Last week Thursday night I ended up meeting up with Lord Dormamu and Sparkledancer for some coaching. This lesson was supposed to happen the week prior, but Lord Dormamu had a scheduling conflict, and then was out of town for some competition or another (he does that a lot), so we had to put things off until last Thursday. The plan for that night was to continue to work on our movement in Foxtrot.
Overall, Lord Dormamu is pleased with how things are coming along. That night, instead of worrying about the overall look and feel of our movement, we spent most of the night looking at figures in the routine and fixing specific issues. The first thing he hit on was the Three Step that happens on the short wall. He told us that it seems like that Three Step is never as good as the one that we do along the long wall, even though we should be doing the exact same technique during both. We had to go back and dance through the figure over and over again for him to prove that we could execute both Three Steps in the same way. As the night progressed and we moved on to other figures, he would often have us back up and start at that Three Step and dance through the routine until we got to the figure we were reviewing, to give us even more practice. Sigh…
The next figure that he wanted to touch on was the Natural Closed Impetus with Feather Finish. I was told that the leaning I was doing during the rotation of the figure was helping to make my head look like it was in the right place, so that was good. I specifically asked him about how much I was shaping my body though – sometimes I felt like I was getting close to, if not actually, breaking along my left side as I leaned my body as much as he wanted. He had me go through the figure a couple of times while he watched closely. From where he was standing, everything looked great to him, so he told me I shouldn’t worry too much about things that aren’t happening. It’s still a weird feeling to be bending my body to the left so much during the figure, but I guess I’ll just have to get used to that.
After the initial rotation in the Closed Impetus with Feather Finish, as I bring my feet together and Sparkledancer gets all the way around my body, Lord Dormamu wants me to start raising myself up more, straightening my legs quite a bit in the process. This is very different from what he has been telling me to do in Foxtrot up to this point, where I was supposed to stay down low the whole time I was dancing. Coming up like this does kill the movement a bit, as you can imagine, but since we are using this figure to rotate around a corner, Lord Dormamu said that it will actually help the movement change direction faster. That will be something else to get in some practice doing before it feels more natural.
The final big thing he wanted Sparkledancer and I to change was the three-step Change of Direction that we do after the Closed Impetus with Feather Finish. For the time being, he wants us hold in the middle of that figure for an extra measure of music, making the figure seem more like a Hesitation than a Change of Direction. The reasoning Lord Dormamu gave us was that adding in the extra pause there would allow us to really collect ourselves, reset everything, and then start the routine fresh again as if we were starting from the beginning. If I thought that raising up in the middle of the Closed Impetus felt unnatural, this change to the Change of Direction is even worse. I can understand the benefits of what he wants us to do logically, but it’s going to take some practice to make it happen comfortably for me.
I just love practice so much, don’t you? That must be why I make all these notes about things I need to practice! That just has to be the reason!
Saturday morning I met up with Sir Steven and Sparkledancer to get some work in. Sir Steven looked at our Waltz and Foxtrot routines for a few minutes each to start with, and then we spent the majority of the time that day practicing Tango again.
The most interesting thing that we ended up looking at was in the Waltz, and I don’t even know what to make a note of about the change! We got caught up looking at the Natural Spin Turn again, since that seems to be a thing we always have to stop and look at whenever we do Waltz. Sir Steven wanted me to try to take an even bigger step for the third step coming out of the Natural Spin Turn if I could. Whenever I tried to do this, it really didn’t go well. He tried to get me to adjust all kinds of things to make it work better, like lowering more as I took the step, or rotating my upper body more going into the second step and holding that position for the third step, but none of that helped. We then started going through the figure slowly, stopping at every step to see what was going on.
Whenever we stopped on the second step, I was having a hard time trying to keep my balance with Sparkledancer. I could stand there and hold the position on my own, but with Sparkledancer it felt like I was constantly falling backward. So Sir Steven and Sparkledancer worked on what she was doing during that step to see if that would help my situation. The two of them managed to figure something out, and then when he had Sparkledancer and I go through it again, whatever they did made a huge difference! Suddenly everything was balanced, and I could stand there all day and hold on the second step before stretching into the third.
