Forgive me for a bit of rambling this week. There are so many things jumbled around in my brain that I just need to get out so that I can sort through them. Bear with me on this…
Last Saturday I met up with Sir Steven and Sparkledancer to continue working on Tango. There’s not a lot I need to remember from the actual lesson – the more interesting discussion came after we finished dancing. The one thing that I jotted down as a note is something Sir Steven wanted me to start doing during the Open Reverse Turn, Lady Outside. I was told that, in order to make the figure look more dramatic, I need to rotate my body just enough to keep Sparkledancer on the outside for the first two steps, but to make sure that I am not rotating my body as much as I possibly can.If I do that correctly, I can dramatically snap my body the rest of the way when I take the third step, making the figure look really sharp.
The big thing to watch out for when I do this (as I found out that day) is that I have to rotate my body quickly to make it look dramatic, but not too quickly. I weigh a lot more than Sparkledancer, and if she’s in close body contact with me as I rotate my body with any amount of force, I can end up just flinging her body around. While it’s kind of funny to me when that happens, I can’t really say that anyone else finds it super funny. So the trick is to rotate quickly, but to do it lightly. Reminds me of Lord Dormamu’s comments from last week, about moving with power, but softly – like a gentleman. I told you that was a quote to remember!
As we were finishing up getting all the signatures in order for our lesson, the topic of upcoming showcases came up. From what I gathered recently, the Electric Dance Hall was planning on holding their fall showcase sometime around mid-October, and the Fancy Dance Hall is planning their winter showcase for mid-December. A couple of people on the Fancy Dance Hall staff have now mentioned to either Sparkledancer or I that the two of us should put together an act for their showcase. In hearing that, I automatically thought that if I was going to do it, I should have an act that could be performed at both showcases, like my last showcase number.
But… when the showcase came up this past weekend, I found out that the December showcase that the Fancy Dance Hall is putting on will be like their recent summer showcase. That means that, rather than just being a collection of student performances for friends and family members to come watch, this ‘showcase’ will be more like a musical. There will be a story to follow, and all dance numbers need to fit the story, and the whole night will be arranged in a specific order that follows a plot. Rehearsals will involve not only making sure that performers can dance through their routines successfully, but also to choreograph transitions between performances so that everything runs together smoothly.
Also, it will involve having to do some acting, since the dances will be ‘performed’ by characters from the story. There won’t be speaking parts, but there are definitely characters that need to be embodied and presented so that the crowd can tell who you are.
So… that’s daunting. The story that they are planning on doing for the showcase is Christmas themed, as you can guess. It’s a pretty well-known story, so I was able to go back through the notes on the plot and think of ideas. I had one that I thought was pretty good, that could be rather dramatic and elegant and even, dare I believe, funny, but I’m not entirely sure how Sir Steven felt about my idea. It would be a ballroom style dance showcase. That’s a big leap of faith for me to take. I’ve always thought that ballroom showcases got to be kind of boring from an audience’s perspective – they tend to be slow and really limit the amount of exciting things that you can put in.
That’s why I also told Sir Steven that if we were going to do this, somehow we would have to put lifts into the routine. I think that audiences really enjoy seeing dancers do lifts while dancing, and I spend too much time on strength training to not do any. Plus, Sparkledancer is pretty tiny, so it hasn’t been much of a workout to pick her up during all of the other showcase numbers we’ve performed together. Sir Steven told me that he would look into some ideas for ballroom lifts and get back to me.
I’m sure I will have more to say about this in the near future. After all, we are less than two months from the possible performance at the Electric Dance Hall’s showcase, and less than four months from the Fancy Dance Hall’s performance date. If we’re going to be in the show(s), we’ve got to start working on things soon!
Last Saturday was also the night for the monthly dance party that is put together by the Royal Dance Court group that I am a member of. Yay! Someone had wanted to do a vaguely Summer-themed dance party that night, and we brought someone in to teach a Bachata lesson prior to the dance. While I’m sure that something like Salsa would have been slightly more Summery than Bachata, the guests to the dance seemed to enjoy the Bachata, so everything worked out great.
