Speaking My Lesson From The Brain

This past Friday night I ended up at a dance party out at the Electric Dance Hall. Based on the messages I saw floating around online, there was a bigger dance party with some sort of special surprise that was going on at the Fancy Dance Hall that night as well, but I didn’t want to make the drive all the way out there when there was a less crazy party going on at a dance hall much closer to my house. Besides, as I see it, as a male dancer I can pretty much go to whatever sort of dance event I want and always be useful, so I knew that whatever I chose would be end up being fun for me.

I arrived at the Electric Dance Hall a few minutes after the party had started. Lord Junior stopped what he was doing to come over and greet me, and he made a specific point of telling me about one lady who was at the party that he wanted me to go dance with at some point that evening. She was relatively new to dancing, having first started taking lessons at the Electric Dance Hall in November, but now she was starting to feel confident enough in her abilities to show up at these social parties. I made a point of dancing with her a couple of times, sticking to slower dance styles like Waltz or Rumba to try to figure out what she was comfortable with.

Somehow that night I also ended up dancing a Hustle with Lady Lovelylocks. As a general rule I really try my best to avoid dancing with instructors or professionals, since there are always other amateur ladies I could be dancing with, but that night as the song started Lady Lovelylocks walked right up to me, grabbed my hand and pulled me toward the dance floor. The song that was playing could have been either a Cha-Cha or a Hustle, and since I knew that Lady Lovelylocks spent a lot of time competing professionally in International Latin and I didn’t, I made a point of asking her if she knew Hustle as we got started. With the music being so loud, I’m not exactly sure what she said to me, but she was smiling about it, so I took that as consent to do what I wanted.

The dance did not go as well as I would have liked. Part of the problem I have with dancing with instructors or professionals at social dance parties is that I always feel like it is some kind of test. Logically I know that this is incorrect, and these people just want to have fun sometimes just like me, but in the back of my brain I still worry about screwing up steps while dancing with them, so I’m really on edge for the entire song. The other problem was that Lady Lovelylocks felt kind of out-of-control when I was dancing with her, which was a bit unsettling, and that made me worry about what I was doing even more.

I’m sure that you’ve thrown a punch before, so I’m going to use that as a comparison – have you ever pulled a punch? Where you try to hit something really hard but then stop your arm short at the last second? There’s tension that you get when you pull your arm back that comes from your triceps, right around the lower half of your arm going toward your elbow. I associate that feeling with cancelling the movement in my arms quickly, to prevent my fist from accidentally hitting anything (or anyone if I’m in a kickboxing class). Do you know the feeling I’m talking about? You can try throwing a punch and stopping your arm before it completely straightens if you want to give it a try.

Well, as I was dancing this Hustle with Lady Lovelylocks, she was putting a lot more power into her turns than I have ever felt anyone use during a Hustle before. I know this because when I did figures that would require me to stop her to change her direction, like a Triple Spin or transitioning from Open Dance Position to Closed Dance Position, I would put up my right arm and she would slam into it. She doesn’t weigh a whole lot, but she was running into my arm hard enough that I was getting the same feeling in my triceps when stopping her body that I would get when pulling a punch. That’s crazy!

I know that’s a bit strange to mention, but that was a really memorable note for me from this dance party. Other than that, it was a fairly normal night where I got to talk with people who I knew and dance the night away. I tried my best to keep dancing that night for as long as the Dance Robots kept dancing, but near the end of the party most of the unattached ladies had either gone home or were changing their shoes, so there wasn’t much I could do for the last couple of songs, while the two of them kept going right until the end. Maybe next time…

With Sparkledancer being out-of-town the last few days of last week, we had to reschedule our weekend lessons to a time when all of us would be around. That meant that I ended up meeting with Sparkledancer and Sir Steven out at the Fancy Dance Hall on Sunday morning instead of our usual Saturday time slot. I got to the studio a bit early as usual to warm up a little, and found that there were a couple of people hanging out who were setting up furniture for some function that was starting at noon. They didn’t leave us much room to work that day, since they had set chairs up in a big arc around a small center point against one long wall. There was a very thin strip of floor behind the chairs that could be used for dancing, but it wasn’t quite wide enough to do much more than travel in a straight line.

