyhow, the steps that they went over during the lesson weren’t figures that I found to be complicated, but many of the other men kept stopping the instructor to ask him all sorts of clarifying points about what they should be doing. The way the instructor talked about the steps was more confusing than helpful, in my opinion, which might account for the struggle the other men were going through.

Though no distinction was made, this pattern would be quite at home in International Waltz: starting with the men facing diagonal wall, we did a Half Reverse Turn, then a Hover Corte, a Back Whisk and then a Closed Wing to set the lady on our left side. Next he added on an Open Reverse Turn that went into Outside Change Steps. We did three of those that traveled down the line of dance normally, and a fourth that curved us so that the men were facing against the line of dance. We set the lady up for a nice Develope from this position, and backed out of the figure with another Half Reverse Turn.

As I mentioned, they didn’t play a whole lot of Waltz songs during the dance party. In fact, they didn’t play a whole lot of ballroom-style songs at all. Most of what the DJ played were Latin and Rhythm styles. That was a bit of a disappointment to me, since at this point in my life I prefer ballroom dances, but I still had fun. The DJ and the instructor who taught the lesson were really working hard at getting the men to change partners that night (my rough count put the attendance at around thirty-five women to twenty-two men). They did this weird thing where they would play two songs of the same dance style back-to-back, telling the men to dance with two different partners for each song.

For the most part that tactic seemed to work, but they also tried to use that idea with both Quickstep and Viennese Waltz. Not many men danced for either of those two styles, and only a handful of the women knew those styles, so it seemed like everyone was fighting over the same partners for those back-to-back dances while all of the other dancers who didn’t do Quickstep or Viennese Waltz just sat on the sidelines for both songs and watched. There might have been some forlorn sighing going on, but I was moving too fast while I danced to say for sure.

Well, I don’t know about you, but my plans for this weekend got wrecked by a potential hurricane. That big regional meeting that I had been talked into attending was supposed to be held at a conference hall that sits only a stone’s throw from the east coast. With the track of the big storm out there still up in the air, a lot of the people who were scheduled to attend or speak at this meeting cancelled, so the whole event got scrapped. Now I have nothing planned, since I had cleared my calendar of all other events this weekend so that I could be out of town.

Don’t you hate when that happens? OK, a lot of you probably don’t have issues with hurricanes too often if you live more toward the middle of the country. I remember when I used to live in the mid-west, and hurricanes were just something I heard about on the news happening to people in other parts of the country. Now I live somewhere where hurricanes cause storms with lots of rain, and we get influxes of people coming to the area to escape the harsher portions of the storms that hit closer to the coast. Crazy!

Maybe with all the people coming to town this weekend from the coasts there will be huge dance parties I can attend. Isn’t that a good way to ride out a storm? Dance the night away? I’ll have to call around and see what’s happening. I’m sure there’s a dance party somewhere that I can go to!

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