I will confess to not being all that well versed in Bachata. Afflicted with long legs and white-boy hips, I don’t think I’m all that good at any Latin dances, especially those of the Club Latin variety. That said, what the instructor covered that night was fairly basic, and with all the years of training I’ve had in making sure I have a connection with my dance partner, I could get a lady through the figures with ease. I had more than one lady tell me that I was the only guy besides the instructor that they managed to get through the steps with successfully. I even had one lady tell me that I must dance Bachata all the time with how easy it was for her to dance with me. When I told her that I really never dance Bachata, she looked right into my eyes and said “Well, then you must be a natural.” Huh.
Because only a handful of people in the class that night confessed to being good at Bachata, the instructor started things off just covering the basics. There was the side-to-side basic figure, and then the forward-and-back basic figure, and then Spot Turns for the ladies during the side-to-side basic. When the instructor felt like everyone had those basic figures down, he gave everyone a pattern of figures that they could do that got progressively more advanced as it went on, until he ran out of time in the class..
The pattern started out with a normal side-to-side basic. Then we did the same basic figure with the ladies Spot Turns added. Once we finished that, we took a wide two hand hold and the men led the ladies to travel forward on a diagonal path while he traveled backward, taking four steps diagonally back from right to left, then rotating the lady to do another four steps from left to right. We did four of these traveling diagonals so that when we finished we were on the right side once more with the left foot free. Then he had us do some leg flicks, pointing the leg to the side for beat one, flicking it up behind our other leg on beat two, taking a step to the side on beat three, and finally slowly sliding the other foot in over beat four. We did four of these as well, to keep the musical phrasing.
As we neared the end of class, he showed the ladies how to do Swivels, These were exactly the same as what you have probably seen in International Rumba, where the lady is in front of the man stepping and turning from side to side. This was a challenging step for many of the ladies I danced with. At first the instructor wanted the ladies doing one Swivel for each beat of music, but after a few minutes of practice when he saw that many were struggling to keep that pace he backed down and said that if they wanted they could do one Swivel for every two beats of the music. A lot of the ladies I danced with still wanted to believe they could do the fast ones, so I would let them try, and then if they struggled I would stop and get them to try it again slowly to be successful.
By the time the class had finished, more guests had shown up for the party to participate in the open dance. The ratio of men to women was pretty even that night, so I wasn’t really needed for dancing. That was probably for the best too, since I had to leave early to take care of some stuff for work. Also, the DJ made sure to play a fair number of Bachata songs, and I probably would have had to fake my way through those if someone had asked me to dance during one…
Keeping things on the slower side this week, we ended up looking at Rumba in Latin Technique class on Monday night. On an interesting note, a lady whom I have met several times before ended up joining us that evening. We’ll call her the Gatekeeper, and she’s an… interesting case. For a long time, I used to think that she was reluctant to learn anyone about dancing from anyone other than Lord Fabulous, but apparently the two of them had some kind of falling out recently. Since then, I’ve seen her at the Fancy Dance Hall taking a lesson with Sir Steven, and now she showed up to take Lord Junior’s Latin Technique class. I’m not sure if this will become a regular occurrence, or if she and Lord Fabulous will reconcile their differences shortly, but it’s something to keep an eye on.
As we usually do when new people who Lord Junior doesn’t know very well join us for class, the figures we looked at that night weren’t super intense. If Gatekeeper sticks around for a few weeks, I’m sure that will start to change, but for the first night there she could get through the figures pretty easily. Starting in Fan Position, we took the ladies into an Alemana, with the guy shifting to the left slightly so that the lady ends her last turning walk on the Lead’s right side. Collecting her with our right arm, we turned her in a Natural Opening Out action that we over-rotated as we closed so that it melded right into a Reverse Top. We went around for three measures, releasing the lady in the middle of the last measure so that she would end up back out in Fan Position. Just as class was ending, Lord Junior was having us move from that Fan Position into a Hockey Stick, but we didn’t get any farther that night.
Standard Technique class on Wednesday was pretty fun, in my opinion. The class was rather small compared to the number of people who usually show up. I think that with so many schools starting up again this month, many of the normal attendees are either getting ready to go back themselves or getting everything ready for their kids to go back. At least, that’s my theory – I could be wrong.
We looked at Waltz this time around. There were a couple of figures that we looked at that I don’t remember ever seeing before, which is always exciting to me. First off, when we started class, Lord Junior asked all of us if any of us had ever seen a Left Whisk. When everyone said no, he decided that we would definitely be using that figure during class. As you can probably guess, a Left Whisk is basically the same as the basic Whisk, only you are crossing the opposite foot behind. While the normal Whisk is a figure you learn in early Bronze International Waltz, a Left Whisk is a Gold-level figure for some reason.
