Laughing All The Way

When I got together with Sparkledancer and Sir Steven this past Saturday afternoon, we started off looking at things that were on a completely different track than usual. Sir Steven wanted to begin by looking at Foxtrot. We still haven’t gotten around to looking at what our American Foxtrot routine should be; we just looked at some figures in Foxtrot. Specifically, we began by jinglebells1doing repeating Three Step and Feathers down the length of the floor. After a few repetitions with me traveling forward, Sir Steven asked us to do them with me going backward. This is what Sir Steven wanted us to look at (he called it a Reverse Wave, if you want to look it up). Sir Steven said that we should start trying to incorporate this figure when we dance Foxtrot together socially, because he wants to put a number of things that travel backward into our routine, so we need to feel comfortable maneuvering backward with other people on the floor. It was easy to do that afternoon, since we had the whole place to ourselves, but moving backward can be scary when there are other dancers around that you can’t see as you face the other direction.

Next we spent a few minutes looking at our American Waltz routine to review the changes we had made last weekend. That wasn’t very exciting. Then we decided to look at our Tango. We had pretty much already scrapped everything but the first long wall of the routine up to this point because Sir Steven didn’t like it, and that afternoon he decided to changing portions of that wall as well. Where we focused that day was on a piece that Sparkledancer does: we had just done an Open Reverse Turn, ending with me lunged forward on my right leg and her in outside partner. Sparkledancer was supposed to flick her right leg backward around mine and then kick it forward before putting it on the floor to do some rock steps with me. Sir Steven didn’t think her kick was exciting enough, so the two of them worked on the kick while I held my lunge. She was supposed to make it look more dramatic, almost like a snap kick. Sir Steven made some noise at one point while they he was kicking to add emphasis, which I thought was funny, so Sparkledancer asked me if I could help make inspirational noises for her when she kicked. Being the obliging type, the next time we went through the step and she kicked I said “Keeyah!” really loud, like we were in a cheesy martial arts movie. Both of them stopped what they were doing and started laughing really hard. That was totally the right call on my part.

Before we finished up that day, Sir Steven wanted to switch gears and we briefly look at our Quickstep routine. I guess since it had been so long since we had done any changes to any of our International Standard routines, they were feeling a bit jealous, so Sir Steven walked us through a variation of the first long wall in that routine that he wanted to have us start incorporating in from time to time. It wasn’t meant to be a total replacement for the first long wall, just a variation that we could use when the routine repeats to keep things fresh as we go around. The first long wall would normally travel in a pretty straight path down the line of dance, so this variation will have us moving back and forth from the wall to the center as we travel.

Later on that evening, I got to help put on a dance party with the other members of the Royal Dance Court chapter I am a part of. Our little group had known about the big formal Christmas party that many of us attended the weekend before, so to differentiate ourselves from that event we had intentionally scheduled our party this past weekend to be just the opposite, encouraging everyone to dress in their tackiest holiday attire and come out for some relaxing fun. We were also celebrating the birthday of our chapter that night, so all members got to come to the party for free! Being so close to the holidays, I was worried that a lot of people would be out of town for the weekend and we’d have a small turnout, but we had a ton of people show up to dance that night. I guess the allure of free dancing is too much for people to pass up.

Before the party started, we had arranged for Lord Junior to come out and teach a class on American Rumba to everyone. Weirdly enough, I did not participate in the class that night. While the class was going on, we had a lot more men than women in attendance. A few people jinglebells2trickled in during the class as well, but that only made the ratio worse, with even more men than women. I ended up directing several of the ladies who are members of the Royal Dance Court with me to go out to the floor to even up the ratio (which is what I usually have to do during these classes). From what I could see of the steps they were doing from where I was, it didn’t appear to be all that complicated – it looked a lot like a figure I learned quite a while ago in fact, but after the class was over Sparkledancer came to talk to me and told me that a lot of the men were struggling with the steps, so she ended up backleading a lot just to get through things.

The party afterward was tons of fun. More people kept coming in as the class was wrapping up, so we ended up with tons of people out on the floor! And there were still several more men than women! That doesn’t happen very often at parties I usually attend. I ended up standing behind the counter for the first half of the party to watch the door and sign in any people that showed up, giving the ladies who are members of the Royal Dance Court a chance to do some work during the dance party out on the floor like I usually do. It’s only fair that occasionally they have to spend all night dancing and entertaining the guests, right? That is what I have to do most months. I still got to dance quite a bit, so don’t feel bad for me. Not that I would think that many ladies would feel bad for me having to sit out at all anyway…

To celebrate the anniversary of the founding of our little club, all the members of the Royal Dance Court chipped in to get free cake and champagne for all the people who showed up that night. I think we might have overdone it a bit though. There were several bottles of champagne left over at the end of the night, and I know there were a few people who had a lot more to drink than I would normally feel comfortable with. We also ended up having a lot more cake than we really needed as well. One lady really felt like we needed homemade cake, and she wasn’t sure what flavor would be the best, so she made three cakes, each in a nine-by-thirteen pan. By the end of the night, two cakes had been half eaten and one hadn’t even been cut into pieces. We probably could have gotten by with two cakes half the size rather than three giant ones, if you ask me. Rumor has it someone took the cakes home to put in their freezer with the idea of bringing them back out at our dance party next month. I’m really, really going to have to try and talk them out of doing that…