The problem is that… Sparkledancer doesn’t remember exactly what she and Sir Steven changed. When we were practicing on Sunday afternoon out at the Electric Dance Hall, I made a point of going through the Natural Spin Turn again so that we could get in some more practice. She and I talked about the figure, and she tried to remember what was changed, but couldn’t. Even still, we were able to get through the figure without any issues, so whatever she and Sir Steven figured out must have stuck with her. The real test will be to see if we can get the same results when we practice again next weekend… if everything still feels good then, I will say that it’s a permanent change. If we have issues, we’re going to have to try to make some guesses to figure out what was changed to fix it.
Maybe I’ll ask Sir Steven when I see him on Saturday if he remembers, and then I’ll write it down right away. That helps me remember things for sure.
Tuesday night I headed off to a quarterly meeting of the Royal Dance Court group that I am a member of. The group tried to keep the meeting as short as possible – there are two teachers in the group that had just started school the day before, so they wanted to get home and go to sleep. I’m pretty sure one of the other older ladies also just didn’t want to be there that night; this observation is based on her behavior – she was pretty quiet all night, she made one disparaging statement near the end of the meeting, and then she bolted for the door as soon as the discussions on the agenda were over. I had one item that I really wanted to talk about during the meeting, and luckily everyone seemed to be in favor of my idea, so that made me feel pretty good. Hooray!
I’m going to start by talking about my big win, just to pat myself on the back a little bit. There’s been this ongoing issue that keeps coming to our attention, where apparently some of the Amateur male dancers who attend our dance parties do not like having to share the dance floor with dance hosts. For those of you who may not know, in my part of the Dance Kingdom, a dance host is generally a male dance instructor who is hired by a female student (sometimes a group of students) to dance with them at a social party. The complaints usually come from one older gentleman in particular, though the rumors that circulate say that he isn’t the only one complaining – he’s just the most vocal with his complaints.
Basically the problem comes down to the fact that the gentlemen feel like these dance hosts are making them look like… well, amateurs. Because the dance hosts are also dance instructors, they know how to dance every dance style that is played, and they can throw out all kinds of “fancy moves” that the amateur men don’t know how to lead. Those amateurs that have complained about this practice say that the ladies are likely to become less interested in dancing with them if they could choose to dance with one of these dance hosts instead, because the dance hosts are just better dancers.
I know, I’m sure you can also see all the holes to poke into that argument, but so far none of us have been able to assuage these complaints with our logical counterarguments.
The thought that kept coming to me whenever I would hear other members of the Royal Dance Court discussing this issue was “why don’t these men who are feeling inferior go out and learn some new things?” After all, there are many female dance instructors in the area, and I’m sure those ladies could work with these amateur males to help them improve.
Then it occurred to me – when we host our monthly dance parties, we hire a dance instructor to come in and teach a class before the party starts. Since I joined the Royal Dance Court almost two years ago, I can think of only three parties where we brought in a female dance instructor to teach the class before the party; for all of the other events we brought in a male instructor instead. So maybe the guys that attend our dance parties just don’t know about all the female instructors in the area!
That became my goal for the meeting – to try to convince the rest of the Royal Dance Court that we need to bring in more female instructors to teach. I was thinking that as we started to plan out the dances and themes for our 2018 parties, we could make a goal of trying to get five female instructors to teach during that year. It seemed like an ambitious number to ask for, but if the group agreed with me I already had three female instructors in mind to ask right away, and I was sure that the rest of the group could give me two more potentials to talk to.
And you know what? The rest of the Royal Dance Court members actually seemed excited about my proposal! I threw out the three names I had, and I did manage to get a couple more to add to my list from the others. Yay! One of the ladies I suggested would be a big deal if we could get her to agree to teach for us, because she is a super-high level competitor that has all kinds of competitions and championship wins to her name. I thought that the women who attend our parties would find her insights on dancing fascinating. I offered to talk to her personally and see if she’s even interested, and if she says yes we would basically let her choose whatever dance style she wanted to cover.
I think she likes me, so if I ask her I hope she would at least consider the proposal. Maybe I’ll find a present to bring to help persuade her to go along with my crazy idea. What kind of present would be most persuasive for a female dance instructor? Chocolate? Dance shoes? Puppies? I’ll think of something.
The other issue that we spent a large amount of time discussing was themes for our dance parties, or more specifically, whether or not themes were even a good idea for our parties. I think I’ve mentioned this before, but longstanding tradition in our Royal Dance Court group has it so that every dance party that we host has some sort of accompanying theme. Over the course of my tenure, I have found that the majority of people who get dressed up to match the theme are the other members of the Royal Dance Court (being a guy, I may or may not dress up, depending on how I feel that particular day). So the question came up at our meeting on Tuesday: if we are the only people participating in the themes for the dances, should we continue to have themes for every single dance?