Our pattern that night was rather short, and it doesn’t travel all that far because of the spin and lunge that we do after the Left Whisk. We started out with a normal Natural Spin Turn and then transitioned into the Left Whisk. With my right foot crossed behind my left, our next figure was to unwind with a Standing Spin while the lady walked around me. This Standing Spin felt a lot like a Natural Twist Turn from Tango. Once the lady got all the way around us, we rotated her body so that she was perpendicular to ours and then did a Same Foot Lunge, with the man lunging to the right and the lady stepping backward on her right leg and leaning backward in an Oversway-like line. If you were in the right position, you would almost have the lady sitting down on your right thigh when she was leaning back.
To come out of the Same Foot Lunge, the guys would stand the lady back up and pivot her around without moving yet (that’s how she gets back to being on the opposite foot from us). Once she was pivoted back into normal dance position, the guys could collect and do an Open Telemark, coming out in Promenade Position heading toward diagonal wall. Lord Junior was going to add on something else at the end to give us a better closing than ending right in the middle of an Open Telemark, but we had spent a lot of time working on the Standing Spin and Same Foot Lunge that night, so we had to leave it there so that we could get in several practice rounds before class ended.
Remember how last week I mentioned feeling like my schedule was overwhelming without actually having anything out of the ordinary on it? I guess feeling that way wasn’t good enough for me, so I somehow got talked into adding more things to my schedule. There’s the showcase that I mentioned earlier that I’m fairly certain I will start working on. Just before that, I had already agreed to compete at the end of September, so not only do I have to find time to learn and practice a showcase routine, but I still have to continue working on my competition routines at the same time!
Two weeks ago I mentioned that I had volunteered myself to be part of this committee that will be making dance-related decisions on a national level. Well going along with that, my local Royal Dance Court group will have our quarterly meeting next week to talk about what we have planned for the rest of this year, and to start discussing the dance parties and events we want to host next year. There is this debate going on about themes for our dance parties – a few of the members of the Royal Dance Court really like planning themes for these parties, with decorations and a playlist of music that matches the theme. Others (like me) don’t see many of the dance attendees dressing up for the themes, or mentioning anything about the decorations, so we feel like having a theme every month is overkill without participation. That should be a fun discussion…
On top of that, my Royal Dance Court group was asked to send representatives for an upcoming regional conference, where a bunch of different dance groups in our region are coming together to discuss our successes and challenges in getting people into ballroom dancing in our respective areas. As you can probably guess, I was asked by Prez if I would tag along with her to that regional meeting. I’m pretty sure that she asked Sparkledancer if she wanted to go as well, and that the ladies will be getting a hotel room together to reduce costs and whatnot. Being the only guy, I have to find my own accommodations. There was talk of reimbursements if I saved my receipts, but I hate doing expense reports, and I make stupid money compared to my living expenses, so I can just eat the cost.
Anyway… why did I agree to go to this meeting? For starters, there are rumors that some of the people in charge of the national organization that I had signed up to be on that committee for might have a representative there to talk with all of these regional clubs, so I figured getting in some face time is a good idea. Also, I’m fairly certain that Prez asked Sparkledancer and I if we wanted to go because she wants our Royal Dance Court to stand out because of our respective youth. There is supposed to be a dance party that night after all of the meetings in the afternoon, and if Prez shows up with the two of us who also happen to compete together, and she can get us to dance in front of everyone else at the party… I’m sure that will score her some bonus points, and I’m willing to do that for her.
I could be wrong about that, but with what I’ve learned about Prez over the years, she likes to have power and status over people, and I wouldn’t put it past her to use me to that end. But knowing how dance politics works, helping her earn status points can also help me out too. If I can get to know the leadership of all these dance clubs in my region, maybe I will be able to present my ideas about how I think things should be done to them, and have some small influence on the way the clubs are run. On top of that, if I want to use my committee position to help solve big problems at the national level, I want these people to know who I am, and trust me enough to tell me about issues they come across. After all, if no one tells you about an issue, how can you help solve the problem?
So now my calendar is actually getting full. What is it about me that seems to be drawn to do all of these things, even knowing that I would much rather just have a quiet weekend curled up in bed with my cat, doing nothing but staring out the window? I must be crazy.