There were only a few of us who showed up for Latin Technique class on Monday night. Lord Junior was working on some Tango with Deja when I got to the studio, and when asked if she was going to stick around she initially said that she had some things to get home and take care of. Sparkledancer was the only other person there, sitting along the side of the room watching the two of them. Lord Junior said it might be just the two of us, so we could pick whatever we wanted. Sparkledancer made a joke about wanting to do Bolero, since Lord Junior doesn’t like Bolero for some reason. He replied that he would just go through International Rumba figures using Bolero technique if that’s what she really wanted to do. The two of them looked at me, and I just shrugged and said that they both knew what my vote would be (I love me some Pasodoble!). Both Sparkledancer and Lord Junior seemed to be OK with that idea, and when Deja heard us talking about doing Pasodoble she decided to stick around as well. Then tiny Tanya Tiger showed up at the last minute, doubling the size of the class from what I initially thought it would be, so that was fun. Yay for my great ideas!

Well… it was sort-of a great idea, as we found out. As excited as Deja was to do Pasodoble, she had never done any before, so she had trouble through the class figuring out her footwork. And even though Tanya is one of Lord Junior’s better competitive students, they haven’t done any Pasodoble together yet either. From the sounds of things, that might have been partially because of the height difference between them (she is under five feet tall, and he is several inches taller than my six foot frame), which would make it hard for them to do the iconic Pasodoble shapes really well. Also, Lord Junior picked a particularly difficult figure for us to work on in class that night, which was even harder for the ladies with no Pasodoble background to get through the first several times we tried it out.

We looked at a Gold-level figure which is aptly named ‘The Twists.’ Basically it’s a traveling figure that takes you down the floor, with the men doing three Twist Turns around the lady, and the lady doing three Heel Turns around the guy (yes, there apparently are Heel Turns in Pasodoble). When done correctly you get the effect that the turns are happening back-to-back, not at the same time. It will look like the man comes around the lady, turning to face the opposite direction, and then the lady moves and turns, then the man comes around again and turns, then the lady, and so on and so forth. It’s a neat effect, but hard to pull off if you aren’t coordinated with your partner. The syllabus version of the figure has you doing three twists and then a side step to collect, covering a twelve counts in the process. While turning, you are to constantly be shaping your upper body toward the center of the room (assuming that you view the direction you are traveling as ‘line of dance’). The shaping transitions are quick, so it took me a few tries to get them down.

Not being satisfied to just end the figure in the manner that the book recommends, we decided to add on one extra piece to give us the extra four beats needed to get two full eight-counts out of our pattern. We did three syncopated Lock Steps Forward, which ended up traveling toward the center of the room since our previous figure ended with us facing that way. The Lock Steps were super quick, and at the end we did a quick transition into Promenade Position, complete with all the big arm motions, to set us up for something else. As we practiced, we always ended up taking the first step forward in Promenade Position on the next beat one to help stop our momentum from the quick movements in the previous steps. The pattern felt pretty good when we were running things at about 80% of normal tempo, but it was a real challenge to keep things looking good when done at full speed. I thought it was a lot of fun though, so all around I was glad that everyone went along with my idea that night.

There were quite a few more people who showed up for Standard Technique class on Wednesday by comparison. We looked at some International Waltz that night, only covering a handful of figures that sounded easy when they were being explained to the class in the jinglebells3beginning, but one of the figures gave most people more trouble than I would have thought when we tried to dance it. The first step was easy enough, a Fallaway Reverse Slip Pivot – something most of you have likely seen before, either in International Waltz or Foxtrot. Next we did a normal Double Reverse Spin – also easy enough. Coming out of that was the troublesome figure: an Overturned Double Reverse Spin. It’s basically a normal Double Reverse Spin, but on the last half of the last beat you add on a Reverse Pivot to turn you another 180°. This seemed to cause all kinds of issues when we tried to dance it with a partner, and for some people it even caused issues when we tried dancing through the figures without a partner. To finish out the progression we added on an Oversway at the end. Not a Throwaway Oversway, but just a normal Oversway.

The biggest problem I had with the Overturned Double Reverse Spin was that with several of my partners, they would let their right arms collapse. When that happened, the right half of their bodies would invariably collapse toward me, pulling their heads back in toward their center. For some reason last night more than any other night I was having trouble getting the turn to go all the way around when the lady didn’t keep her head out to the left, which helps stabilize the turns we do. Three of the five women were letting that happen more often than not, so we would then have to kind of fake the last bit of the turn to make sure we got around enough to go into the Oversway. The two women that kept their frames up strong helped the progression flow really well, and we were able to get through things easily and everything felt really good.

Well, the holidays are officially upon us. That means that this weekend will be pretty quiet. The only option for dancing that I have heard of is a party tomorrow night at the Fancy Dance Hall. I think the class I normally attend on Monday is also cancelled, so that will be a bit sad. Next weekend should be better. There are several New Year’s Eve dance parties in the area to choose from to help finish out 2016 and bring in 2017 with. But we have to get through one holiday first before we can start talking about the other, so I’ll have more on those later.

Here’s wishing you and yours a very merry and dance filled Christmas!

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