Sparkledancer showed up a short while after I did, and Sir Steven a bit after that. He took one look at the room and told the people setting up for the party that we were going to move the chairs back to widen that strip of floor behind the chairs enough for us to work, so the three of us pushed everything up so that we had a lane about ten feet wide. That gave us slightly less play between the chairs and the wall to work with than I would have liked, but we made do for our time there.

Sir Steven had us work on our Waltz routine. We danced through it a couple of times, since the first time I danced was mostly used to get used to dancing through the lane without hitting any chairs on one side, or the wall on the other. We only got through the long wall, as you can imagine, because we couldn’t go down the short wall without moving more of the furniture around. Since no one else was dancing at the same time that day, when we got down the long wall to the far end, we just turned around and danced back the other way. That kind of messed with my head the first time we tried to do it, but I managed to get through once I got started.

Given the limitations on space, Sir Steven decided to have us spend time working on the two chasses along the long wall, since they traveled in a straight line, which helped us avoid running into any furniture. Let me tell you, even though a Progressive Chasse to the Right is only four steps, they seem like the worst four steps in the world when you go through them at painfully slow speeds. We made micro adjustments to the length of our strides, the angles of the steps, then moved on to the Outside Change and did the same thing super slow, and ended with the Chasse from Promenade Position getting the same treatment. At the end we strung all three figures together and ran them at a slightly more reasonable rate of speed, which felt like such a relief after going through everything so slowly beforehand.

On Monday night, in place of going to Latin Technique class, I ended up back at the Fancy Dance Hall to work with Sparkledancer and Lord Dormamu. It had been two weeks since we had all gotten together, and with Sparkledancer being out-of-town on Saturday and Lord Dormamu leaving on Tuesday for an overseas trip to some exotic country to do dance things, we had no other choice but to get something in on Monday night or miss out for a while.

In a massively surprising turn of events that night, Lord Dormamu actually wanted to get started on our lesson early! Normally he continues working with his students until he finishes up whatever concept he is trying to teach them, which quite often has him running his lessons over their scheduled time slots. If he schedules multiple lessons in a row with no break in between, one lesson ending late puts the next lesson behind when starting, and if that lesson also ends late the next lesson is even more behind when starting, and if that one ends late… it’s a terrible cycle! To come in and be told that we could start early for once was a real surprise, and I don’t know if I’ll ever be asked if we would be willing to change our lesson like that again.

We went back to Foxtrot again, just as I expected. Because it had been two weeks since our last meeting, we spent a little time reviewing all of the things we had been practicing in Foxtrot over the last two weeks first so that Lord Dormamu could evaluate how our practice sessions were going. Overall he was pleased, which made me feel good. There were a few spots that we went back to in order to fix a few things, and one new change that he wanted us to start adding in when we danced through the routine. Let’s start with the things that we’d touched on in the past that he wanted me to continue working on:

  • As always, he reminded me to stay down the entire time while I am dancing. I guess he still sees me coming up higher when taking certain steps, even though I feel like I am staying super low the entire time.
  • We went back to dance through the Three Step really slowly again. Just like when we had done the chasse figures in Waltz slowly with Sir Steven the day before, going through the Three Step super slow is pretty terrible. This time, he wanted us to do it so that Sparkledancer could work on taking bigger steps. As Lord Dormamu told her that night, he wanted to “unleash” me during the figure but he couldn’t do that if she didn’t take bigger steps.
  • Apparently he can tell when I am not rotating myself enough during the first Reverse Turn in the routine. If I do not have enough CBM during the first half of the figure, apparently my steps backward tend to go off on a bit of an angle. This may or may not have happened that night because there was another instructor and her student standing in the middle of the floor while we were going through that figure, but Lord Dormamu told me that I should just dance through them if they are going to be silly and stand in my way.
  • Finally, Lord Dormamu also didn’t think that I was pivoting myself enough during my first step of the Natural Closed Impetus with Feather Finish. If you remember, he told me how he has always done a Closed Impetus with the first step I take being a curved step backward to the left that I then pivot on, instead of  taking a step straight backward that begins to turn to the right which is how the book tells you to do the figure. He wanted me to pivot even more on that first step of mine to make sure that we are getting around even more.