I was in the camp that said that it’s cool to do a theme every once and awhile, but we didn’t need one every month. If we have them as special occasions rather than a regular occurrence, maybe more people will participate. Sparkledancer brought up the fact that the only themes that she really noticed people dressing up for were the Christmas themes, and themes that involved wearing a specific color. On top of that, another ballroom dance club that is near us does themes for all of their dance parties, and they really go all out. Because their parties always happen before our parties every month, Sparkledancer thought we could distinguish ourselves from them by taking a more relaxed approach to decorating and dressing up, and have our parties more focused on the dancing.
Sparkledancer’s speech was enough to get a majority of the Royal Dance Court members to agree with her, so we decided to give her idea a try for 2018. It will be interesting to see what the reaction to these changes are next year, if I manage to get a bunch of female dance instructors to come teach lessons for us in 2018 and Sparkledancer manages to change our parties so they are less crazy themed and more focused on dancing for fun. Look at the kinds of changes the youth of the Dance Kingdom can bring about! This is just a small-scale change to start with, but it gives me hope that if enough of us “younger kids” can band together we can make bigger changes in the world of ballroom dancing that can improve things for everyone!
Finally, let’s talk about what went on in Standard Technique last night. I got to the Electric Dance Hall a bit before class started, and I was a bit worried because the windows were so dark. I thought class might have been cancelled, and no one sent me the memo – though, there were a lot of cars in the parking lot, which implied that something was in progress. As it turns out, the big chandelier that is the primary source of light in the dance hall was having some maintenance done, so it just seemed dark from the outside. Lord Junior had a handful of lamps in all the corners and on the front desk to light the studio. When I got inside, it gave the place a sort of romantic atmosphere, which was kind of fun for dancing.
Weirdly enough, we had an extra gentleman join us for class yesterday. Normally having more men would be something that would make me rejoice, but it was weird yesterday because… well, you know that guy I mentioned earlier, the one who has been the most vocal about the dance hosts making the amateur Leads look bad? That was the guy that showed up for class! I know! What are the chances that someone whom I wrote about a few days ago would just randomly show up to take part in a dance class that I am also attending? Especially since he has NEVER shown up for Standard Technique class before. That is a super strange coincidence, don’t you think?
Anyhow… Lord Junior wanted to look at some Foxtrot that night, which I can always use more work in. Overall the figures that we looked at weren’t all that bad. The one advanced figure that Lord Junior specifically wanted to look at was the Reverse Wave, and almost everything else we used was from the Bronze syllabus. The progression had us do a prep step into a Feather, then the first half of a Reverse Turn. In place of the second half of the Reverse Turn we did the Reverse Wave, and to come out of the Reverse Wave we started with a Closed Impetus with Feather Finish. Near the end of class Lord Junior gave us the option of switching the final figure out with an Open Impetus if we wanted, just to keep things interesting.
Lord Junior did make some comments about me doing the Closed Impetus, since this was the first time he had really watched me do that figure since Lord Dormamu told me to change the way I was doing the steps. From where he was standing, Lord Junior said that he thought it looked like I was breaking on my left side. That was what I was worried about when looking at the figure with Lord Dormamu last Thursday, when he told me that it didn’t look like I was doing anything wrong. I guess Lord Junior either saw things differently from Lord Dormamu, or I happened to be doing the figure differently last night in some way. After Lord Junior mentioned what he saw, I made a point to try to focus on keeping my left side as elongated as possible during the figure, and Lord Junior said that whatever I was doing helped fix the issue. So… yay?
I will probably have a quiet week next week, which will be nice. Lord Junior is going to take a vacation to go see his family for the first time in quite a while, so Latin Technique class and Standard Technique class won’t happen next week. There is one dance party that I know about going on Saturday night, and I may or may not go out to attend that. Based on what my calendar is telling me, I have a lesson with Sir Steven on Saturday, and then a lesson with Lord Dormamu on Sunday. With Monday being a holiday, it would probably be smart if I talk to Sparkledancer about setting up some practice time for that day.
That’s… OK, maybe not as quiet of a week as I thought. At least I can look forward to sleeping in on Monday instead of getting up early for work, right? I will look forward to that.