As for new things, we looked at the second Reverse Turn in the routine that night, which is in the corner at the end of the long wall between a Natural Weave on the long wall and Basic Weave on the short wall. Up until that point, we had been doing the Reverse turn while heading toward diagonal wall the entire time. This Reverse Turn ends with a checking action instead of a Feather Finish, which allows us to change our alignment easily between heading toward diagonal wall on the long wall to heading toward diagonal center along the short wall.

Instead of turning the entire 180° during the second step of the Reverse Turn, he wanted to make this Reverse Turn more like the first Reverse Turn we have in the routine where there are two distinct parts. The first half would mirror our first Reverse Turn, where you only do about ⅜ of a turn on the second step so that the third step would now be heading toward the wall. The fourth step, which is just that checking action, is where we will now be completing the other ⅛ of the turn to give us the full 180° we had before.

However, Lord Dormamu wanted us to take this fourth step in a very specific manner. There will be distinct rise on this step so that it actually looks almost like I am popping up while taking it (the sort of action he told me earlier in the evening that I should always be staying down to avoid). Also, he now wants me to rotate my head here as I do the sway for this checking action – I will be looking over Sparkledancer’s head when doing this check. I know, I know, this set off all sorts of bells and whistles in my head too, since he just recently told me that I was allowed to start keeping my head to the left again, and before that I was supposed to keep my nose in line with my sternum. Moving my head is going to throw all kinds of things off, I just know it.

Practice makes perfect though, right? I’ll probably have to go over this quite a bit to make sure that I can remember to move my head and then put it back at the right times. Sigh… one more thing to add to my list of items to practice.

Since I didn’t make it to Latin Technique class this week, I made sure to make it to Standard Technique class on Wednesday night. It was a good thing that I did too, because we ended up with seven ladies in class and only Lord Junior and I to dance the Lead part. I don’t know what he would have done if I hadn’t been there, but it probably wouldn’t have been pretty!

We ended up going through some things in Waltz that night. The first figure we did was the only one that I hadn’t seen before, and was by far the most interesting of the figures used that night. Lord Junior called the figure a ‘Checked Natural Turn’ which is also a pretty good description of what you do during the steps. We started with a prep step and then took the first two steps of a Natural Turn. However, as we placed the left foot down, we didn’t completely transfer our weight to the left leg like we would in a normal Natural Turn. Instead, we used partial weight to create a checking action, and then pushed back onto our right foot to do a small Slip Pivot that would rotate us to face down the line of dance.

This variation on a Natural Turn seems like it can be pretty useful, allowing you to quickly change direction if need be. The pivot on the third step could obviously be rotated even further if we had wanted to, but we only used an eighth of a turn because of what Lord Junior wanted us to do next. The key to remember, as I found out the hard way, is not to drive yourself backward on that third step. It is a small step, just under your body, which allows the ladies to position themselves in front of you when they do their pivot. If you push that third step backward, you risk leaving the lady standing far away from you as she pivots herself around the point where your body used to be.

The rest of the progression was fairly simple. Having pivoted to line ourselves up facing the line of dance, we added on a Double Reverse Spin that did a complete turn, and then seemingly to make Sir Steven happy we did a Progressive Chasse to the Right, which brought back memories of working on the same figure on Sunday. Finally, to wrap things up Lord Junior wanted to do another syncopated figure that traveled in a straight line but had different timing and different rise and fall when compared to the Progressive Chasse to the Right. This was a Quick Backward Run, where the syncopation was during the first two steps before the rise, instead of during the second two steps in the middle of the rise like the Progressive Chasse to the Right uses.

At this moment, I’m hoping that this coming weekend is pretty quiet. I feel like I should head out and spend some extra time practicing serious things. I’m not even sure why. Yet there’s always a chance that I will allow myself to be talked into going out and doing other, more fun things instead of practicing. Sigh… more than anything I hope that I get a chance to sleep in for a few extra hours this weekend. I feel like I need some extra rest for some reason. We’ll have to see whether I accomplish any of my desired tasks next week!

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